Archive for the 'News' Category

18
Dec
18

Louise Bezzina to Lead Brisbane Festival as Artistic Director

 

Brisbane Festival announces Louise Bezzina as Artistic Director

 

Brisbane Festival has announced Louise Bezzina as the incoming Artistic Director for a four-year term. Her first festival will be presented in 2020. Bezzina is the creator and inaugural Artistic Director of Bleach* Festival; the Gold Coast’s Festival. Relocating to the Gold Coast from Brisbane in 2011, Bezzina created Bleach* Festival and built it from a pilot project to a major annual event that has reached almost 1million people since inception. 2019 will be her 8th and final Bleach* Festival, having led the organisation through the Commonwealth Games as part of the Creative Lead Team for Festival 2018 and establishing Bleach* as one of Australia’s leading site-specific contemporary arts festivals.

 

 

For Bleach*, Bezzina has commissioned more than 50 new works, from major outdoor spectacles to intimate dance and theatre productions from local, national and international artists. In 2018, four Bleach* Festival commissions were nominated for Helpmann Awards, with TIDE by Gold Coast dance theatre company The Farm winning Best Visual or Physical Theatre Production. Bezzina also co-produced the inaugural Opera on the Beach by Opera Australia and is one of the curators of sitespecific immersive arts experience Hotelling; a groundbreaking cultural tourism initiative of the City of Gold Coast. Bezzina was listed as one of 11 inspiring women of the Commonwealth Games on International Women’s Day in 2018 and has won several awards for her contribution to arts and culture in Queensland. She recently completed the Australia Council for the Arts’ Arts Leaders Program. Prior to Bleach* Festival, Bezzina held a number of high-profile roles in Brisbane, including Program Manager for the Judith Wright Centre of Contemporary Arts; Producer at Brisbane Festival, including Producer for the opening of the cultural precinct (GoMA, QPAC and State Library of Queensland); and Director of the Mackay Festival of Arts. Brisbane Festival Chair, Paul Spiro, praised Bezzina’s commitment to the cultural sector in Queensland and said her extensive festival experience and broad international connections made her an ideal candidate for the coveted role.

 

 

“After a competitive international search, the Board of Brisbane Festival is incredibly excited to appoint exemplary cultural leader Louise Bezzina to role of Artistic Director to guide Brisbane Festival future development alongside CEO Charlie Cush,” Mr Spiro said. “Having known and admired Louise as Bleach* Festival’s creator and Artistic Director, I’m delighted that she will be our next Artistic Director.

 

“Louise’s deep understanding of festivals, her curatorial rigour and vision for the future of Brisbane Festival made her an irresistible choice,” Mr Spiro said. “Brisbane Festival celebrates and reinforces Brisbane’s international cultural reputation and I look forward to Louise being part of Brisbane Festival’s ongoing development and change.” Bezzina said she looked forward to returning to the Brisbane Festival team following Bleach* Festival in May 2019. “The combination of Brisbane’s rich history, its contemporary dynamism and future ambitions offers a great thematic foundation for a festival and its artistic program,” Bezzina said. “The responsibility of an Artistic Director is to find the unique gems, welcome all citizens and, most importantly, turn the city ‘on’ during festival season. “Our job is to inspire audiences with new ideas and experiences that leave life-long impressions,” Bezzina said.

 

 

“As Artistic Director, I will showcase what characterises Brisbane, celebrating its wonderful artists, delivering a strong Indigenous program as well as curating a bold international program that makes sense for the city, ensuring it is loved by all of Brisbane.” Arts Minister Leeanne Enoch thanked outgoing artistic director David Berthold for his many achievements and welcomed the appointment of Louise Bezzina. “Louise has done an extraordinary job leading Bleach* Festival, helping to shape the Gold Coast event into one of the state’s leading multi-arts festivals,” Minister Enoch said.

