Posts Tagged ‘austin cornish

18
Dec
18

A Very Naughty Christmas – The Second Coming

 

A Very Naughty Christmas – The Second Coming

Understudy Productions

Brisbane Powerhouse Visy Theatre

December 6 – 16 2018

 

Reviewed by Xanthe Coward

 

Elliot Baker & Sophie Christofis. A Very Naughty Christmas.

 

THE POLAR OPPOSITE OF CAROLS BY CANDLELIGHT

 

Alex Woodward’s Understudy Productions returned to Brisbane Powerhouse for the holiday season with the naughtiest Christmas cabaret show in the city. It really should have run for another week. It’s the return of A Very Naughty Christmas and it’s only missing Miss Libby Hendrie, the gorgeous blonde triple threat in all of the marketing collateral. Other than that, there’s not a single disappointment; it’s perfectly designed to become a (strictly adults only) Brisbane Christmas Tradition.

 

Apparently, The Second Coming is nothing like last year’s production. But I missed seeing it, so from what I can gather it’s either lacking its original raw, really naughty edge, or it’s even more titillating and entertaining than before! We’re going to assume that the latter is the more common response because box office records. Also, Woodward is one of our excellent new producers who learns from each experience rather than giving up, packing up and moving on to another, bigger, brighter city. The lights are getting brighter in Brisbane and it’s largely because the indies, like Understudy, persist and survive – very well it seems – alongside the mainstage offers. (It’s also because table service survives at many of Brisbane’s better haunts. C’mon, Sunshine Coast!). Woodward always assembles the best of the best, both onstage and off, which makes it easier to garner support for each new project, and also makes the next tickets on offer from this company, for next year’s production of Sweet Charity starring Naomi Price, a very attractive Christmas stocking filler indeed…

 

Dan Venz directs a fierce and fiercely talented, unafraid, flamboyant cast. Each is a bit of a star in their own right, and not a bit reticent about performing this style of comedy. There’s a great deal of the individual in each very personalised role. Let’s face it, we’ve never seen Santa’s Helpers quite like these! Unlike last year’s rough and ready reverie, this script was written by Emily Christopher and Matthew Semple. It’s super speedy, stupidly funny and yes, very naughty.

 

Emily Kristopher & Stephen Hirst. A Very Naughty Christmas.

 

The role of Santa comes, of course, to Stephen Hirst, the host with the most…well, let’s just say he’s the most indecent Santa we’ve seen on local stages. Leading a completely politically incorrect, drug addled, intoxicated and very sexy band of elves, it’s no surprise to see an Austin Powers’ nude number eliciting raucous laughter, and equal measures of delight and dismay, when sight lines outside of the main seating bank offer sneaky peaks at a little more than the punters thought they’d paid to see, especially for those sitting in the right (or the wrong?) seats. Hirst is well known for his easy manner and wicked humour, his ability to take an audience along for the ride with a wink and a knowing grin; all qualities that serve him well here, lowering the tone a little nearer to bawdy, but lifting the standard of the show into the realm of Club Cumming, rather than just another cabaret show; yes, high praise indeed!

 

There was never any doubt that raunchy Aurélie Roque could steal the show, but she resists (that) temptation and plays nice – real nice – with performers and unsuspecting audience members. With powerhouse vocals and legs up to her ears, Roque leaves an indelible impression as always.

 

Emily Kristopher, having had two other productions in the Wonderland program, lets her hair and her guard down in this one. A substantial amount of the writing has got to be hers, such is the clever, concise dialogue, breathing space and overall pace. A versatile performer, her character is ridiculously cute, her comic timing is perfect and her voice is sublime. Sofie Christofis finds her place in this cast, establishing herself as the one to watch. I suspect she is to Understudy Productions what Stef Caccamo is to The Little Red Company.

 

Austin Cornish and Elliot Baker round out this devilishly talented cast. Cornish, given the opportunity to do so,  dances rings around the other elves, and Baker relishes his comedic role as the newest elf on the shelf with a shameful secret and a crush on Christofis. Cornish and Baker are further testament – as if we needed any further evidence ever – that the Queensland Conservatorium Griffith University (i.e. the Con) is training our next generation of triple threat superstars. Watch out, WAAPA. It’s a delight to hear each sing up a storm, in between their riotous workshop antics, and at times combining these elements to deliver, for example (and possibly, for a verse and a chorus too long), the viral Lonely Island number about a particular appendage in a boxMD Tnee Dyer (keys), Chris Evans (drums) and Elliot Parker (bass) appear to have just as much fun as we do. New arrangements of the most popular Christmas songs become fabulously dirty ditties with new lyrics; singalongs that you might not want to be caught on camera singing along with!

 

Understudy Productions had already gone to some lengths to fill the gap in the market, a chasm in fact, left by Oscar Theatre Co – now Oscar Production Co. A Very Naughty Christmas is potentially a neverending year-round series, like enough Club Cumming or Jim Caruso’s Cast Party, starring new and old talent, featuring new and favourite sketches and songs, and satiating new and returning audiences, as long as they’re over the age of eighteen. It’s a no-brainer to bring this show back to Brisbane Powerhouse each year at Christmas time (and in July!). If you missed the last two versions, you don’t want to be left out of a third.

 

Make sure you’re amongst the first to hear of another season. While you’re at it, you might want to book for the return season of The Little Red Company’s Christmas Actually and then let QPAC know that you’d like to take the whole family to A Christmas Carol. But keep any version of A Very Naughty Christmas for yourselves. It’s a lovely, filthy treat especially for the big kids. Talk about filling the gap in the market!

 

 

Austin Cornish. A Very Naughty Christmas.