Posts Tagged ‘season 2013

29
Mar
13

Infinite Space & Sunshine Coast Council Theatre Season Launch 2013

Sunshine Coast Council Theatre Season Launch 2013

 

 

A rather late launch in March, yes, on the Thursday leading into the Easter weekend, a Thursday known as Maundy Thursday, a fact I know due to my Lutheran schooling. OUR TWENTY-YEAR SCHOOL REUNION IS COMING UP! WTF? And did I miss the ten-year get together then? I don’t remember putting in an appearance. I only see school friends on Facebook. Can I tell them I invented Post-Its? Oh. No. It’s been done.

 

 

 

So at my Lutheran school, I sang on Maundy Thursday in Chapel, “They crucified my Lord and he never said a mumblin’ word…” That’s right. Every year I have that top soprano line in my head and only one of seven or something verses… “Not a word, not a word, not a word.” Funny the things you remember.

 

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This was indeed a late-in-the-year launch, for a season of Sunshine Coast entertainment that has well and truly begun, across the three Council run venues, Lake Kawana Community Centre, The J in Noosa, and Nambour Civic Centre, the venue for the launch. Hmmm.

 

The Nambour Civic Centre is a little like Twelfth Night Theatre in Brisbane. The last time I was there, only recently actually, to see SPANK! The Fifty Shades Parody, the best thing about the place was Stephen Mahey (needless to say, I’m excited to see him next as Kenickie!). Nambour desperately needs some love too. While the foyer is fairly open and inviting, with easy box office and bar access, it’s a shocking performance space, especially for dancers, and more importantly, for audiences.

 

I was sure I’d heard a rumour last year that a second lot of tiered seating was to come. Well, it hasn’t come yet! Tip for the punters: Don’t book floor seats at Nambour. Ask to be seated in the raked seating, from about 4 rows back or miss the entirety of any floor work. We were in row AA, the first of the raked seating, and missed most of it. (Don’t be fooled by thinking that the closer you are to this stage the better vantage point you’ll get. What you’ll get is a crookneck!).

 

afgroup-0021The launch event was held in the foyer by the bar, with drinks and too-hard-to-handle canapés laid on. I never take for granted good catering, with teeny tiny neat morsels, masses of serviettes and constant attention from the staff so there is no awkwardness or mess. While the staff did their utmost, they had little chance of winning and I dread to think how many super-size-me Malay chicken sticks and deep-fried meatballs (or were they arrancini balls?) were wasted because they were simply too large to eat while standing and talking with a drink in hand. It’s a practical decision, which has little, if anything, to do with the fact that you may or may not turn up hungry to these sorts of events. Thank goodness Poppy and I had already enjoyed wild rice and Catalan stew at home.

 

The launch was short and sweet, with technology allowing us a sneak peak at the entire season of Sunshine Coast Council’s entertainment program, including theatre, dance, music, comedy and children’s entertainment. I know that Sunshine Coast peeps had better be booking early for a heap of these shows – it’s a great selection – and my tip is that if you get organised you can possibly halve your trips to Brisbane this year. And introduce some new friends and family members to the joy of live theatre. My picks are Animal Farm, Art, Jack Charles, Daniel Gartrell, R & J, Giselle, The Ten Tenors, and the Melbourne International Comedy Roadshow.  The kids should definitely get to Flipside Circus, Fluff, Possum Magic and The Wiggles. But wait! THERE’S A WIGGLES’ WOMAN NOW?! #forserious #whatofit

 

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Following the launch, we were invited to attend Melbourne Ballet Company’s Infinite Space, comprising four separate pieces, choreographed by Resident Choreographer, Simon Hoy (and Robert Kelly, Co-Choreographer of In One Day). The highlight was seeing Alexander Bryce on a Sunshine Coast stage again, and I wondered why the names of the artists did not appear anywhere. An oversight? Sunshine Coast Theatre Alliance members had to ask me, “Who IS that?!” because of course they were able to recognise him but couldn’t place him without a name to put to that familiar face and form. Bryce commands attention and I think we’ll see him moving well beyond Melbourne Ballet Company.

 

Poppy’s definitive comment following the first piece, In One Day was, “It was about relationships.” And while I agree absolutely with her, because I saw masculine-feminine struggles, relationships, image, identity, sexuality, insecurity, manipulation and bullying, apparently we were waaay off the mark and it’s actually a work that “celebrates physicality and athleticism” and was created to “pay tribute to the city of Melbourne.” Well! Okay. But I have to tell you that the main homage appeared to be to the likes of Material Girl Madonna and Gaultier (I even thought of the original, disturbing The Beauty Myth book cover!), in dance gear that was nude ruched satin pin-up booty pants and tops. I know, I know, it’s a slight nod that I’ve taken to be total inspiration. Totally not the case. It’s just where my head goes. This garb is pretty plain in comparison. Simple. Functional. A little bit fun and shiny. And absolutely beautiful. It’s a pity we didn’t see more of the dancers, as they moved in and out of shadows that may or may not have been intentional…

 

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Because I hadn’t been asked to review the show, because Poppy hasn’t been 100% this week, and because we have a massive weekend planned, we left after In One Day. The work that I’d really hoped to see (Infinite Space) was the final one of the night and sadly, I realised that we’d be missing it.

 

The Sunshine Coast is such a strange place for entertainment. We do festivals exceptionally well, particularly in Noosa. It was such a joy to spend the evening with our gorgeous friends, Trena and Murray. Trena is the publicist extraordinaire for Noosa Longweekend (and at least ten or eleven other fabulous clients), and in speaking with her, I realised that we are about to be flung head first into our crazy festival season. I knew it was creeping up on us but OMG HOLD ONTO YOUR HATS PEOPLE! As well as Woodford Folk Festival each year, we have Floating Land, Noosa International Food and Wine Festival, Noosa Longweekend, Noosa Jazz Festival and before any of that, we’re celebrating on Sunday at the Ocean Street World Festival! Everybody goes to the festivals. To get people in through the theatre doors is another matter entirely. But now there’s no excuse not to go more often to the theatres, is there?!

 

There’s some great stuff being offered in the council venues this year and it’s not just the shows I’m talking about. Check out the workshops, film festivals, and special events too. It’s easy to connect with the arts/venues arm of Council, via their Sunshine Coast Venues and Events website and Facebook pages. You can also subscribe to the e-newsletters so you’ll never miss a one-night-only show again. With the Sunshine Coast Theatre Alliance season, professional touring productions, fabulous dinner theatre, dance events and all of those festivals, there is literally TOO MUCH TO DO HERE! GET AMONGST IT! And if you stayed to see the rest of the show after Interval tonight, do let me know your thoughts!

 

 

15
Oct
12

QTC Season 2013

QTC Season 2013

Queensland Theatre Company announces Season 2013

the journey continues…

 

Love, art, laughter, drama, catharsis, glamour, song and adventure in the spotlight

 

Just days before the official world premiere of David Williamson’s new play, Managing Carmen heralds the close of Queensland Theatre Company’s blockbuster Season 2012, the company has unveiled Season 2013 to a capacity Playhouse at QPAC.

If you were following @qldtheatreco or @xsentertainment on Twitter during the launch you will have got a sense of the excitement this new season brings to current subscribers (and reviewers! I have to admit my excitement about Red and Venus in Fur particularly. This may or may not have everything to do with my current explorations into working with visual artists live on stage or my totally professional critic’s crush on Associate Artistic Director, Todd MacDonald, who has just blown us away with his performance in Bare Witness. Keep an eye out here for my review of the show and an interview with Todd, and get to Bare Witness if you can. It goes to the Gold Coast next)…

QTC’s Artistic Director Wesley Enoch said QTC’s onstage journey would showcase a range of works that take ticketholders around the world, shine the light on home grown talents and create theatrical moments of national importance across a world of love, art, laughter, drama, catharsis, glamour, song and adventure.