 

“She will bring to the Brisbane Festival her passion for creating unforgettable arts experiences and a commitment to showcasing Queensland artists.” Lord Mayor Graham Quirk said. Bezzina takes over from David Berthold, whose fifth and final festival will take place in September 2019. Brisbane Festival Chair, Paul Spiro, paid tribute to Berthold’s contribution to Brisbane Festival during his tenure as Artistic Director. “Queensland audiences have benefitted from the extraordinary vision of David Berthold,” Mr Spiro said. “Over the past five years, the festivals that he curated have confirmed his status as a truly international festival director, able to connect with audiences of all ages, tastes and sensibilities. “He has brought unseen and unforgettable worlds to Brisbane for which we are deeply grateful,” Mr Spiro said.

 

The Spirit of Churaki

 

The Spirit of Churaki will be seen next at Woodford Folk Festival December 28 & 29

 

08
Dec
18

EDC’s New Artistic Director: Amy Hollingsworth

 

Brisbane’s Expressions Dance Company (EDC) has announced the appointment of Amy Hollingsworth as its new Artistic Director.

 

Marian Gibney, Chairman of EDC’s Board said, “We are delighted to welcome Amy Hollingsworth to the artistic leadership of EDC. Amy has presented the Board with an exciting vision for the future of the company as we look ahead to the 2020’s. Amy brings to the role her recognised talent, experience within the national and international dance sectors, and a commitment to both excellence in dance and in broadening the reach of the company, within our local community and beyond. ”

With over 20 years’ experience as a dancer, choreographer, director and industry advocate, as well as in film and dancer education, Amy is highly regarded for her passion and leadership within the Australian dance industry.

Taking up the position in January 2019, Amy will replace outgoing Artistic Director, Natalie Weir. Amy said she is honoured to assume the artistic leadership of one of Australia’s most respected contemporary dance companies. “I am deeply committed to building on the legacy created by Natalie and her predecessor, Maggie Sietsma,” she said.

“I cannot wait to step into this role with vigor and passion to deliver a bold fresh new vision. At the heart of my vision for EDC is to lean in to making incredible new work, showcasing the stunning dancers and delighting our audiences, but also to creating an environment for creativity to truly thrive. In this environment, our artists and collaborators will work as a collective, forming a creative tribe where conversations crackle with energy and ideas. We, with the help of our partners, supporters and stakeholders, will make a truly profound contribution to the landscape of dance and more broadly to our community.”

Amy will join EDC following three years as the Creative Associate and Ballet Mistress at Queensland Ballet where her talent as a curator and choreographer was particularly evident through the successful 2017 and 2018 Bespoke seasons.

 

Her vision for EDC includes furthering the company’s respected work in dance education and increasing collaboration opportunities with dancers and other artists to bring exceptional dance to existing audiences and the wider community.

 


Amy Hollingsworth is a multi award winning dancer and director, based in Brisbane and was described by the UK Observer as one of ‘the most compelling and intelligent dancers on the world stage’.

 

Born and raised in Australia and classically trained at The Australian Ballet School, she performed as a leading dancer in companies such as Rambert Dance Company, Royal New Zealand Ballet, Peter Schaufuss Balletten, Bonachela Dance Company, Michael Clark Company, Hofesh Shechter Company, George Piper Dancers and Sydney Dance Company.

With an impressive international performance and creative career spanning large-scale classical ballet to independent contemporary dance, film and pop music, Amy is a highly versatile director of dance with a strong, passionate, musical and emotionally resonant creative voice. Her work in direction and education draws from her background and breadth of experience and is as diverse as the companies that engage her to coach and mentor.

Her achievements outside of her career as a performer are many, but most notably she was a founding member of Bonachela Dance Company and Assistant Director. She then excelled in her roles as Dance Director for Sydney Dance Company and then Rehearsal Director for Expressions Dance Company before joining Queensland Ballet as Ballet Mistress and Creative Associate in 2016. Her skills in the development of choreographers, eye for detail and coaching excellence of dancers has been widely noted and critically acclaimed.

Amy has also choreographed numerous works, has been involved in the production of dance films and worked across commercial industries. In addition to her credits as a performer, coach, director and creative associate, Amy is a sought-after keynote speaker at dance industry events, and is currently the Chair of Brisbane’s Supercell Dance Festival.

25
Aug
18

Queensland Theatre 2019 – A Season of Dreamers

 

Australia’s fastest growing theatre company launches 2019:

a season of dreamers

 

 

A record five world premieres, a record number of interstate performances through co-productions, Queensland exclusives, Australia’s newest theatre – the Bille Brown Theatre – industry leadership via gender parity of writers and directors and four new women in artistic leadership positions, the first Principal Partnership in the Company’s history, and eight unforgettable shows.

 

2019 will be Queensland Theatre’s biggest year yet.

 

Artistic Director Sam Strong has taken Queensland Theatre to unprecedented levels of success and 2019 will be even better.  “In 2017 Queensland Theatre was the fastest growing major theatre company in Australia and the most watched performing arts company in Brisbane. In 2018, we grew our audience again and will open Brisbane and Australia’s newest theatre. And now, in 2019, we will take shows across Australia while also creating Queensland exclusives that will be the envy of the rest of the country,” said Strong.

 

“Queensland Theatre will present an unprecedented five world premieres in 2019.  We begin with the world premiere of Hydra, award-winning playwright Sue Smith’s portrait of writers Charmian Clift and George Johnston. This is followed by the world premiere of the most provocative play to hit the Australian stage in years, City of Gold by electric young actor Meyne Wyatt. Next, in a coup for Queensland, we will be home to not just the world premiere of Joanna Murray-Smith’s latest play, but her world directorial debut, with the wickedly funny L’Appartement. Add to this the world premiere of hilarious new musical Fangirls by the unfairly talented Yve Blake, and the world premiere of award-winning Brisbane writer Merlynn Tong’s adaptation of Antigone, and you have Queensland Theatre’s most urgent, ambitious, and entertaining season yet,” said Strong.

 

The season is rounded out by one of theatre’s biggest classics, Death of A Salesman, performed by an all-star cast of Queenslanders (both resident and returning), the rock’n’roll family reunion Barbara and the Camp Dogs by the brilliant Ursula Yovich and Alana Valentine, and a landmark new production of Tom Holloway’s adaptation of Colin Thiele’s cherished story Storm Boy, bringing together the creative forces behind Jasper Jones and The Wider Earth.

 

Season 2019 features the best local talent like David Morton of Dead Puppet Society, Emily Burton, Ray Chong Nee, Jason Klarwein, Thomas Larkin, Pacharo Mzembe, Christen O’Leary, Hugh Parker, Bryan Probets, and Melanie Zanetti. It also continues Strong’s ‘State of Origin’ approach of attracting leading Queensland talent home, actors like John Batchelor, Peter Kowitz, Angie Milliken and Anna McGahan, and one of Australia’s most in demand directors, Leticia Caceres.

 

 

Strong said 2019 was a season defined by the variety of experiences it gives audiences. “Between the book-ends of two of the greatest plays ever written, we have an exquisitely observed relationship portrait, a rock and roll road trip, a provocative political battle cry, a heart-warming family classic, a wicked social comedy, and even a joyous new musical. Theatre-goers can be part of the extreme passion that only teenage years can induce, the disillusion that can accompany the end of a working life, the idealism of young adulthood, the ebbs and flows of a long relationship, and the bittersweet passage from childhood to adulthood.”

 

Strong said it is a “season full of dreamers – of people who confront even the darkest of times with a faith that life can be better. If there is diversity across the eight shows, they are unified by a spirit of optimism. Even if the stories occasionally break our hearts with tragic circumstances, they are all shot through with hope.”

 

In 2019 Queensland Theatre will once again traverse the rest of the country. Through co-productions with the state theatre companies in Adelaide and Melbourne, as well as two companies in Sydney, the work of Queensland Theatre will be seen on interstate stages for a record 129 performances.

