Posts Tagged ‘head full of love


Mother Courage & Her Children

Mother Courage

Queensland Theatre Company

QPAC Playhouse

25th May – 16th June 2013


Reviewed by Meredith McLean


Don’t worry, we will get to Meredith’s review, but first, it goes without saying that Dr. M Yunupingu, frontman of Yothu Yindi will be missed.


It has been requested that the first name and image of the deceased not be used by media and where possible refer to him as “Dr. M Yunupingu” or “lead singer of Yothu Yindi”, during Sorry Business and time of mourning for his people. Not mentioning the name of a recently deceased person is a cultural practice of Dr. M Yunupingu’s family and community and they have asked we all respect this protocol accordingly. Thanks to our friend Katie Noonan for this reminder.


There are only a few moments in time that aren’t synonymous with music. 

I remember being on a dance floor in 1993 and feeling the pride that everyone was dancing together to TREATY. It felt like the times were changing and hope was the currency with which we were purchasing this new world.

I reckon we should never trade that hope for fear or anger.

Thank you for the amazing music and the sense of civic and cultural growth we all felt.

Love and farewell.


Wesley Enoch


  • Dr. M Yunupingu was the first Indigenous Australian from Arnhem Land to gain a university degree
  • He co-founded Yothu Yindi in 1986
  • He became Australia’s first Aboriginal principal in 1990
  • He was named Australian of the Year in 1992 for his role in building bridges between Indigenous and non-Indigenous communities.
  • He was inducted into the ARIA Hall of Fame in 2012
  • Yothu Yindi won eight ARIA music awards, including Song of the Year for Treaty
  • The band released six major albums, from 1988 to 2000
  • Dr. M Yunupingu died aged 56 at his home in Yirrkala, NT, after fighting kidney disease for several years


Indigenous Australians are 4 times more likely to die of kidney disease than non-Indigenous Australians.




Remember QTC’s Head Full of Love

(You’ll see Roxanne McDonald in Mother Courage). During the 2010 season of Alana Valentine’s Head Full of Love QTC saw $14 000 donated by patrons, post-show to The Purple House (Western Desert Dialysis). In 2012 at QPAC’s Cremorne, in line with the heart-warming production, the company put out the call out for winter warmers to fill their Beanie Bin. 

Why not contribute this winter, your good quality, second hand knits, beanies, scarves and any other woolly-warmers to go towards St Vincent de Paul’s Winter Appeal and make someone else’s winter a tad more toasty?

For more information on the Alice Springs Beanie Festival visit

Beanies from the heart… Friendship has been at the heart of the Alice Springs Beanie Festival for seventeen years. We want to honour the values of friendship, including trust, loyalty, honesty, compassion and fun.

Queensland Theatre Company and Queensland Performing Arts Centre present Bertolt Brecht’s epic morality tale about the ravages of war, given a unique twist by Queensland Theatre Company Artistic Director Wesley Enoch and Paula Nazarski in a dazzling new translation.

Instead of the Thirty Years’ War of 1600s Europe, this near-future incarnation of the age-old story is set against the bleak backdrop of a post-apocalyptic desert where Mad Max might be at home – an Australia ravaged by devastating conflict, where life is cheap but business is still business.

Ursula Yovich is the titular canteen-wagon mistress, shrewdly driving hard bargains as she shepherds her brood of three through this unforgiving, harsh wilderness.

With an all-Indigenous cast, this fresh spin on Brecht’s play delicately folds in themes of land ownership, the impact of mining and the Stolen Generation.



Mother Courage & Her Children is not so much an adaption as it is a vehicle; a vehicle that represents the state of theatre in Queensland, and the Indigenous culture that resides in Brisbane. Originally a Bertolt Brecht piece transformed to this post-apocalyptic Australian setting, all the classic Brechtian tips and tricks are evident. The minimalist set, the breaking of the fourth wall and the socio-political messages; it sounds like a dull drama class but the imagery on stage is impressive.


I did find however, Mother Courage & Her Children to be one of those strange anomalies in theatre. The cast, besides Ursula Yovich as Mother Courage and David Page as the Chaplain, failed to live up to expectations. The backing tracks also fell short of the musical masterpiece I’d been looking forward to. Despite all of this, Mother Courage & Her Children carries some significance.


I think the significance of this production is that despite its shortcomings it’s clear to see the hard work that has gone into it. Bertolt Brecht is such an old school playwright and to translate his voice into a modern setting is hard enough. Paula Nazarski and Wesley Enoch were responsible for this translation. Mother Courage and Her Children was originally written as a warning to 1930s Germany and the quickly rising Nazi party. However, to translate it to an Australian Outback motif with a primarily Indigenous cast is not only innovative in concept but also impressive in realisation.


If the importance of this production felt like it was weighing me down, the after-party certainly brought me back! It was wonderful to see the cast, crew and higher-ups involved, enjoying a glass of champagne, laughing and smiling. But we weren’t just there to have a chat. Sue Donnelly, executive Director of QTC, took the stand and voiced her appreciation not only to the cast but also to QTC and everyone involved. Other than acknowledging those who deserved a well-earned applause she spoke about the progress of QTC and the season in store… 2013 is definitely packed with great theatre.


