Archive for the 'Competition' Category

18
Jul
17

Giveaway – win double passes to My Name Is Jimi

On Saturday night (July 22 at 7:30pm) be among the FIRST to witness Australia’s newest original story

My Name Is Jimi

 

  Sewngapa                  Ina Ngoelmun Gidha

(*Welcome)              (*This is our story)

 

 

 

 

Directed by Jason Klarwein and featuring Dmitri Ahwang-Bani, Agnes Bani, Conwell Bani, Jimi Bani, Petharie Bani and Richard BaniMy Name is Jimi opened in Cairns this week, celebrating its page-to-stage finale and World Premiere close to its heartland.

 

Based on the true stories of four generations by Dimple Bani, Jimi Bani, and co-created with Jason Klarwein.

 

 

 

For your chance to see My Name Is Jimi on Saturday July 22 at 7:30pm

 

LIKE XS Entertainment on Facebook

 

LIKE Queensland Theatre on Facebook

 

FOLLOW XS Entertainment on Instagram

 

FOLLOW Queensland Theatre on Instagram

 

If you tweet, go ahead and follow us on Twitter too…

 

and tell us below or on XS Entertainment’s Facebook page why you’d like to be among the first to hear this original story.

 

In My Name is Jimi, charismatic actor and storyteller Jimi Bani (Mabo, The Straits, Redfern Now) finally tells his story, and that of his family and his place of home – Mabuiag Island, a remote speck in the sparkling blue of the Torres Strait and the keeper of thousands of years of rich history and culture. Now, with just a few hundred people fanning its flame, the story, colour, characters, challenges and history of the Wagadagam culture come to the stage in what is a truly memorable live theatre experience.

It unfolds through music, dance, stand-up and fireside storytelling, with four remarkable generations of one family on the stage – Jimi’s grandmother, mother, son and brothers come together to share incredible yarns of totems, traditions and childhood memories. On stage it is a true celebration – Jimi performs alongside his son Dmitri, mother Agnes, and grandmother Petharie with his brothers Conwell and Richard Bani.

Drawing directly on the lived experiences of the Bani family and their role as leaders of the Wagadagam tribe of Mabuiag Island, the stories span the generations – Jimi jokes in three languages with his grandmother, and then tortures his son with spontaneous break-dancing.  It’s an Australian story, and a world story of family and preserving the culture and language of Mabuiag Island in the Torres Strait.

 

 

Co-creator Jason Klarwein sets the scene best: “The story actually began with Ahdi Dimple Bani, Jimi’s father the 8th Chief of Wagadagam in European recorded history. He passed away during the creating of this play, with Jimi now the bastion of the story, the new keeper of the chord of Wagadagam culture and soon, the 9th Chief.”

“I cannot really recall a play like My Name is Jimi. Sure there are works it can be related to, but what audiences will see, experience, feel and celebrate on stage is only a sliver of what is happening culturally within this extraordinary family. It is truly a unique theatrical experience.”

He said the ability for this family to bridge generational and cultural timelines was constantly surprising.

“Sometimes, when rehearsal pauses, out of the corner of my eye I see 15 year old Dmitri Ahwang-Bani (Jimi’s son) put his iPhone down and learn dance or language from his uncles, his grandmother or great-grandmother. I watch the tangible passing of language and culture from several generations to another. I watch this boy, who will soon be a man, grapple with Instagram and cultural lore simultaneously. Like the two things were made to be together.”

 

 

My Name is Jimi is dedicated to the memory of Adhi Dimple Bani and those that came before.

*Koeyma Esso (many thanks).

 

*This is the Kala Lagaw Ya language of Mabuiag Island

 

 

17
Feb
16

Matilda Awards 2014

 

Matilda Awards 2014

Monday March 9 2015

 

matildaawards15_annetteandtroy

 

So I just posted this year’s noms (#matildas15) and noticed this DRAFT. FROM THE MATILDA AWARDS LAST YEAR. SORRY ABOUT THAT. Interesting to see so many of the same issues coming up every year, right throughout the year… some of the conversations have been happening here.

 

Working on GAYBIES gave me the perfect opportunity recently to engage face to face with industry friends who all had excellent observations and valuable feedback to offer. I spoke with Margi Brown Ash specifically about the industry forum I’ve mentioned below and it’s time to make that happen.

