Posts Tagged ‘Mechanics

14
Apr
10

The Mechanics of Undressing – Part 2

By Sharon Grimley

So, to date I have undressed publicly at least 12 times (excluding rehearsals, over the past 2 months).  I still have at least another 2 performances to go before our first season is complete – I say this in hope of a second season materialising – and I, and the Socialite, am surprisingly comfortable disrobing for an audience.  Sure, there is still the frisson of excitement when I remember that my audience don’t expect this, as I remove my peignoir and camisole, but any reservations about appearances have melted away.  I am just doing my job.

However, it struck me over the last few weeks that other people’s reactions to my doing-what-I-am-doing, in the name of theatre, are widely varied.  And this puts me in mind of a memorable question from an authority from my past, Professor Julius Sumner Miller:

“Why is it so?”


What is it about a body?

We all have one.

Most people are equipped with one of two variations on the bits attached to them.

So what makes people fearful of it?  OR more particularly, fearful of seeing someone else’s?

Nipples?

REALLY?


The reactions I have encountered are as follows:

Ignore – “If I don’t mention it, it isn’t happening.” – a response common to conservative friends and parents-in-law

Awe – Being a “woman of a certain age”  …I rather like this one!

Curiosity – “What does she look like?” “Does she look like me?”  “Does she look like I imagined?”  “ Is she going to take it…..oo, yes, I think she’s… oh my god, she’s really going to take it off!”

Fascination – “I expected to be confronted, but found myself mesmerised instead.”

Disgust – OK, I made this one up.  Not to date anyway (or to my knowledge, anyway).

Seeing another person’s body is not something we are culturally equipped for.


At the beach or in television shows or in magazines or in billboard ads (OK, everywhere), we seem to deal with various degrees of undress, but seeing another REAL human naked RIGHT UP CLOSE is something often associated with private and intimate relationships.

Isn’t it right then that, in a play dealing with sexual relationships, some degree of nudity would be appropriate and genuine and integral?

Oohhhh…. it’s the SEXUAL relationships they don’t want put under scrutiny, yes?  And the icky, uncomfortable, basic, not-for-public-consumption feelings they get when they see someone else undress…

Or worse still, that they might never be able to look me in the eye again.

The Maid and The Socialite

After a sell-out season in Noosa, the Mooloolaba season of La Ronde is SOLD OUT


18
Mar
10

The Maid and The Socialite

Imagine the power if it were yours to play at.

What would you say? What would you do?

What would you command of others?

Every fantasy at a nod, a smile, a gesture; as gentle or as gratuitous as you like. An insatiable appetite.

You with the power. She with the will to satisfy.

La Ronde

Noosa Arts Theatre, Noosaville:

March 25th, March 26th, 27th and April 1st, 2nd, 3rd at 7:30pm

Sunday March 28th at 2pm

(07) 5449 9343 or http://www.noosaartstheatre.org.au

Cafe e1 (Europe on 1st), Mooloolaba:

April 9th , April 10th, April 16th and April 17th

Cafe Europe on 1st, First Ave, Mooloolaba (07) 5477 6288

– champagne, supper and show for just $60-
$5 from every ticket sold at Mooloolaba goes to the Cindy McKenzie Breast Cancer Foundation. Thank you for helping us to support the wonderful work they do.


17
Feb
10

The Mechanics of Undressing

by Sharon Grimley.

The Mechanics of Undressing.  Dressing.  Being dressed.

How strange it is to relinquish control, yet remain in control, and let another apply the layers of armour, and perhaps in doing so learning the chinks and vulnerabilities.  Trusting…drowning, not waving, since waving would give the audience something else to look at, distract them, and that is not the point.  “YOO-HOO!! Look over here, away from those breasts…”

And, being undressed – not the action, the state of being.  Not so difficult, since it is The Socialite who stands before the onlookers, but difficult all the same, in that Her physical flaws are my physical flaws.  She wouldn’t care.  I do.  Easy for Her; She doesn’t know anyone in the audience.

Ah, even if She did, She wouldn’t give a toss.

And in exposing the physical self and its distinctive markings (so much nicer than “flaws” I think), exposing all the markings on the psyche, the inner self.  Uncovering all the times I was not pretty/thin/sexy/feminine enough, and scratching open old scars thought long healed.  Ouch.

And once again, from the top…