 

2019 is a significant year for many reasons. Next year Queensland Theatre will start the celebrations for the company’s 50th anniversary season in 2020, and it will see the first full year of programming in its own home theatre. The Bille Brown Studio is currently undergoing a $5.5million-dollar transformation and in October 2018 will take on a new life as the 351 seat Bille Brown Theatre – a state-of-the-art corner stage, designed to be the perfect place for stories, artists, and most importantly – audiences. “We are tremendously proud of the community effort that has made the dream of our own theatre a reality,” said Executive Director Amanda Jolly. “We set ourselves our most audacious fundraising target ever, and with the help of the Queensland Government’s Arts Infrastructure Fund and our many generous and visionary donors we have succeeded. We thank each and every supporter. We can’t wait to share one of Australia’s best theatres with our audiences.”

 

In a continuation of the Company’s national industry leadership, Queensland Theatre has once again programmed a season that has achieved gender parity of writers and directors. In addition, in 2019, Queensland Theatre will add to its reputation for revolutionising artistic leadership by appointing award winning Brisbane independent company, Belloo Creative, as resident company. All four women who make up Belloo -  Caroline Dunphy (co-artistic director, director and performer); Katherine Lyall-Watson (co-artistic director and writer); Kathryn Kelly (dramaturg), and Danielle Shankey (producer and general manager) – will become an integral part of Queensland Theatre’s leadership team. They will also create a work for the 2020 season. In a final coup for the Company, Queensland Theatre announced that from 2019 RACQ will become Queensland Theatre’s Principal Partner (the first for the Company). According to Strong, “Such partnerships are only possible when two companies share a profound alignment of purpose. Both of us are about improving the lives of Queenslanders.

 

 

QUEENSLAND THEATRE SEASON 2019:

 

9 Feb to 2 Mar:                              Death of a Salesman

9 Mar to 6 Apr:                              Hydra

1 May to 25 May:                           Barbara and the Camp Dogs

29 Jun to 20 Jul:                            City of Gold

29 Jul to 17 Aug:                           Storm Boy

3 Aug to 31 Aug:                           L’Appartement

7 Sept to 5 Oct:                             Fangirls

26 Oct to 16 Nov:                          Antigone

 

11
Feb
16

QTC is opening doors and dissolving borders

 

This is so exciting. Some of the best heads and hearts in the biz involved!

 

Queensland Theatre Company’s new Artistic Director Sam Strong is wasting no time in propelling the company onto the national and international stage in announcing the groundbreaking National Artistic Team.

 

nationalartisticteam

 

As a new Artistic Director, the most important thing you can do before your first season is to choose your artistic team.

– Sam Strong

 

Featuring an extraordinary lineup of artists from a deliberately eclectic mix of disciplines including actors, writers, directors, designers, dramaturgs, devisors, programmers and provocateurs, the QTC’s National Artistic Team includes: the next Chief in line of a Torres Strait Island; the director of the smash hit feature film The Sapphires; a leading New York literary director who now calls Australia home; the curator responsible for one of the most fertile periods of independent theatre in recent years; three great Brisbane artists who have been carving out careers interstate; one of the most important next generation voices on race and identity in Australia; and artists who between them have decades worth of commitment to the Brisbane scene. They are Jimi Bani, Wayne Blair, Margi Brown Ash, Marcel Dorney, Christie Evangelisto, Kat Henry, Nakkiah Lui, Annette Madden, Renée Mulder and Lucas Stibbard.

 

“We are throwing open the doors of QTC and involving more artists than ever before in key leadership positions in the company. This is sending a message about our commitment to lead from Brisbane and do things differently,” said Strong.

 

“This is a unique leadership team comprising 60% women, 30% Aboriginal and Torres Strait Islander artists and 70% Queenslanders. They are the eyes and ears paying genuine attention to artists and their work in various cities throughout Australia, and overseas. They are the brains and hearts thinking about what Australian theatre needs, and sharing their intense passion for its magic.”

 

Strong will unveil his first Season (2017) this coming September, with all members of the National Artistic Team present.

