Posts Tagged ‘Brett Klease


Job’s Right – The Second Coat opens this week!




Strictly limited season opens this week!




When Job’s Right pulled the curtain at The “J” in March 2008, over 4700 people on The Coast had witnessed what could only be described as “a cult of a play”. Perfectly described by a tradie who saw it as “Raw…real…earthy and funny!”.


The play was centred around a gang of house painters led by work-weary Rick. Along with his offsiders, the politically incorrect Murph and the loveable larrikin Wally, they stumbled and bumbled from one disaster to another.


Somehow they survived to paint another day.


Well its seven years later and they’re back. Rick, Murph, Wally and their social conscience, Spanner.




Writers, Brett Klease and Simon Denver have written a brand new script.


And has anything changed? No! It’s another day…another site…another client…another stuff up!


It’s the same dog, different fleas.


The client, Mrs Hunt, wants a shrine built to her late husband so she may communicate with the spirit world. She is backed by Nathaniel, her Designer / Colour Therapist / Feng Shui expert. If you add to this mix a feisty female carpenter, Potty, and Mrs Hunt’s belligerent son, Mick, then fur is going to fly. If it can go wrong – it does go wrong. This avalanche of disaster is going to cause another tsunami of laughter.


If you like your comedy safe and sanitised, this is NOT the show for you. 15+ only.




Written by: Brett Klease / Simon Denver
Directed by: Simon Denver
Produced by: Job’s Right Productions / SRT Inc


Brett Klease as Rick
Brad Thomson as Wal
Shane Cassidy as Murph
Clayton Storey as Spanner
Anna McMahon as Potty
Joy Marshall as Mrs Hunt
Darren Heskes as Nathaniel
Sam Coward as Mick



The Events Centre, Caloundra May 14, 15 & 16 at 7:30pm BOOK HERE


Nambour Civic Centre May 28, 29 & 30 at 7:30pm BOOK HERE


The J, Noosa May 3, 4 & 6 at 7:30pm. BOOK HERE





Painter turned Playwright: Job’s Right – The Second Coat


Painter’s play gets a second coat of laughs

Story by Megan McKander for Sunshine Coast Daily

May 4 2015





PAINTER by day, actor by night, Brett Klease has told how penning a crude, yet hilarious play pulled him from deep depression after a workplace accident.


The boots are back on and the popular Sunshine Coast play Job’s Right is back on stage after a seven-year hiatus.


Described as a construction of five comedians playing out the real-life tribulations of a building site, Job’s Right – The Second Coat has been a long time coming between laughs.


Described by local tradies as “raw, real, earthy and funny”, the original play took to the stage in 2008 and centred on a gang of house painters led by work-weary Rick (played by Mr Klease).


Along with his offsiders, the politically incorrect Murph (Shane Cassidy) and the lovable larrikin Wally (Brad Thomson), the fellas stumbled and bumbled from one disaster to another. Somehow they survived to paint another day.


But behind the gags and witty one-liners lays a deeply painful past.


Brett fell from a mezzanine level of a house in 2003 while working as a painter.


He fell face first into the ground. He says it was theatre that saved him in the end from a spiral of depression.


“I’ve hit the ground and luckily I had a respirator on so that took all the impact up into my cheek bones, in a way it saved my life,” Mr Klease said.


“If I had hit my jaw bone or the side of my head, I would have died.”


But Mr Klease did not get off lightly. You wouldn’t know it, but he now lives with a steel plate in his face to replace his right eye socket, cheekbone and sinuses.


“My face was smashed, I couldn’t do anything. I had 12 months of recovery,” he said.


“I become addicted to morphine and one day I looked into the mirror and realised I had a problem when I saw the little pupils.”


Motivated to change his ways, Mr Klease knew he couldn’t walk the boards, but he could pen a play.


His good friend and theatre identity Simon Denver suggested he write what he knew best, and so came the first inception of Job’s Right.


job's right2


The play sold out venues in 2008, with more than 70 people turned away on the closing night due to demand.


The Second Coat is staged by Job’s Right Productions and the Suncoast Repertory Theatre. and will play at three Coast venues in May and June


Word of warning, Mr Klease said, the show does not hold back.


