22
Oct
10

[title of show]

[title of show]

Oscar Theatre Company

Brisbane Powerhouse Visy Theatre

October 6 – 16 2010

Reviewed by Xanthe Coward

titleofshow2010

The tag line reads:

This show fucking rocks!

 

And it does. Well, did. Too bad if you missed Oscar Theatre Co‘s recent production, downstairs at the Visy Theatre in Brisbane’s Powerhouse. I saw it on closing night and was surprised (and dismayed, Brisbane, DISMAYED) to see approximately 30 seats spare.

[title of show] is no ordinary show. I remember being intrigued and bemused by the very first YouTube appearance of Hunter and Jeff, in their pilot episode of what appeared to be a fun stunt, claiming to be putting their show on Broadway, despite the fact that it had not yet been conceived. I thought, “Brilliant! Good luck to them…maybe we should try that?!” (I WANT A GOLDEN PONY) and promptly forgot all about them.

The rest, as they say, is a phenomenon. The appeal of the show is that, while it stayed pretty true to form and content, it got a whole lot funnier than the YouTube posts. However, for non theatre-goers; maybe not so much. I do wonder how you would consistently get a normal crowd to see this show. Even I had to refer to the [tos]sery in the back of the Playbill to find out who Mary Stout is (and then I realised I’d seen her play random characters in legal dramas for years). The rest I got. I know other theatre freak friends who particularly appreciated the cell phone ring tones. There were many homages to some of the most popular Broadway musicals of our time that had me laughing out loud in between the witty one liners. Interestingly, the guy sitting next to me didn’t appear to react to anything at all. I wanted to say to him, “Hey, buddy, turn that frown upside down!” (because this show makes you want to say such things to sad people) and then I wanted to poke him (obviously, not in a virtual, Facebook kinda’ way – he’s clearly not on my friends’ list with a sense of humour like THAT –  but in a physical, actual way, you know; to see if he was alive). Anyway, he coughed in the middle of the opening song so I knew he was alive, though not quite normal. Seriously! It’s a funny, clever song and sets the premise for the entire show about two guys writing a show about two guys writing a show about two guys writing a show!

The rest of the audience was with me, loving every moment; applauding, shouting, whistling and screaming after every (upbeat) number and jumping to their feet at its conclusion in the most enthusiastic and genuine standing ovation I’ve been part of for a very long time.

And rightly so. The collective talent involved in this production is impressive. On stage, Dash Kruck totes stole the show for me, portraying Hunter Bell, with his endearingly cheeky, naughty approach to, well, everything in life, his Broadway moves and his ability to connect with those on stage and off. I’m confident I can recommend you go see anything at all that Dash appears in. This includes his kitchen when he is washing the dishes and IGA when he is doing the grocery shopping. Dash is bound to make any event just as entertaining. His wing-man, Kynan Francis provided some sort of balance, though he also managed to get away with equally zany behaviour, which became the norm for everyone, actually, very quickly. Watch the original pair in lieu of the totes over the top version, busting with parody-energy of THIS number. For the record, I preferred the totes OTT Oscar version. It fucking rocked.

I loved David Law as Larry (and able MD), although I wonder if it would be equally as effective to have the character engage a little more in the action…on the other hand, it might change the entire course of the show!

The girls started out as…supportive. And, thank Emily, fleshed out their roles a little more as they went along. I couldn’t help but feel as though the show still lacked a really strong female opportunity…unless it’s there in the book and it wasn’t quite grasped. This seems ridiculous to say because both girls certainly held their own, especially in their scene together towards the end of the show, featuring the song, What Kind of Girl is She, which was added for the Broadway run. One of Brisbane’s most adored performing artists, Liz Buchanan, in her animated (read zany and different animated to this one) rendition of Die Vampire Die might almost have given Susan Blackwell a run for her money. Don’t tell Susan I said that. Heidi (that’s Heidi Blickenstaff for those unacquainted with either the original show or the über-talented lady herself) was played appropriately, in turns, friendly-gently and fiercely-confidently, by Bernadette Alizart. However, I couldn’t help but feel that the two songs included to showcase Heidi’s/Bernadette’s voice were, at the same time, performed beautifully by Bernadette AND could have been two stronger moments in the show. Picky, aren’t I?

LISTEN CLOSELY.

Emily Gilhome’s directorial debut is an impressive effort, particularly in terms of the production values, which were basic and beautifully achieved by a tight team (SM Tim Wallace, Lighting Designer Extraordinaire Jason Glenwright, Sound Designer Lachlan Wallace and Designer Michelle Zahner) and the way the cast members connected with each other and with their audience, even – or especially – in the most ridiculous, zaniest moments, to keep it real. Of course, as I alluded to earlier, some of us may relate better than others to the concept and content of [title of show], which is set to enjoy a cult following everywhere.

Oscar Theatre Company has started out very quietly, with quietly confident visions of what sort of company they want to become and while they are still finding their feet over the next few years, I think they’ll find that Brisbane audiences are loyal to their quirky quality, rather than the ordinary quantity of some of the competition. Did I say competition? I certainly did! There is this gentle local urban myth at the moment (is it new? Probably not) that there is not enough good theatre happening in Queensland and, more specifically, in Brisbane. I say there is. I wouldn’t go so far, however, as to say that Brisbane is the new cultural capital of Australia. There are those who have done. To them I say, “THANK YOU.” And, “COME AGAIN.”

It’s true, you do have to be a bit of a Sherlock at times, to find out what’s on, though not if you’re a Facebook addict like me. And by addict, I don’t mean simply logging on every day for a fix, I mean finding the pages for the main stage and independent companies, liking them and hoping they are all tweeting and updating their moves like mad to continuously feed your addiction (oh, a marketing and social media blog post must be coming up)! Then of course, one must choose to go see their shows and book the tix and GO (oh, a supporting friends’ productions blog post must be coming up)!

From my vantage point on the gorgeous Sunshine Coast, I’ll certainly be keeping an eye out for whatever it is that our friends at Oscar Theatre Co offer us next.

[title of show] Promo Video : Oscar Theatre Company from Oscar TheatreCo on Vimeo.

Oscar Theatre Co [title of show]

Advertisements

0 Responses to “[title of show]”



  1. Leave a Comment

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: