Posts Tagged ‘amateur theatre

23
Nov
13

The Stars Shine Bright in Brisbane: Harvest Rain Season Launch 2014

 

Harvest Rain Theatre 2014 season launch

QPAC Playhouse

18th  November 2013

Attended by Meredith Walker

 

Harvest Rain stars shine in 2014

 

After 18 days of social media clues, Harvest Rain Theatre Company revealed its 2014 season in an all-singing, all-dancing launch at QPAC’s Playhouse. For the company’s 2014 season, its first as a fully professional company*, Harvest Rain will be continuing what it does best, presenting a trio of big musicals featuring an impressive list of Australian stars. The season features a golden oldie, a modern Broadway classic and a Broadway hit musical, ranging from the sublime to the silly, but all with promise of maximum entertainment.

 

Harvest Rain is fast developing a reputation for effectively reviving and recreating the classics.

 

The company’s 2013 Oklahoma proves that classic musicals can still be popular and the company aims to recapture the magic when it reintroduces the delightful musical Guys and Dolls to a modern audience in March.  After their acclaimed performances in Oklahoma, Ian Stenlake and Angela Harding will reteam in the show and the audience was reminded of their vocal talents, including through Stenalke’s dynamic performance of Luck be a Lady. The really big news, however, was that the company has recently signed Gold Logie winner Daryl Somers to play Nicely Nicely Johnson, a role made famous on the Australian stage by the late Ricky May. And Somers was in full schick mode as he hammed it up about his preparation for the weighty role. Auditions for professional ensemble roles are to be held in December.

 

Image by Nick Morrissey

 

Everyone is invited to the Jellicle Ball when the company presents Andrew Lloyd Webber’s Cats in an arena spectacular style show at the Brisbane Convention Centre for five performances in May. With over 500 performers taking to the stage, Cats promises to be a glorious production of immense scale. Indeed, it will be the largest production of Cats ever staged in the southern hemisphere. While the whimsical cats shone both on stage and as they slinked about the post-launch function, the highlight was undoubtedly headliner Marina Prior’s goosebumpy performance of Memory, the show’s haunting anthem.

 

Audiences are guaranteed a good time when Simon Gallaher and Jon English reunite thirty years after their Pirates of Penzance romp for the Tony Award winning Monty Python musical Spamalot, based on the cult 1975 film Monty Python and the Holy Grail. After rousing renditions of Knights of the Round Table and Always Look on the Bright Side of Life, Lady of the Lake Julie Anthony revealed how she was coaxed out of retirement for the show, which will be staged in QPAC’s Concert Hall in October.

 

Harvest Rain has not only earned its place at QPAC, but its energetic approach to theatre making makes its works valuable resources for school groups. Indeed, shows such as Cats, provide an exciting access point to for school students to engage with a classic text, wether that text be Andrew Lloyd Webber’s beloved musical or its genesis, Old Possum’s Book of Practical Cats by T. S. Elliot, in a welcoming context. Not only this, but the company offers students the opportunity to engage with the arts on a practical level though their musical theatre internship program, in keeping with its aim to nurture young artists in their passion for the performing arts. Harvest Rain will also be conducting auditions for the Cats youth ensemble in early December.

 

The Arts in Australian schools is at a turning point; Australian students now all have an entitlement to education in the five art forms – dance, drama, media arts, music and visual art.

 

Companies such as Harvest Rain, should be commended for the manner in which they encourage young people to participate in the Arts more fully and to understand how the arts provide unique and valuable ways of making meaning.

 

Harvest Rain’s motto for 2014 is ‘the stars shine bright in Brisbane’ and if the 2014 launch is any indication, this is indeed the case, as the company adds to their list of the acclaimed artists who have trodden the boards in a Harvest Rain show over the past three decades.

 

*In 2014, Harvest Rain is giving young amateur performers from across South-East Queensland the opportunity to take part in a large-scale arena presentation of Andrew Lloyd Webber’s CATS, the largest production of the classic musical ever staged in the southern hemisphere.

 

Australia’s leading lady of musical theatre, Marina Prior, will star as Grizabella in this record breaking production, along with a core cast of professional musical theatre performers (auditions for the professional adult cast will be held in January 2014). Surrounding this cast will be a large youth ensemble made up of over 500 young amateur performers from across South-East Queensland.

 

If you want to be one of those young performers, then apply to audition today!

 

04
May
12

That Scottish Play

That Scottish Play

SRT & Lind Lane Theatre

Lind Lane Theatre

27th April – 4th May

Have you ever been involved in community theatre? We used to call it “amateur” theatre but that term has become more closely associated with poor quality performances and megalomania than with its original meaning, which is “to love” (from the Latin verb, amo). The term, “community theatre”, seems to have a friendlier tone to it. But that tone can be deceptive!

Simon Denver’s That Scottish Play features a talented and, one suspects, largely undiagnosed cast of Sunshine Coast actors sending up Sunshine Coast actors. It reveals the machinations of a community theatre group in the imagined Sunshine Coast town of Widgee. It could be Nambour. It could be anywhere. We recognise the characters and their quirks, we laugh out loud at their ridiculous antics and we loathe the egos that can’t help but surface under the little theatre’s spotlight. Names are named and every local theatre company is fair game! No one and nothing is safe from Denver’s pen!