Enoch’s inaugural Season 2012 has proven a bestseller. His invitation for patrons to join him on a journey into the theatre this year, led by a mix of classics, new comedies and big theatre experiences has proven a winning formula – 1000 new subscribers; 10,000 more tickets sold; a 13 percent increase in box office revenue, and a range of new works that challenged, entertained and enlightened; all in a year of buyer caution and a show stopping competitive set.

Season 2013 promises to be even bigger with the cultural journey continuing in full force. “In 2013 we invite our patrons to seek out interesting stories, engage in discussion and debate, step out of their comfort zones, get excited by artistic daring and genuinely seek more out of life,” said Enoch.

The Mainstage Program in 2013 features seven productions, including the acclaimed and six-time Tony-award winning masterpiece Red starring Colin Friels;  David Ives’ deliciously sassy, tony award nominee Venus in Fur with Todd MacDonald & Libby Munro; the blockbuster End of the Rainbow with powerhouse actor Christen O’Leary brilliantly cast as Judy Garland in her final troubled days, and the epic morality tale Mother Courage and Her Children in a stunning new translation with Ursula Yovich & David Page.

Continuing the exploration of relationships and reality, Other Desert Cities (five-time nominated 2012 Tony Awards and a 2012 Pulitzer Prize Drama finalist) will star Robert Colby and Rebecca Davis in the family drama where hidden secrets are laid bare; while popular Noel Coward comedy Design for Living will see Jason Klarwein and partner Kellie Lazarus form a “gentleman’s agreement” with Tama Matheson.

Opening Season 2013 on February 2 is the hilarious The Pitch & The China Incident. These two companion pieces written by acclaimed Australian writer Peter Houghton are an actor’s dream; two  tour de force roles with Hugh Parker fresh from rave reviews in QTC’s Kelly in The Pitch and Barbara Lowing in The China Incident.

Outside the Mainstage Program, QTC’s Bille Brown Studio will again host the remarkable transformation in 2013 that is The GreenHouse. The brainchild of Enoch and curated by Artistic Associate Todd MacDonald, The GreenHouse is a visceral incubator of art, ideas and exploration. 1001 Nights and Trollop are two highlights of the 2013 program.

A QTC and Queensland Music Festival co-production in association with Zen Zen Zo, 1001 Nights will be staged in July, starring traditional Persian musicians Pezhvak for an evening of riveting storytelling, dance and song based around Middle-Eastern magic. Full of action, mystery and romance, 1001 Nights has been adapted by husband-and-wife team Michael Futcher and Helen Howard, co-artistic directors of Zen Zen Zo.

In August Wesley Enoch directs Amy Ingram in Maxine Mellor’s Trollop, winner of the Queensland Premier’s Drama Award 2012-13, in the Bille Brown Studio. Maxine Mellor is a multi-award winning playwright who is well acquainted with Queensland Theatre, winning the Young Playwrights Award in 2001, 2002 and 2003.

Enoch, who is directing three productions including Trollop and mainhouse productions Mother Courage and Her Children and Design For Living, said he was looking forward to welcoming eminent directors to QTC this year. “We have three fantastic female directors for 2013. Continuing our partnership with Perth’s Black Swan State Theatre Company Artistic Director Kate Cherry will direct Other Desert Cities, Catarina Hebbard will join us for The Pitch and Andrea Moor for Venus in Fur,” he said. “David Bell will direct the stunning End of the Rainbow; Daniel Evans takes on The China Incident, and Alkinos Tsilimidos will bring us the acclaimed Melbourne Theatre Company production Red.”

