Posts Tagged ‘mother’s ruin

20
Sep
18

Mother’s Ruin

 

Mother’s Ruin: A Cabaret About Gin

MILKE & The Ginstress

La Boite, QUT & Brisbane Festival

La Boite Roundhouse Theatre

September 18 – 22 2018

 

Reviewed by Nicole Reilly

 

For one week only, as part of Brisbane Festive 2018, La Boite’s Roundhouse Theatre has been transformed into a boozy, magical gin joint. The cheekily self-proclaimed ‘threesome’, Maeve Marsden, Libby Wood and Jeremy Brennan, take their audience on a hilariously whirlwind, hazy and musical journey through the history of ‘mother’s ruin’, AKA gin.

 

The show begins with Maeve and Libby performing a Prayer to Gin, with Jeremy accompanying on piano, amidst the clutter of gin bottles of every shape and size strewn across the set. Don’t let the amount of empty bottles surprise you, the trio manage to pull gin bottles from anywhere and everywhere, with several hiding in the cleavages of Maeve and Libby to be retrieved mid-song.

 

Though the history of gin, and its reputation as a depressive tipple, is quite a downer, mostly due to the mistreatment of women throughout history, the expertise of these rising cabaret stars is in their ability to not take their narrative or themselves too seriously. As they race us through 18th century London, Libby confesses that it’s probably best for everyone if she just doesn’t attempt the accent, while Jeremy later remarks that he desperately wanted to do an accent because he’s “from NIDA!”. The songs and on-stage antics are equal parts cheeky, sexy and grotesque – with a memorable rendition of Fever by Libby ending in her dying of malaria after suffering from a range of delightfully disgusting symptoms on-stage – always with gin in hand. 

 

 

Both Maeve and Libby are incredibly dynamic performers, and unashamedly themselves (albeit heightened for stage), as they banter with the audience. They exude sexy, and their voices, together and individually, are mesmerising. Towards the end of the show, Maeve takes the microphone at the front of the stage and the other two disappear into a fiercely blue lit stage. I cannot even recall the song, it’s irrelevant, but Maeve’s ability to hold an audience, to captivate us with her authenticity and vulnerability was utterly engrossing. The audience was completely immersed in her world, which is a credit to her formidable skills as a performer.    

 

 

The passion and enthusiasm for their drink of choice, including the inclusion of a certified gin expert to their creative team, is infectious – if the gin bar of the Theatre Republic post-show is anything to go by! And so finally, after critically acclaimed sold out seasons at Edinburgh Festival Fringe, London Underbelly Festival, Sydney Festival, Adelaide Cabaret Festival, Melbourne Cabaret Festival, Fringe World Festival Perth, Adelaide Fringe and Festival of Voices, Mother’s Ruin has landed in Brisbane!

 

With a gin in hand, don’t miss this wonderfully silly and informative cabaret.