“There is language, and lots of it, because that’s just the way a worksite is,” he said.


“The play was well received the first time, when people got past the language.


“What they need to realise is the swearing is not there to be foul-mouthed or vulgar, it’s there because that’s the natural speak on a worksite.”


“You don’t watch what you say on a job site, so we don’t watch what we say on stage.


“I want guys to come and see this that work on a job so and say ‘absolutely, that’s exactly right.’

“There’s no blokes in tights, this is real and raw.”


“This show is full on, once the humour and the physicality takes off, this show goes through the gears and takes off like a Ferrari.   “You can’t’ even fit a Tally-ho paper between the lines.”


Job’s Right – The Second Coat Coast opens at The Events Centre Caloundra on May 14.


job's right1

Job’s Right: the Second Coat


The Events Centre Caloundra May 14-16,



Nambour Civic Centre May 28-30,



The J Noosa June 3-6,




job's right_poster_final




God of Carnage


God of Carnage

SRT & The Lind

The Lind Theatre

10 – 13 July 2013


Reviewed by Xanthe Coward


Yasmina Reza’s God of Carnage is a comedy of manners – without any manners whatsoever!


‘I work like a painter. If a painter is doing a portrait of someone, he’s not interested in their childhood. He paints what he sees.’ Yasmina Reza


I love working with Simon Denver and I love watching his work. His latest production for SRT at The Lind Theatre in Nambour – Yasmina Reza’s acclaimed God of Carnage – suffers only from a ridiculously short season, so BOOK NOW before reading on. You don’t want to miss this one.


“It was SO much better than the film.” Rachel Fentiman


I have to admit to having never seen the film (2011), which from all accounts remains pretty faithful to the text, translated by Christopher Dangerous Liaisons Hampton, but lacks understanding of the humour inherent in the dialogue. When I was at Sydney Theatre on Tuesday night to see The Maids, I stopped in the foyer and bought a copy of God of Carnage from Glee Books, and completely forgot to read it. But even for the non-theatre goers – or should I say, especially for the non-theatre goers – this is a wonderfully easy play to follow, and funny because it’s so familiar. The awkward moments are superbly uncomfortably so, and the witty upbeat banter and barely veiled vicious attacks are just what we expect in the circumstances. Theatre is a mirror and whether or not we like what we see, Reza’s razor sharp observations of diametrically opposed parents who meet to resolve an incident between their boys, is spot on. When the shiny veneer of polite conversation and pseudo mutual respect is stripped away we see all manner of undesirable qualities rise to the surface of even the most (seemingly) together “grown up”.


The joy and success of this production lies in its casting, and in the deft hand of Denver. Attention to detail is key, and Denver hasn’t missed a trick. If casting is ninety percent of the job, tweaking the performances must be the final ten percent. This is the ideal Sunshine Coast cast for this play, and each experienced performer is allowed ample time and opportunity to shine. I know these actors and their performances in this production are some of the strongest I’ve seen from each of them. Something tells me it won’t be the last we’ll see of this winning combination.


If you’re looking for a fast-paced 90-minute fun, funny, high voltage start to your night out, God of Carnage is it, but only until Saturday. Insightful writing (inspired by a real life event!), intelligent direction and a top-notch ensemble make this production a must-see. Theatre makers and theatre lovers will know they’ve seen something special, and for those who think they’ve seen it all, particularly the teachers of drama and directors of local theatre, some of whom have been so vocal lately about what good theatre looks like, you simply can’t afford to miss experiencing God of Carnage. I hope we see a return season sometime soon, but don’t count on it. Do yourself a favour and see it straight away. You’ll be glad you did!


Frank Sharon GOC-1

Featuring Frank Wilkie, Brett Klease, Sharon Grimly and Kate Cullen, God of Carnage must be the best non-musical on the Sunshine Coast this year.










Next at The Lind for a strictly limited Sunshine Coast season The Tipokis present Jason Robert Brown’s Songs For A New World




short + sweet sunshine coast




Submissions for Actors, Directors and Independent Theatre Groups close on May 31st 2012


Got a 10 minute play? Sure you do!