 

Sam-Strong

 

“The National Artistic Team is a living, working example of the key principles of the new regime at QTC: combining great local and interstate talent as a means of nurturing both; bringing Queenslanders back to their home State; continuing the Company’s commitment to Indigenous voices (and embracing the next generation of those voices), and providing a first home for the brightest new talent from around the country.

 

“Especially important is the idea of thinking more expansively about theatre in Australia. I think it is fair to say that Australian theatre has occasionally been too pre-occupied with State borders, inter- and intra- city rivalries, and owning talent rather than collaborating to develop it. I want to change that.”

 

Strong also announced QTC’s new approach to auditions.

 

“In a few weeks we will throw open the doors of the Company to see the work of hundreds of actors. But, for the first time, we will do this together with our Brisbane colleagues La Boite, sharing resources, time, Artistic Directors and the challenge of developing careers.”

 

He said creating career pathways for artists was another key area of focus for the new National Artistic Team.

 

“A core part of the National Artistic Team’s role is to create opportunities for others and do more to look after people at all stages of their careers. While they are a form of inner sanctum, part of being in that inner sanctum is devising ways to make QTC as inclusive as it can be for artists and audiences.

 

“Leading the nation in the creation of career pathways for artists is also a means of addressing, concretely and from the ground up, the vital question of the diversity of voices on our stages. Every theatre company wants to narrow the gap between the people inside theatres and the people on the street outside. How that is achieved is the rub. QTC led the industry with the groundbreaking Reconciliation Action Plan developed by my predecessor Wesley Enoch and Executive Director Sue Donnelly. We want to build on that work and extend it.”

 

“This year we have National Artistic Team members in Far North Queensland, Brisbane, Sydney, Melbourne and wherever else they might happen to find themselves – and …. we are paying attention. So if you are making a show anywhere in Australia, let us know.”

 

nationalartisticteam_qtc2016

 

QTC’s National Artistic Team:

 

  1. Jimi Bani – Torres Strait Islander performer and writer living in far North Queensland and working around the country and the world. Won acclaim for his performance as Eddie Mabo in the famous ABC TV series, and this year will perform at Belvoir in Sydney and the Barbican in London.
  2. Wayne Blair – actor, director and writer of stage and screen originally from Rockhampton. Director of the smash hit feature film The Sapphires and Redfern Now.
  3. Margi Brown Ash – Brisbane theatremaker and educator with a special interest in Artist Pathways. She has nurtured countless generations of Queensland artists and arts workers.
  4. Marcel Dorney – Brisbane writer, director and dramaturg now living in Melbourne and a previous winner of the Queensland Premier’s Drama Award. Creator of award-winning work around the country with Elbow Room.
  5. Christie Evangelisto – former Literary Director at Signature Theatre in New York and director of Musical Theatre/Resident Dramaturg at Playwright’s Horizons. A world class dramaturg now living in Sydney.
  6. Kat Henry – one of Australia’s next generation directors and the former resident director at MKA New Writing Theatre in Melbourne and Alumni of MTC Women Director’s program.
  7. Nakkiah Lui – writer, performer and cultural commentator, Nakkiah penned Kill the Messenger and This Heaven at Belvoir. Also writer and performer for ABC’s Black Comedy.
  8. Annette Madden – curator, programmer and producer, former director of BSharp at Belvoir and executive producer of thePerth International Arts Festival.
  9. Renée Mulder – one of the country’s leading theatre designers, and former resident designer at STC, returning to her hometown Brisbane.
  10. Lucas Stibbard – actor and director known for his innovative body of work with the Escapists. A long-time contributor to Brisbane’s cultural landscape, he is currently undertaking his inaugural Masters of Cultural Leadership and is on stage in MTC’s production of North by Northwest.
22
Sep
15

Queensland Theatre Company Welcomes New Artistic Director, Sam Strong

 

QTC Welcomes New Artistic Director, Sam Strong

 

samstrong

 

A week after unveiling a much anticipated Season 2016 anchored by an important world premiere and a mainstage program featuring tales of change, Queensland Theatre Company (QTC) has announced their new Artistic Director will be one of Australia’s leading theatre directors and arts leaders, Sam Strong.

