09
Sep
17

[title of show]

 

[title of show]

Understudy Productions

Hayward Street Studios

August 31 – September 10 2017

 

Reviewed by Xanthe Coward

 

 

Jeff and Hunter, two struggling writers with nothing to lose, have decided to put everything on the line and create a show for New York Musical Theatre Festival. With the deadline for submissions a mere three weeks away, Jeff and Hunter decide to follow the old adage, “write what you know,” and set off on a unique musical adventure: writing a musical about writing a musical. With the help of their friends Susan, Heidi, and Larry on keys, they make a pact to write up until the festival’s deadline and dream about the show changing their lives.

 

[title of show] is one of the funniest productions to have been staged in Brisbane in a long time. I don’t know if this company saw Oscar Theatre Company’s production, directed by Emily Gilhome, in Brisbane in 2010 and Noosa in 2011 but this cast, directed by Ian Good, can hold their own.

 

 

Alexander Woodward’s Understudy Productions threw into the MELT Festival mix at Brisbane Powerhouse earlier this year an original cabaret (Boys of Sondheim), and now with Jeff Bowen and Hunter Bell’s [title of show] the company continues to provide professional work for local, Australian-based talent in another production that is LGBT and gender friendly. In the current political climate, a show about two gay guys writing a show about what matters to them and stuff that happens to them couldn’t be better placed.

 

Jackson McGovern plays an adorably goofy Hunter and Woodward is the perfect foil, an unassuming, charming Jeff. Together they go through the tumults of a working relationship and the closest kind of friendship, earning wide smiles, lots of laughter and our genuine affection.

 

 

 

Aurelie Roque is a wry, self-effacing Susan and Lauren McKenna a bold, bright and bubbly Heidi. Joel Curtis on keys is MD and an appropriately pacified Larry, and once again I feel like Larry should have more to say! Some of the best moments are in fact when the characters have nothing “scripted” to say. The girls soak up the spotlight during Secondary Characters during which they discuss what happens when the writers leave the room.

 

 

 

Die Vampire Die is still the best song of the show, possibly because it rings so true for artists, and Roque knows how to sell it. She easily elicits plenty of laughs and pathos within this number’s satisfying harmonies and hilarious lyrics. Curtis has ensured that each musical number is tight and while the pace lagged at times during the opening weekend, it will have picked up during the too-short season. It’s an exceptional cast; there’s no weak link and everyone has their turn to shine.

 

From Untitled Opening Number to Nine People’s Favorite Thing, this heartfelt, upbeat show is fun, irreverent and intelligent, and the perfect vehicle for these super talented triple threats. If you’re new to this musical, or to musicals in general, it’s likely you’ll miss some of the references to exisiting shows and Broadway stars, but that’s okay. While there’s nothing actually new happening here and the Hayward Street Studios’ space is a little unkind to such an intimate production, this [title of show] features five of our brightest. It’s highly entertaining and worth stealing a ticket to see tonight’s final performance; you’ll laugh out loud and leave grinning.

 

 

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