Simon Denver adapted So, Where Is It? from the original one-act play, which he wrote for a festival in a matter of days after Sam Coward said one day over a few beers, “WHY NOT? WE’RE GOOD AT VIOLENCE.”

The 10 minute version only came about when I received a phone call during rehearsals for our gig at The Sydney Children’s Festival inviting us to submit something to Short + Sweet and Sam said, in the dressing room of the Seymour Centre, “WHY NOT? WE’RE GOOD AT VIOLENCE AND IT’S JUST 10 MINUTES.”

So, Where Is it? won Brett Klease Best Actor at last year’s Sunshine Coast Theatre Festival and the 10 minute version took out 1st place in the Gold Coast & Brisbane Short+Sweet competitions. It then went to Sydney (thanks to some of YOU! THANK YOU!), where it won third place.

With so many one-act play festivals happening across the Sunshine Coast, why not do the same? Or register your 10 minute play from the recent season in Buderim. IT’S JUST 10 MINUTES! YOU CAN DO IT!

You CAN do it. But do you need some help taking the red pen to your script? Register first! Just do it and then let us know! We can help edit and workshop your one-act play down to just 10 minutes or help you find a new script to work on.

Check out the vast collection that the 10 Minute Play Master, Alex Broun, has made available online for FREE.

The Short+Sweet QLD 2012 Brisbane+Gold Coast+Sunshine Coast theatre season runs from 1st August to the 19th August at

The Loft (QUT Creative Industries)

The Arts Centre Gold Coast

Lind Lane Theatre, Nambour


June 16th Director briefing and welcome drinks


June 23rd Sunshine Coast auditions


June 30th Rehearsals commence


Remember, it all starts with an idea….. 

This one was just so crazy…it worked!



That Scottish Play

That Scottish Play

SRT & Lind Lane Theatre

Lind Lane Theatre

27th April – 4th May

Have you ever been involved in community theatre? We used to call it “amateur” theatre but that term has become more closely associated with poor quality performances and megalomania than with its original meaning, which is “to love” (from the Latin verb, amo). The term, “community theatre”, seems to have a friendlier tone to it. But that tone can be deceptive!

Simon Denver’s That Scottish Play features a talented and, one suspects, largely undiagnosed cast of Sunshine Coast actors sending up Sunshine Coast actors. It reveals the machinations of a community theatre group in the imagined Sunshine Coast town of Widgee. It could be Nambour. It could be anywhere. We recognise the characters and their quirks, we laugh out loud at their ridiculous antics and we loathe the egos that can’t help but surface under the little theatre’s spotlight. Names are named and every local theatre company is fair game! No one and nothing is safe from Denver’s pen!

That Scottish Play has been taken out of the vault and prepared for a strictly limited season at Lind Lane Theatre in just a few weeks. It’s like (Louis Nowra’s) Cosi on ice, though not the family-friendly Disney version you’re thinking of. More like the unfriendly, politically incorrect, if-only-there-were-ice-in-Africa, chaotic kind of Cosi on Ice. It’s an extremely talented ensemble – Denver says they are “from the deeper end of the talent pool” – and one of them, Sam Coward, who plays the guy who plays Macbeth, Nathan Gayelord, says, “I never read the script. It was a guideline.” This is typical from someone who has worked with Denver before. Many of the members of this extended company (let’s call it +SRT) have had that privilege and a few have not. Let’s hope they are brave enough to take up the mantle again because this cast is a joy to watch. They are each experienced enough and confident enough to just play. This play requires the notion of play to be unleashed – as Director, this is Denver’s specialty – and we can see that they’re having fun! It’s certainly the best parody we’ve seen and the local references are obvious enough to have audience members blushing in their seats, loving every minute of it!

The “problem” with such a localised and personalised parody is that those who are slightly outside of the teensy weensy world of local theatre don’t get it. This may need to be a consideration in future, in order to attract the desired ticket sales. I watched with interest on opening night, a party of elderly, typically Lind Lane Theatre patrons and they were in turns, bemused, horrified, terrified, nonplussed and not amused. I was in fact waiting for one of them to say at the end, “We are not amused.” Perhaps they thought they were coming to see Shakespeare’s Macbeth?!

