And that’s a wrap! Noosa Long Weekend Festival 2014
#NLWF2014 #NLWF14 #NLW14
We’re back! But if you’ve been following on social media, you won’t have missed us at all! We’ve been tweeting and instagramming for the last 10 days from the 13th Noosa Long Weekend Festival! And what a festival!
Oh yeah. Right. There are still some theatre and cabaret reviews to catch up on…dating back to MAY. I KNOW. I’M APPALLED BY ME TOO.
But those will have to wait a little longer because you should really know what you’ve missed out on SO YOU CAN BOOK EARLY FOR NEXT YEAR’S NOOSA LONG WEEKEND FESTIVAL! Lock it in!
Noosa Long Weekend Festival July 17 – 26 2015
There really is nothing like a Noosa Long Weekend – it’s 10 days of warm winter sunshine, beautiful beaches, the best accommodation, bars and restaurants, and top shopping, arts, literature, forums, food and fun! I honestly don’t know why you’d be anywhere else.
XS Entertainment has been involved before – we took Erotique to NLWF12 after sell-out seasons in a Mooloolaba shop front and at the Sydney Fringe Festival in 2010. We had developed Erotique after staging Arthur Schnitzler’s La Ronde, and never felt satisfied with the woman’s character, played at various times by Sharon Grimley and Sarah McMahon (and in Schnitzler’s original script was written as a male character, a fop; we hated him). The Woman we created was elusive but she’d been so strongly brought to life by Sharon, and then by Sarah, we couldn’t let her rest. Or, she wouldn’t let us rest. Sam proposed a new show, which would focus on The Woman, and he cast the three of us to play her – Sharon Grimley, Stephanie Brown and me. Steph was also engaged to choreograph the show, and once I faced facts and realised I was too busy (or too distracted) to write the thing myself, we collaborated beautifully and each wrote our own monologues and selected our own songs.
As far as process goes, Sam and I love to work this way, allowing the performers to sing the flesh onto the bones of their characters and discover for themselves why they end up doing what they do. Sam hasn’t always directed this way – he used to be bossier! I’ve loved seeing him discover a magical relationship mantra that goes something like, “Watch, listen, trust, adjust.” He didn’t tell me that, it’s just what I see. Perhaps he’ll disagree. We often disagree and so the two of us working together is not always ideal. The rehearsal studio can get quite heated at times, and it’s not anything to do with the eroticism of the show! Due to its adult content, this show has been particularly challenging to rehearse at home, where an eight-year old has learned to come to terms with getting her own dinner, tidying the kitchen and disappearing to put herself to bed twice a week. We don’t want that to ever happen again. However, everyone has certainly appreciated Poppy’s newly acquired barista skills. She was even making money from the Managing Carmen cast, who left a tip for her at the end of the night!
I don’t consider dancing to be my strongest point so Steph’s fabulous choreography was challenging for me. (With any luck, those of you who saw the show wouldn’t have known!). Don’t expect me to take on a dance role again anytime soon, although if I continue to get enquiries I’ll consider giving Burlesque classes. Seriously. Hopefully we’ll see some of those enquiring aspiring strippers work really hard before October on stylishly shedding their layers and singing and chatting away for our inaugural Keep Calm and Cabaret competition because here’s the thing: let’s keep the styles evolving. Some of the best feedback we got from audience members at Diabolique was:
I love the old burlesque but I love your new burlesque more.
You girls can sing!
The character was so strong and the story was so beautiful and sad we forgot you were nearly naked!
This is theatre to make you think.
It’s theatre on a high wire.
This is cabaret? I like this cabaret!
We were lucky to have Travis MacFarlane stop by to design our lighting after just one viewing of the show.
Of course the audiences responded to Managing Carmen in an entirely different way. The production was cleverly staged, just as beautifully lit, and so funny, starring Frank Wilkie, Adam Flower, Simon Denver, Marina de Jager and Ashleigh Muekenberger.
“It was hard,” says Sam, of directing two productions at once. “The greatest challenge” he says, “was to keep two teams who were very different in nature, in style and in preparation, in my head at the one time.”
“I’m very proud to again prove that local talent can mix with our national and international talent. We can hold our own.”
I’ll offer some more reflections on the festival along the way, as we catch up on the reviews that are missing here.
In the meantime, check out Barry Alsop’s Eyes Wide Open Images from Noosa Long Weekend Festival 2014! Cheers!