“It is such an honour to present a mainhouse program which brings such acclaim to the stage, including the very best from Broadway –Red won six Tony Awards including Best play in 2010, as well as the Drama Desk Award for Most Outstanding Play; Venus in Fur was nominated for a Tony Award this year for Best Play; Other Desert Cities was nominated for the Pulitzer Prize for Drama, plus has five nominations for Tony Awards with year, including Best Play, and the list goes on,” he said. “Our Season 2013 is a continuation of the journey we started this year, and we thank Queensland for embracing our shows so passionately. Next year is going to be another series of experiences, come on the adventure!”

(Wesley invited some of his 2013 actors and directors to join him for a chat on the lounge, which was in place for Managing Carmen. This – and the opening behind-the-scenes footage – helped to make the whole launch a little more personal and I told Wesley afterwards that I expect to see a season of Wesley’s Couch slotted in there somewhere!).

Season 2013 Ticketing Details

Tickets are available at queenslandtheatre.com.au or by calling 1800 355 528.

14 October – bookings open for current 2012 subscribers taking 7 or 5 Play packages

29 October – bookings open for current 2012 subscribers taking any Season Package

5 November – bookings commence for new season ticket holders

7 Play Packages saves up to 35% off Playhouse premium single ticket prices. 5 Play Packages up to 20% off and 3 Play Packages up to 15%.

15 November – single tickets on sale for End of The Rainbow.

4 December – single tickets on sale for The Pitch & The China Incident.

QTC The Pitch & The China Incident

Queensland Theatre Company presents The Pitch and The China Incident

By Peter Houghton

2 February to 9 March, 2013 at the Cremorne Theatre, QPAC

 

The Pitch

WINNER GREEN ROOM AWARD BEST NEW AUSTRALIAN PLAY (2006)

Director: Catarina Hebbard Designer: Simone Romaniuk

Cast: Hugh Parker

Down-and-out film writer Walter Weinermann is psyching himself up for the biggest pitch meeting of his life with a panel of powerful producers. He has an epic idea and a dream cast, but no decent ending.

After moving to Hollywood in the 1920s, screenwriter Herman J. Mankiewicz sent a telegram to friends back in New York: “Millions are to be grabbed out here, and your only competition is idiots.” It’s still true today; and by the time the credits roll on Peter Houghton’s witty, manic, one-man show, audiences will find out if Walter is destined to be a millionaire – or just an idiot.

 

The China Incident

Director: Daniel Evans Designer: Simone Romaniuk

Cast: Barbara Lowing

Companion piece The China Incidentis the story of one woman, a perfect storm of crises, and altogether too many phones. Bea Pontivec is a high-flying, highly-strung diplomatic consultant who’s quite literally well connected. She has hotlines to the White House, to the United Nations, to a bloodthirsty dictator. She’s a power-broker, a playmaker, a cast-iron negotiator, a control freak. But as this pin-sharp satire becomes more frenetic, and her personal and professional lives collide, Bea will learn the meaning of the term ‘communications breakdown’.

QTC End of the Rainbow

Queensland Theatre Company and Queensland Performing Arts Centre presents End Of the Rainbow

By Peter Quilter

2 March to 24 March at thePlayhouse, QPAC

Director: David Bell Designer: Bill Haycock

Cast: Christen O’Leary, Hayden Spencer and Anthony Standish

Lighting Designer: David Walters

Musical Director: Andrew McNaughton

It’s Christmas 1968 – and Judy Garland is not in Kansas anymore. The former child star is shacked up in London’s Ritz Hotel with fiancé number five, Mickey Deans, and her loyal friend and pianist, Anthony. A whirlwind success in her youth, the years have been unkind.  As her finances crumble, her celebrity continues to fade and the press savagely turn on her, Garland is clutching at the straw she thinks will save her career: a five-week run of cabaret shows at the Talk of the Town nightclub.  Peter Quilter’s poignant End of the Rainbow paints a warts-and-all picture of the beloved but tortured musical icon, her strained relationships with men, her struggle to stay in the spotlight – and the pill habit that would claim her life. After a show-stopping turn in Bombshells last year, Christen O’Leary returns to QTC Company to fill Judy’s ruby slippers and explore the destructive dark side of worldwide fame.