 

Sam has been the Associate Artistic Director of Melbourne Theatre Company (MTC) since 2013 and is also currently Chair of Brisbane-based Circa. At MTC, Sam has directed multiple sold-out productions, reached a paid audience of over 145,000 people and directed the mainstage theatrical debuts of visual artist Callum Morton and screen comedy legends Working Dog. To say the team at QTC is excited is an understatement.

 

“After a national search we are absolutely delighted to be welcoming Sam Strong to lead this company artistically,” said QTC Executive Director, Sue Donnelly.  “Sam has carved out a stellar career in Sydney and Melbourne, making critically and commercially successful theatre as a director, and growing the audiences at Griffin Theatre company as artistic director,” Ms Donnelly said.

 

QTC Chair Richard Fotheringham said audiences were set for a rich adventure ahead. “On the back of launching our Season 2016 program last week which stars 10 powerful productions as well as another incredibly strong touring program nationally, we can now celebrate the appointment of Sam Strong; what a wonderful future QTC audiences can look forward to,”Mr Fotheringham said.

 

Ms Donnelly paid tribute to outgoing Artistic Director Wesley Enoch who departs to take up the baton at Sydney Festival. “Wesley Enoch introduced a new era of passion to QTC; a champion of local and Indigenous productions.  He has launched world and Australian premieres and shone the light on important actors, directors and causes. His work with Black Diggers was inspirational, and he was pivotal in bringing Michael Attenborough to Australia to direct Macbeth 18 months ago. The importance of his legacy at QTC cannot be quantified and we look forward to many collaborations with him in the future,” Ms Donnelly said.

 

On his appointment, Sam Strong said: “I’m delighted to be taking on the challenge of Artistic Director of the Queensland Theatre Company. Wesley Enoch is an artist and a cultural leader I admire and it’s a rare gift to inherit a company in as great a shape – artistically and operationally – as QTC.”

 

“I’m excited about working with Sue Donnelly and the team to take the company to even greater heights. QTC is already a national leader in touring, Indigenous programming and working with young people. I want to grow this reputation and make QTC a national leader in everything it does,” Mr Strong said.

 

On moving to Queensland, Strong said Queensland represented a wealth of creative talent, one which he was thrilled to be working with. “My time with Circa has whetted my appetite to work in Queensland and with Queensland artists and I can’t wait to plunge myself into the Brisbane scene. I’m looking forward to teaming up with Queensland artists to take our theatre around the state, around the nation and around the world,” Mr Strong  said.

 

Prior to MTC, Sam was Artistic Director of Australia’s new writing theatre, Griffin Theatre Company. At Griffin, Sam tripled subscribers, expanded the program to include the revival of Australian classics, and directed the highest selling show in the company’s 35-year history. Prior to Griffin, he was the Literary Associate at Company B Belvoir, and the dramaturg in residence at Red Stitch Actors Theatre, where he co-founded Red Stitch Writers.

 

Sam won Best Direction of a Mainstage Production for The Floating World at the 2013 Sydney Theatre Awards, and has received multiple nominations for Best Direction at the Sydney Theatre Awards, the Greenroom Awards, and the Helpmann Awards.

 

He has directed many of Australia’s leading actors including Justine Clarke, Lucy Durack, Colin Friels, Noni Hazlehurst, Asher Keddie, Lachy Hulme, Robyn Nevin, Josh McConville, Luke Mullins, Pamela Rabe, Kat Stewart, Erik Thomson, Hugo Weaving, and David Wenham.

 

Sam’s directing credits include: Masquerade (Sydney Festival/Griffin/STSA/Melbourne Festival); The Weir, Endgame, The Sublime, The Speechmaker, Private Lives, The Crucible, Other Desert Cities and Madagascar (Melbourne Theatre Company); Les Liaisons Dangereuses (Sydney Theatre Company); The Boys (Sydney Festival/Griffin); The Floating World,  Between Two Waves, And No More Shall We Part and Speaking in Tongues (Griffin); The Power of Yes (Company B Belvoir); Red Sky Morning, Faces in the Crowd (Red Stitch) and Thom Pain (based on nothing) (B Sharp).