Well, of course if you read the publicity or Google Mr Denver’s works, you’ll realise that this is not Macbeth but a basic tale of typical amateur over-the-top theatrics. The Lower Widgee Amateur Drama Group prepare to stage a production of Macbeth…with all the actual and boring Macbeth bits taken out of it! Early in the rehearsal process, the show becomes a musical (because what’s the biggest bums-on-seats show an amateur theatre company can pull off in a year? A musical!), allowing us to enjoy ridiculous musical theatre performances (think Forbidden Broadway) from the likes of Chris Surplice (who has come up from Sydney to play) and Sam Coward, who hasn’t been heard to sing, except in the car and in the theatre when bored or making a point as Director, since he played Javert in an impressive little production of Les Miserables in Mt Isa (not so impressive were the brows back then, mine, not Sam’s; his are fine. Thank goodness I’ve been threaded since then!).

Well-known, well-loved performers from right across the coast join these pillars of performance power and strength on stage. Joy Marshall as Penelope Ascot is a standout. She limps and she lisps and whenever The Trophy or The Awards are mentioned, she twitches. Hers is a hilarious performance and it is well balanced by Brett Klease’s, as the professional director, Simon, from Brisbane, who comes in on the wings of a successful grant application and won’t be directing anything much in the end (and won’t be allowed to leave)! Surplice, as Nigel Chandler, has a few nice little moments, particularly in the plotting, scheming scenes, when we get a glimpse at how far the bitchiness backstage can go. Howie Tampling gives us some good belly laughs, as the guy with Tourette’s and Errol Morrison is the perfect small country town mayor and the hapless husband of the overly-ambitious Penelope.

Individual characters are made very clear and some of the mimicry is too close to be believed. Yikes! But even the audience members who are at the brunt of the jokes appear pleased! Phew! MD Darren Heskes provides an amusing, well-synched underscore throughout, referencing all the major musicals. His work helps to move more swiftly some of the scenes that threaten to lag. This is exemplified in Nigel’s scheming scene, in which he plots with Penelope to kill the (university trained) “real” actors, underscored by a few bars from Lloyd Webber’s Jesus Christ Superstar. The actors could very easily have sung, “We need him crucified, it’s all you have to do…”

This production is a first for the Sunshine Coast. It parodies the best-known members of each theatre company in a ruthless and rather daring manner and yet leaves only a few offended (the collateral damage). It seems the writing is witty enough and the pace fast enough for this motley company to get away with all manner of sins! The combined talents on stage and off indicate that there is a distinct lack of entertainment like this – for actors and audience to get their teeth into – and the results indicate that there should be more of it. If Denver can pen a play like this in a couple of hours (and re-write it during rehearsals) and another, his latest, in less than an hour (So, Where Is It? was originally a one act play and was whittled down to just 10 minutes, winning the Gold Coast and Brisbane Short + Sweet Awards and taking out 3rd place in the national competition in Sydney this year), then he should be producing something new at least twice a year! There is talent to perform the work and audiences craving to see it. Let’s have more like this, please.

Final performances: tonight (Friday) and tomorrow night (Saturday) at 8pm & final matinee tomorrow (Saturday) at 2pm at Lind Lane Theatre

Book online or call 07 5441 1814


An audience member offered this feedback:


Last evening, Wednesday 3 May 2012, my partner and I with a couple of friends attended the production of “That Scottish Play”. Now we would like to take this opportunity in thanking every actor in this production plus all of the theatre crew for one of the most enjoyable theatre experiences of Lind Lane (although we also did enjoy the 3 Act plays performed last year by the theatre.)
We all found the play, or was it really a musical in disguise, we still aren’t too sure, totally entertaining and extremely funny and terribly well crafted and acted. Congratulations to all for a great night’s entertainment and may we expect more of the same in the future? we do hope so.
Simon Denver’s writings are truly of an international standard and he certainly knows just how to bring out the ‘best’ in his players.
We wish the cast and writer/director all the very best and again, thank you so much for such a most memorable evening of true comic theatre.
Mr Paolo-Andrea L.G. Roberto-Preston

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