QTC & MTC RED

Queensland Theatre Company presents a Melbourne Theatre Company Production RED

By John Logan

27 April to 19 May at thePlayhouse, QPAC

WINNER OF SIX TONY AWARDS, INCLUDING BEST PLAY (2010)

WINNER DRAMA DESK AWARD FOR OUTSTANDING PLAY (2010)

Director: Alkinos Tsilimidos

Cast: Colin Friels

Set Designer: Shaun Gurton

Costume Designer: Jill Johanson

Lighting Designer: Matt Scott

Composer: Tristan Meredith

Colin Friels breathes life into tortured artist Mark Rothko as he broods and seethes in his Bowery studio, literally painting himself into a corner, in Red. In the 1950s, Rothko took a commission that would set him up for life – a series of paintings that would decorate the swanky Four Seasons Restaurant in the new steel-and- glass monument to corporate modernism, the Seagram Building on Park Avenue.  He forged his art into a weapon against the richest bastards in New York, vowing clandestinely to create stomach-turning crimson canvases that would “ruin the appetite of every son-of-a-bitch who eats there” – but in 1959, out of the blue, he stormily reclaimed the paintings and gave back the money. The catalyst of that event went with the abstract expressionist to his grave. It’s this mystery that is explored with stunning intensity in Red. From the pen of John Logan – acclaimed screenwriter of Gladiator, The Aviator, Hugo and forthcoming James Bond film Skyfall – this six-time Tony Award winner is a true masterpiece.

 

QTC Mother Courage and Her Children

Queensland Theatre Company and Queensland Performing Arts Centre present Mother Courage and Her Children

By Bertolt Brecht

Translated by Wesley Enoch and Paula Nazarski

25 May to 16 June at the Playhouse, QPAC

Director: Wesley Enoch

Cast: David Page and Ursula Yovich

Designer: Christina Smith

Bertolt Brecht’s epic morality tale about the ravages of war is given a unique twist by QTC Artistic Director Wesley Enoch and Paula Nazarski in a dazzling new translation.  Instead of the Thirty Years’ War of 1600s Europe, this near-future incarnation of the age-old story is set against the bleak backdrop of a post-apocalyptic desert where Mad Max might be at home – an Australia ravaged by devastating conflict, where life is cheap but business is still business.  Ursula Yovich is the titular canteen-wagon mistress, shrewdly driving hard bargains as she shepherds her brood of three through this unforgiving, harsh wilderness.  With an all-Indigenous cast, this fresh spin on Brecht’s play delicately folds in themes of land ownership, the impact of mining and the Stolen Generation.

 

QTC Venus in Fur

Queensland Theatre Company presents Venus in Fur

By David Ives

22 June to 27 July at the Cremorne Theatre, QPAC

NOMINATED FOR TONY AWARD FOR BEST PLAY (2012)

Director: Andrea Moor

Cast: Todd MacDonald and Libby Munro

Designer: Simone Romaniuk

Lighting Designer: David Walters

The end of a long day of casting, and playwright-director Thomas can’t find the right woman. He needs beautiful-sexy-articulate, young, with a “particle of brain”. He needs someone to play a mistress, but has endured a parade of 35 misfires.  Thomas is adapting Venus In Furs, the infamously kinky 1870 novel by Austrian writer Leopold von Sacher-Masoch – the etymological father of masochism. It calls for a purring, confident dominatrix.  He gets more than he expected when the raging storm blows in Vanda – late, frazzled, with the very litany of flaws he just decried. She talks of Venus in Furs as one might talk of Fifty Shades of Grey. As the director takes a chance and allows her to read anyway, the balance of power tilts between actress and director, mistress and slave. Thomas and Vanda become two people handcuffed at the heart in David Ives’ deliciously sassy, sexy, character-driven power play.