That Scottish Play has been taken out of the vault and prepared for a strictly limited season at Lind Lane Theatre in just a few weeks. It’s like (Louis Nowra’s) Cosi on ice, though not the family-friendly Disney version you’re thinking of. More like the unfriendly, politically incorrect, if-only-there-were-ice-in-Africa, chaotic kind of Cosi on Ice. It’s an extremely talented ensemble – Denver says they are “from the deeper end of the talent pool” – and one of them, Sam Coward, who plays the guy who plays Macbeth, Nathan Gayelord, says, “I never read the script. It was a guideline.” This is typical from someone who has worked with Denver before. Many of the members of this extended company (let’s call it +SRT) have had that privilege and a few have not. Let’s hope they are brave enough to take up the mantle again because this cast is a joy to watch. They are each experienced enough and confident enough to just play. This play requires the notion of play to be unleashed – as Director, this is Denver’s specialty – and we can see that they’re having fun! It’s certainly the best parody we’ve seen and the local references are obvious enough to have audience members blushing in their seats, loving every minute of it!

The “problem” with such a localised and personalised parody is that those who are slightly outside of the teensy weensy world of local theatre don’t get it. This may need to be a consideration in future, in order to attract the desired ticket sales. I watched with interest on opening night, a party of elderly, typically Lind Lane Theatre patrons and they were in turns, bemused, horrified, terrified, nonplussed and not amused. I was in fact waiting for one of them to say at the end, “We are not amused.” Perhaps they thought they were coming to see Shakespeare’s Macbeth?!

Well, of course if you read the publicity or Google Mr Denver’s works, you’ll realise that this is not Macbeth but a basic tale of typical amateur over-the-top theatrics. The Lower Widgee Amateur Drama Group prepare to stage a production of Macbeth…with all the actual and boring Macbeth bits taken out of it! Early in the rehearsal process, the show becomes a musical (because what’s the biggest bums-on-seats show an amateur theatre company can pull off in a year? A musical!), allowing us to enjoy ridiculous musical theatre performances (think Forbidden Broadway) from the likes of Chris Surplice (who has come up from Sydney to play) and Sam Coward, who hasn’t been heard to sing, except in the car and in the theatre when bored or making a point as Director, since he played Javert in an impressive little production of Les Miserables in Mt Isa (not so impressive were the brows back then, mine, not Sam’s; his are fine. Thank goodness I’ve been threaded since then!).

Well-known, well-loved performers from right across the coast join these pillars of performance power and strength on stage. Joy Marshall as Penelope Ascot is a standout. She limps and she lisps and whenever The Trophy or The Awards are mentioned, she twitches. Hers is a hilarious performance and it is well balanced by Brett Klease’s, as the professional director, Simon, from Brisbane, who comes in on the wings of a successful grant application and won’t be directing anything much in the end (and won’t be allowed to leave)! Surplice, as Nigel Chandler, has a few nice little moments, particularly in the plotting, scheming scenes, when we get a glimpse at how far the bitchiness backstage can go. Howie Tampling gives us some good belly laughs, as the guy with Tourette’s and Errol Morrison is the perfect small country town mayor and the hapless husband of the overly-ambitious Penelope.

Individual characters are made very clear and some of the mimicry is too close to be believed. Yikes! But even the audience members who are at the brunt of the jokes appear pleased! Phew! MD Darren Heskes provides an amusing, well-synched underscore throughout, referencing all the major musicals. His work helps to move more swiftly some of the scenes that threaten to lag. This is exemplified in Nigel’s scheming scene, in which he plots with Penelope to kill the (university trained) “real” actors, underscored by a few bars from Lloyd Webber’s Jesus Christ Superstar. The actors could very easily have sung, “We need him crucified, it’s all you have to do…”

This production is a first for the Sunshine Coast. It parodies the best-known members of each theatre company in a ruthless and rather daring manner and yet leaves only a few offended (the collateral damage). It seems the writing is witty enough and the pace fast enough for this motley company to get away with all manner of sins! The combined talents on stage and off indicate that there is a distinct lack of entertainment like this – for actors and audience to get their teeth into – and the results indicate that there should be more of it. If Denver can pen a play like this in a couple of hours (and re-write it during rehearsals) and another, his latest, in less than an hour (So, Where Is It? was originally a one act play and was whittled down to just 10 minutes, winning the Gold Coast and Brisbane Short + Sweet Awards and taking out 3rd place in the national competition in Sydney this year), then he should be producing something new at least twice a year! There is talent to perform the work and audiences craving to see it. Let’s have more like this, please.

Final performances: tonight (Friday) and tomorrow night (Saturday) at 8pm & final matinee tomorrow (Saturday) at 2pm at Lind Lane Theatre

Book online or call 07 5441 1814

 

An audience member offered this feedback:

 

Last evening, Wednesday 3 May 2012, my partner and I with a couple of friends attended the production of “That Scottish Play”. Now we would like to take this opportunity in thanking every actor in this production plus all of the theatre crew for one of the most enjoyable theatre experiences of Lind Lane (although we also did enjoy the 3 Act plays performed last year by the theatre.)
 
We all found the play, or was it really a musical in disguise, we still aren’t too sure, totally entertaining and extremely funny and terribly well crafted and acted. Congratulations to all for a great night’s entertainment and may we expect more of the same in the future? we do hope so.
 
Simon Denver’s writings are truly of an international standard and he certainly knows just how to bring out the ‘best’ in his players.
 
We wish the cast and writer/director all the very best and again, thank you so much for such a most memorable evening of true comic theatre.
 
Bravo!
 
Mr Paolo-Andrea L.G. Roberto-Preston
Eudlo