Posts Tagged ‘Madeline Cain

05
Mar
11

John Bucchino, Georgia Stitt & Friends in Concert

Lazy post disclaimer: in case you didn’t catch it over there, this is my Briz Tix review over here…


Featuring Marika Aubrey, Tod Strike, Andy Conaghan,

Angela Harding, Luke Kennedy and Madeline Cain

QLD Conservatorium Wednesday March 3rd

Your Management International and Harvest Rain Theatre Company

It’s shaping up to be a big year for Brisbane’s musical theatre scene, especially for those ambitious (some might say crazy) souls whose only desire is to join the industry as a “triple-threat” performer. Finally, I can see that there are real opportunities beginning to be presented, for aspiring artists to train and acquire work (in their preferred industry) in Queensland. Finally – dare I say it – we seem to be approaching a phase of development and commitment from some of the major stakeholders, which means our talent can choose to stay here, make their base here, find work here and then choose to play here, there and everywhere! Now, I didn’t say it’s happened yet. But now I see that it will.

For example, by the end of their third busy day, Griffith’s Queensland Conservatorium’s first ever intake of Musical Theatre students, thanks to the enigmatic Paul Sabey, had worked with Lucy Durack, John Bucchino and Georgia Stitt. Next week, they have Jason Robert Brown and Rachael Beck in their midst. Before the end of their second week of tertiary study, these students will have rubbed shoulders with some of the very best in the industry, within the re-vamped Con. The once dowdy foyer space has been completely transformed and now looks the part, providing a world-class venue, befitting of acclaimed artists such as Stitt, Bucchino and Brown. Incredible! How lucky these students are!

And how lucky we are, to have been given a taste of the best in the business already, with Harvest Rain’s Broadway to Brisvegas series last year bringing to The Powerhouse, Scott Alan, James Sampliner and Shoshana Bean. This year, in association with the dynamic Jeremy Youett, of Your Management International, we are truly blessed to have, again, a little bit of Broadway magic come to Brisbane.

Having attended the master class on Tuesday night, I was looking forward to hearing some of the songs performed again, this time by seasoned performers, accompanied by the composers themselves, in a recital setting. Most were familiar faces and voices: Luke Kennedy, Angela Harding, Tod Strike, Madeline Cain, Andy Conaghan and Marika Aubrey.

The format of the evening was very simply a stand and deliver concert, with John Bucchino’s work showcased in the first half and Georgia Stitt’s in the second.

John Bucchino casts an imposing presence and reveals a gentle soul. He plays (and composes) by ear. Knowing this makes his talent all the more extraordinary. His music is complex, multi-layered; it is beautiful and joyous and delicious…and fierce and cheeky and fun! It is real and it reminds us that life is supposed to be fun. And challenging. And confusing. And in life, we will have happiness and hurt and forgiveness and love and laughter and therapy and tears and hope. It is sophisticated stuff. Bucchino’s songs are about such simple things but they demand the deep emotional reservoirs and excellent technique of singers who are comfortable enough in their own skins to make sense of the context, make the personal connections and then tell the stories simply, confidently and above all, truthfully.

Georgia Stitt is gorgeous, vibrant, exuding infectious energy and offering the warmth of her generous heart in every smile. There’s also something cheeky and lovely and relaxed about her performance style, opting to sing a couple of her own songs – these are obviously closest to her heart at the moment – and it was endearing to hear from her, “Susan (Egan) sings it better than me but I enjoy it!” Stitt is an amazing talent, comfortable and confident, exactly as she sings in The Me of the Moment. Is it any wonder that she found her bashert in the witty, crazy-talented Jason Robert Brown?! Talk about a Power Couple!

Stitt’s music, like Bucchino’s, offers many unexpected gifts to singers, leading them through the whole gamut of emotions (and quite often back again), allowing plenty of opportunity to play. How lucky these singers are, to have been given the opportunity to play with two amazing artists of this caliber!

Testament to this was Marika Aubrey’s gorgeous rendition of I Get to Show You the Ocean, which Stitt wrote for her eldest daughter and which, by the end of the first chorus, had me in tears because, clearly, really, she wrote this song for my daughter and I! And so says every mother after every show, I’m sure. In Stitt’s Big Wings, Aubrey let loose her big ol’ country belt voice that further demonstrated her ability to sell a strong character.

Madeline Cain treated us to two contrasting numbers from Stitt’s Alphabet City Cycle and The Song with the Violins (Bucchino) but my favourite was This Moment (Bucchino). Cain nailed it.

Brisbane has a true songbird in Angela Harding. Her interpretations seem genuine, she is present in every moment and her voice soars. Her comical ability comes through in the lighter numbers. I enjoyed a more mature interpretation of My Lifelong Love (Stitt) but for me, It Feels Like Home (Bucchino) was perfect.

Todd Strike took on the unenviable task of singing These Two, the song Stitt wrote as a wedding gift for her husband, giving it due respect and letting us in for half a moment, to catch the tiniest glimpse of the real, raw artist that likes to take refuge under that star quality exterior of his. I’m certain Strike has more to give.

Luke Kennedy is a bit of a darling on our Brisbane stages and I’m happy to say he did nothing to dent his reputation. Kennedy has an impressive vocal range and Bucchino’s Unexpressed was the perfect opening number. Stitt’s One Day More, no doubt won Kennedy a few new fans; these songs make it easy to fall in love with the singer and Kennedy plays the audience beautifully. Even as the married man of somewhat questionable behaviour (or perhaps because of it) in Platonic Affair (Stitt), he is irresistible.

Andy Conaghan is the consummate performer and in my opinion, brought to the stage a level of professionalism and self-confidence that put the final polish on the evening. His voice is superb and his easy manner completely charming. Bucchino’s Taking the Wheel and Grateful showed us two sides to Conaghan, while Stitt’s Air, if we were not already convinced, proved his technical ability and roguish, earnest appeal. I don’t mind making a big call and predicting that Andy Conaghan is going to be the Next Big Thing.

Until recently, it would have been unimaginable for Brisbane to be up to delivering anything like the Australian Concert and Master Class Series. The fact that it’s happening here, now, is testament to Brisbane’s determination to become a leading arts city in this country and indeed, its capacity to do so. What an exciting time to be a part of the performing arts industry here, when we are graced by the presence of the likes of Georgia Stitt and John Bucchino.

I can’t wait until next week. Bring on Jason Robert Brown and Rachael Beck!