Despite its hit and miss nature, the beautiful and poignant moments of Mother Courage & Her Children truly are worth witnessing. This play represents so much more than a show about a mother in a war zone. It is a sign of good things to come at QPAC and well worth your attention.



Head Full of Love

Head Full of Love

Head Full of Love

Queensland Theatre Company

QPAC Cremorne

7th July – 11th August

“Telling stories can make a difference.”

Wesley Enoch, QTC Artistic Director

Head Full of Love is a cry from a community to be heard, a voice from Central Australia still believing that theatre can be a place where audiences can enjoy and be entertained by stories, literally in this case, from our own heart.”

Alana Valentine, Playwright

Indigenous Australians are 4 times more likely to die of kidney disease than non-Indigenous Australians.

Head Full of Love is the most beautiful, vibrant, straightforward storytelling you will experience all year. From the head and heart of Playwright, Alana Valentine (Run Rabbit Run and Parramatta Girls), this is an extraordinary piece of theatre and one of the most important current works in this country, in terms of art and politics marrying up to inspire social change. We’ve seen some proof of this already, with over $14 000 donated by patrons, post-show to The Purple House (Western Desert Dialysis) during the 2010 season, which saw the story of Tilly and Nessa’s unusual friendship shared with the people of Darwin, Alice Springs and Cairns.

“Head Full of Love is a heartwarming story about friendship and reconciliation.” Sue Donnelly

Perhaps the first step to reconciliation is friendship.
Roxanne McDonald & Colette MannSet in the red centre during the lead up to The Annual Alice Springs Beanie Festival, Head Full of Love sees Tilly Napuljari running out of time to finish her new creation in time to enter it for judging. Nessa Tavistock, a Sydneysider, has run away to escape her own problems back in the big smoke. Their unlikely friendship helps both to heal – physically and emotionally – and challenges and inspires us to think again about what it means to be truly accepting and supportive of each other as human beings.

Designer, Simone Romaniuk, has given us the harsh landscape of the outback in all its disheveled glory, with a corrugated iron backdrop (upon which the images of Tilly’s country are projected), household junk and that ubiquitous red dirt in abundance. Underneath Ben Hughes’ warm lighting design, this set is at once arresting, disarming and full of wonder. Nessa is completely out of her comfort zone and as audience members who watch the women sitting in the red dirt from the comfort of an air-conditioned, well appointed theatre, we wonder how anybody could survive in such a place! But they do. (Though some may never feel quite comfortable or local. This is a place where the nurses who assist their renal patients sleep on top of the roof racks of their troop carrier. Snakes, you know?).

Composer and Sound Designer, Brett Collery, provides an evocative story behind the story and we are immersed in Tilly’s world, which is full of much more humour and light-hearted fun than we had ever expected. The scope of this piece is wide and it will catch out many who may have thought, “This is not for me.” This play IS for you. As well as the political message, which you can leave behind if the play leaves you cold – unlikely – you’ll get an evening of beautiful drama/comedy, quite unlike anything you’ve seen yet. As Director (and Artistic Director of QTC), Wesley Enoch suggests, “As Australians, we are too often ignorant of the issues facing Indigenous Australians. Telling stories that illuminate a neglected issue is an important role for a theatre company…telling stories can make a difference.” Even if you’re able to ignore the plight (who ARE you?!), you’ll be touched by the performances of the actors; they are a couple of this country’s best.

Colette Mann & Roxanne McDonaldColette Mann and Roxanne McDonald have worked with Wesley Enoch on Head Full of Love since its original co-commission in 2010 by Darwin Festival, 32” Browns Mart Producing Hub and Red Dust Theatre. This has been a wonderfully close collaboration, with the playwright, actors and director meeting people in the community to hear their personal stories first hand and it’s a perfect example of how we can create new theatre for all audiences, without leaving any demographic outside of the storytelling circle. We get it. We respond to it (those who are able to have the option to donate on the way out so if that’s you, remember your cold, hard cash for the cause) and we leave the theatre wondering why there isn’t more being done.

Theatre has long been about news delivery and political change. The nuances with which this story is told balance its boldness, the characters are beautifully juxtaposed and the subject is explored to within an inch of its life without any of us feeling as if we are being preached to. Head Full of Love opens up topics of conversation that we have all been wary of discussing. But that’s dispelled with Mann’s opening lines, which ponder the need to say sorry to Tilly! It’s hilarious and touching material. This work explores so many important issues (and encourages us to see the humble beanie in a whole new light!), that you’ll be questioning everything you believe being Australian means.

Patrons created some of the amazing beanies you see on stage and in the foyer. After the season closes, these beanies will be donated to families in need, through St Vincent de Paul’s Hope House.

In line with this heart-warming production, Queensland Theatre Company is putting out the call out for winter warmers to fill our Beanie Bin and assist those who are really feeling the cold this winter. The QTC Beanie Bin is located in the Cremorne Theatre foyer, and we are calling for good quality, second hand knits, beanies, scarves and any other woolly-warmers to go towards St Vincent de Paul’s Winter Appeal and make someone else’s winter a tad more toasty. For more information on the Alice Springs Beanie Festival visit