 

Sam joins QTC from November this year.

 

 

 

samstrong_samcoward_2008

Sam Strong & Sam Coward 2008

 

 

15
Jul
14

2014 Helpmann Award Noms Announced!

 

Helpmann Awards Nominations Announcement

QPAC Playhouse

July 14 2014

 

Attended by Meredith Walker

 

Independent theatre and Indigenous stories have important roles to play in Australian theatre. This was one of the messages to be taken from this year’s Helpmann Awards nominations announcement.

 

Since their establishment in 2001, The Helpmann Awards, named in honour of Australian dancer, actor, director and choreographer Sir Robert Helpmann, have aimed to recognise, celebrate and promote Australia’s live performance industry, similar to the Tony Awards on Broadway and the Olivier Awards in London.

 

Nominations for the awards in the fields of theatre, musical theatre, opera, music and dance were announced at simultaneous events in Sydney, Melbourne, Brisbane, Adelaide, Hobart and Perth. The Brisbane nomination event was hosted by internationally acclaimed, Queensland Ballet’s Artist Director, Li Cunxin, with local theatre figures Nelle Lee (shake & stir Theatre Company), Kris Stewart (Brisbane Powerhouse), Russell Mitchell (Opera Queensland) and Erica Hart (Queensland Music Festival) assisting in announcing the nominations within the 41 award categories.

 

With such a plentiful and diverse theatrical landscape from which to garnish nominations, it is of little surprise, perhaps, that the final nominee lists came from more than 700 nominees. And while the final list was predominantly in favour of New South Wales based shows (Opera Australia and Sydney Theatre Company dominate in the opera and play categories), there were opportunities for cheerful celebration of Queensland’s representation among the accolades.

 

Expressions Dance Company’s beautiful and poetic work, When Time Stops, whose world premiere featured as part of 2013’s Brisbane Festival, featured in two categories, Best Choreography in a Dance or Physical Theatre Production for Natalie Weir and Best Original Score for Iain Grandage.

 

natalie-weirs-when-time-stops-promo-2-pictured-edcs-samantha-mitchell-image-by-dylan-evans

 

The local accolades also include nomination of Ursula Yovich as Best Female Actor in a Play for her role as the titular character in 2013’s Queensland Theatre Company production of Mother Courage, which continued the political commentary theme of Brecht’s original text by examining the moral ambiguity around mining.

 

There were also nods given to shows seen on or forthcoming to Brisbane’s stages. Among the 11 Indigenous nominations across nine categories is the Queensland Theatre Company and Sydney Festival Production Black Diggers, which explores the untold and exceptional stories of Indigenous Australian soldiers who fought for the British Commonwealth. The Best New Australian Work nominee is set to not only feature as one of this year’s Brisbane Festival highlights, but will be broadcast live to nine major regional centres across Queensland in a state-wide first.

 

black diggers-Jamie Williams-12

 

Malthouse Theatre’s The Shadow King, which will also feature at this year’s Brisbane Festival, is also represented, with nominations in four categories, Best Play, Best New Australian Work, Best Director of a Play (Michael Kantor) and Best Male Actor in a Supporting Role in a Play (Jimi Bani). The epic play, which reworks Shakespeare’s tragedy, King, Lear, in an Indigenous setting, incorporating a number of Indigenous languages is set to be an unmissable theatrical event.

 

Also featuring at the 2014 Brisbane Festival will be Best Cabaret Performer nominee Sarah Ward (for Between The Cracks) as her fabulous character creation Yana Alana. Last seen early this year at WTF’s 지하 Underground Up Late, this much loved cabaret provocateur will feature in the intimate Tears Before Bedtime, in the September festival.