QTC Other Desert Cities 

Queensland Theatre Company and Black Swan State Theatre Company present Other Desert Cities

By Jon Robin Baitz

10 August to 1 September at the Playhouse, QPAC

NOMINATED FOR THE PULITZER PRIZE FOR DRAMA (2012)
NOMINATED FOR FIVE TONY AWARDS, INCLUDING BEST PLAY (2012)

Director: Kate Cherry

Cast: Robert Coleby and Rebecca Davis

Assistant Director: Emily McLean

Designer: Christina Smith
Lighting Designer: Trent Suidgeest

Christmas in sun-drenched Palm Springs: a desert tomb, populated by shrivelled mummies with tans.

The Wyeth children are home for the holidays and conversation doesn’t flow easily: politics isn’t fit for table talk in a family as fractious as this. Neither is the war in the Middle East, nor the shadow of terrorism. But there’s one thing everyone wants to chime in on: troubled daughter Brooke has just finished her magnum opus, a tell-all memoir exposing a pivotal, tragic, ferociously-guarded family secret. As a quiet Christmas dissolves into feuding, there’s more than one meltdown brewing in the searing desert heat.

QTC Design for Living

Queensland Theatre Company presents Design for Living

By Noël Coward

19 October to 10 November at the Playhouse, QPAC

Director: Wesley Enoch

Cast: Jason Klarwein, Kellie Lazarus and Tama Matheson

Gilda loves Otto, and it’s entirely mutual. But Gilda is rather fond of Leo as well. Leo adores Gilda – but come to think of it, Leo and Otto have a bit of history, too.  So which of them will pair off, and who’ll be left out in the cold? Anything goes, it seems, when you’re an artistic type slumming it in a garret in 1930s Paris. Noël Coward’s subtle comedy Design For Living was scandalously risqué when it was written, painting a vibrant picture of the machinations of a muddled ménage-à-trois. Are this trio freewheeling, footloose bohemians, or amoral degenerates? Their mutual friend, strait laced art dealer Ernest, has a pretty strong opinion on what’s decent. What’s that all-too-common comment on relationships: “It’s complicated?” This one just happens to be rather more complicated than most.

QTC The GreenHouse 1001 Nights 

The GreenHouse @ Queensland Theatre Company and Queensland Music Festival in association with Zen Zen Zo Physical Theatre present 1001 NIGHTS

Adapted by Michael Futcher & Helen Howard, featuring the Pezhvak Traditional Music Ensemble

Director: Michael Futcher

18 July to 28 July at the Bille Brown Studio, QTC

Aladdin. Ali Baba. Sinbad. The names are as well-known as the stories behind them. They whisper the promise of adventure, exoticism and romance. Zen Zen Zo Physical Theatre joins with traditional Persian musicians Pezhvak for an evening of riveting storytelling, dance and song based around the Middle-Eastern magic of One Thousand and One Nights. Adapted by Michael Futcher and Helen Howard, resident directors of Zen Zen Zo, and backed by the authentic sounds of traditional instruments such as the oud, the dohol and the kamanche, this energetic and enchanting show embraces Zen Zen Zo’s legendary physicality and boundless, joyful imagination.

QTC The GreenHouse Trollop

The GreenHouse @ Queensland Theatre Company presents TROLLOP

By Maxine Mellor

1 August to 17 August at the Bille Brown Studio, QTC

Director: Wesley Enoch

Cast: Amy Ingram

Clara is uncomfortably numb. Cocooned in her spartan home, she wallows in tracky-dacks and the misery of the recently jobless, feeding on apathy and the images of natural disaster piped into her living room the TV.  She’s haunted by what she could aspire to if she could break from her funk. Her relentlessly upbeat partner Erik has devised a plan for her to get back on her feet. Instead, she devises a series of increasingly gruesome ‘quests’ for him.  Then, one stormy night, a stranger calls – and the chinks in the pair’s relationship begin to widen. Uncomfortable truths are revealed and there are hints of horrors to come, as ancient myths are dragged, growling, into the modern day.

What are you excited about seeing?