Posts Tagged ‘limbo unhinged

27
Sep
17

Limbo Unhinged

 

Limbo Unhinged

Brisbane Festival

The Courier Mail Magic Mirrors Spiegeltent

September 8 – 30 2017

 

Reviewed by Xanthe Coward

 

 

70 minutes of sizzling, sexy, adult circus and cabaret returns to the magnificent Spiegeltent at Brisbane Festival. Strut & Fret, it seems, can do no wrong; the formula and style perfected, the audience lapping up every moment. With only a slight dip in energy and drive, while Remi Martin, in the clown role (no, he’s not scary or silly), spends several minutes miming various approaches to opening an imaginary door. It’s the preset to one of the better pole routines we’ve seen in a while, a sensational display of strength and grace in the most masculine way. Other than this precursor, there’s no lull and we love the spectacle of circus trained sculpted bodies, Heather Holliday’s magnificent fire breathing, sword swallowing and light sabre swallowing (Will we see it glow? We see it glow!), stunning aerials, superb vocals and the graceful, swaying, verging-on-death-defying Chinese Poles. Is it any wonder that there are gasps from the crowd beneath, as the artists dip low enough to give someone a quick kiss on the cheek?!

 

 

Limbo Unhinged is everything we desire in circus right now – we’ve talked about this before – with so many offerings, the best of them in terms of content, style and audience appeal, are still Cirque du Soleil, Casus, Company2 and Scott Maidment’s Strut & Fret, since 1997, delivering on their manifesto to make artistic experiences “breath-taking, heart-gripping, unforgettable and entertaining”. 

 

 

And where their Blanc De Blanc fails to capture the imagination (others loved it but I’ve always found it slightly less tasteful), Strut and Fret’s Limbo and Limbo Unhinged both offer a level of sophistication and sexiness that we demand now in circus and cabaret – there’s no going back to cheap vaudeville stunts unless they can be sold as brilliant parody or a little nod to nostalgia.

 

Sxip Shirey plays a starring role on vocals and a variety of instruments, leading a fabulous band. He’s a quirky figurehead, the lively persona of all upbeat components of the work, which would be nothing without his original compositions and zany personality. But the acrobats also play, stepping in and out of the band to jam at this big, bold party while someone else takes a starring role on stage. 

 

 

There’s really something for everyone. Charlotte O’Sullivan and Nico Jelmoni delight with their daring balances, lifts and counter balances, defying gravity and all common sense. We won’t be trying this at home…without a spotter. The element of danger across all physical feats is just enough to induce a state of excitement and anticipation – we don’t fear for the performers. We’re in awe of their focus and strength and control. There’s the light-hearted, awe-inspiring pole routine, contortion and aerial contortion, a fire breathing counter balance, and the men strutting and dancing, Kinky Boots style, in an epic choreographed number that would put to shame many of the under-30s out for a dance on a Saturday night!

 

 

One of the more elegant moments, reminiscent of the rose petals and paper of Per Te, brings an artist in billowing white to centre stage – for not quite long enough – beneath beautiful lighting that makes her appear almost mystical, a muse. And then she disappears; she’s moonlight and then she’s gone.

 

David Berthold’s Brisbane Festival only brings in or brings back the very best, and Strut & Fret’s Limbo Unhinged is one of the highlights again this year, offering an exciting and erotic, enticingly exotic evening of pure escapism and entertainment we don’t see anywhere else for the rest of the year.