 

The star of the night, however, had to be Hayes Theatre’s first production, the musical Sweet Charity, which scored a total of eight nominations, one more than its high profile Sydney counterpart, Strictly Ballroom the Musical. This is particularly significant given that the new, intimate not-for-profit Potts Point Theatre (named after Australian musical theatre legend, Nancye Hayes) has at its focus, the provision of a permanent home for small-scale, independent musical theatre and cabaret.  

 

sweet_charity_1

 

For a nation with a relatively young theatre history, our artistic achievements fare well across the many genres of our vibrant and dynamic preforming arts industry. However, we cannot afford to take this for granted or slip into complacency. And as long as we have new work and independent shows of the calibre of those nominated at the 2014 Helpmann Awards, then the future is looking exciting indeed.

 

After five years at the Sydney Opera House, this year’s Helpmann Awards will be staged at the Capitol Theatre on August 18, where they will be hosted by Jonathan Biggins (author of this year’s QTC opening work, Australia Day). The ceremony will take place on the set of The Lion King and will feature musical performances from The Lion King, Les Misérables, Strictly Ballroom and Djuki Mala (Chooky Dancers). As in previous years, Foxtel’s Arena channel will officially broadcast the Awards night in August.

 

 

12
May
14

Congrats Chris Kohn – La Boite’s new AD & CEO

 

Exciting news! I know, I’m late to it because I’m trying to stay off social media when I can. Bahahaha! Well, like I said, I’m trying. (I’ll let you know how this is going in my review of Machina). La Boite announced the appointment of Chris Kohn as their new AD & CEO at 8:41am this morning so naturally, I’m feeling a little behind the eight ball! Apparently, contrary to what I’ve told Sam, I DO need to get up and check the news feeds first!

 

Chris Kohn. Image by Dylan Evans.

 

The Chair of La Boite Theatre Company, Professor Paul Makeham, announces that Chris Kohn will succeed David Berthold as the company’s new Artistic Director and CEO.

 

Chris Kohn is highly respected nationally as a cultural leader, and he brings an extensive professional network to the role. He has an excellent track record both as an artistic director and sector leader. He was the selection panel’s unanimous choice.

 

Mr Kohn has previously been Artistic Director of acclaimed Melbourne-based Arena Theatre Company; and he was co-founder and Artistic Director of leading independent company Stuck Pigs Squealing. Under his directorship, Stuck Pigs Squealing received six Green Room awards, four Fringe Festival awards and two New York International Fringe Festival Awards.

 

Mr Kohn has also been recognised with numerous industry awards and nominations including: a number of Green Room Awards for Direction and Writing; an Ian Potter Cultural Trust Fellowship; the George Fairfax Memorial Award, a State Library of Victoria Creative Fellowship; and the Sidney Myer Fellowship.

 

Mr Kohn moved to Brisbane n 2012 to take up the role of Queensland’s Theatre Diversity Associate, a position created by the Australia Council which has enabled him to establish strong local relationships, particularly with La Boite, Queensland Theatre Company, Metro Arts and BEMAC.

 

Mr Kohn said he is honoured to lead a company such as La Boite which has always embraced reinvention throughout its almost 90 year history.

 

“I am absolutely thrilled to be presented the opportunity to lead one of Australia’s most dynamic and nationally significant theatre companies. La Boite is a company with a unique and adventurous audience, committed staff and deeply invested supporters. It is a particular privilege to be building on David Berthold’s work to cement La Boite’s place in the national arts landscape.”

 

Mr Kohn will commence as Artistic Director and CEO at La Boite in late May.

 

 

In 2012, Chris Kohn told Directions (National guide to tertiary education n the arts) about the drawbacks of working in the Performing Arts.

 

 

“The money is bad. Building a career is hard, as there are not always clear pathways. Often your success or failure is dictated by other people’s decisions, like whether you get funding for a project or whether you are asked to work at a particular theatre. And that can be dictated by a range of factors, including change in programming staff, fashion, luck.”

 

 

Lucky for us, Kohn’s pathway led to La Boite Theatre Co. Congrats, Mister! Now, who will we see step into the role of Theatre Diversity Associate (no, don’t apply yet; note the date on the PDF!)

 

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