 

2014 was my first year on the committee and I had the same questions that many friends had, about how the awards could continue to evolve and serve the industry. Well, we’re listening to feedback and we’re evolving! These were my thoughts after the 2014 awards evening took place last year…

 

 

Ah, the Matilda Awards. I’ve written before about the conflicting feelings I have for arts awards, and I had a heap of soul work to do before I accepted the invitation to join the committee. I finally figured I see SO MUCH good work that I see no reason for that to go unrecognised. Still, there are questions and the committee welcomes feedback. In fact, having chatted with many delegates and industry peeps at Drama Queensland’s state conference on the weekend, I already have a good idea of some of the notions that now need to go to the committee. Have you got thoughts or comments about the awards?

 

HOW ABOUT THIS? WE HOST A FORUM ONE EVENING TO LISTEN TO YOUR THOUGHTS ABOUT THE MATILDA AWARDS. I KNOW. BRILLIANT! Don’t worry, quite a few have thought of it; you’re probably one of them. THANK YOU. LET’S DO THAT ALREADY.

 

I propose the evening take place SOON and be facilitated by Dan Evans or Lucas Stibbard or Margi Brown Ash or Katherine Lyall Watson, and the opportunity given to whomever feels the need to speak. In the meantime, feel free to COMMENT BELOW OR ON THE MATILDA AWARDS FACEBOOK PAGE OR EMAIL ME xanthe@xsentertainment.com.au

 

The Gardens Theatre, for the first time in 27 years, was filled to capacity on Monday March 9 with 450 theatre makers and theatre lovers in attendance. In addition to the the nominees, their families, fans and friends, we welcomed Queensland Premier, Annastacia Palaszczuk, and Krista Adams, Jackie Trad, Matt Foley, Ian Walker, and the amazing and inspiring Wayne Blair.

 

matildaawards15_xantheandwayneblair

 

To be eligible, theatre workers have to have made, in the judges’ opinion, a commitment to the State, for example, by either beginning their careers or living and working mainly here, or by having a strong identification with Queensland. This means that interstate actors who come here for one production are not eligible, nor are touring productions that do not originate in Queensland.

 

The Matilda Awards are considered on a par with the Sydney Critics’ Awards and Victoria’s Green Room Awards, and given their importance, it is essential that their profile keeps growing, not only within the state but also nationally.

 

Originally decided solely by professional theatre critics, the award nominees and winners are now selected by a slightly enlarged group that includes reviewers, commentators and theatre professionals but not the general public.

 

Reflecting the local industry’s professional diversification, in addition to plays, the committee now considers specific musical and physical theatre forms, which have been added as Silver Matilda commendation categories from 2013. However, opera and dance are not included.

 

matildaawards15_matildadancers

 

There are five premium Matilda Awards, represented by gold trophies. A Gold Matilda is awarded for outstanding work in any area of the professional theatre industry, which also includes independent productions. These awards may be for a single work in the preceding year or for a body of work.

 

In addition to the five Gold Matildas, there are 12 Silver Matilda Award categories:

 

  • Best Mainstage Production
  • Best Independent Production
  • Best Direction
  • Best Male Actor in a leading role
  • Best Female Actor in a leading role
  • Best Female Actor in a supporting role
  • Best Male Actor in a supporting role
  • Best New Australian Work
  • Best Emerging Artist
  • Best Design (set or costume)
  • Best Technical Design (lighting, multimedia or sound)
  • Best Musical Theatre Production (including musicals and cabaret)

 

There is no minimum number of eligible nominees for an award to be made in any category. However, the judges also reserve the right to forego a particular category if they deem there are insufficient eligible nominees of merit in that year.

 

Receiving a Silver Matilda commendation does not disqualify a theatre worker from also receiving a Gold Matilda in that same year.

The judges compile a comprehensive list of all the productions that are eligible for that year.

 

For a practitioner to be nominated for work on an individual production, that production first must comply with the following guidelines:

 

  • the production was either a fully professional production – pro-am, community and student works are not eligible
  • international and national touring productions are not eligible
  • the work must have been seen by at least half the judges.

 

If there is no category for a show that impressed all the judges, a category may be created to reward that show.

 

A production remounted within five years of its original staging may be considered eligible if, in the judges’ opinion, any alterations have effected significant difference between the versions.

 

Guidelines for voting:

 

For each category, a short list of four nominees will be made (to be released on the website prior to the ceremony), unless there were insufficient worthy candidates to do so.

 

The voting process is preferential. Committee members will award four points to their first choice, three points to their second, two to their third, and one point to their fourth.

 

The aggregate points received by an eligible production will be averaged by attendance to ensure a fair weighting of votes in proportion to the number of committee members who saw each.

 

Judges cannot vote in categories where they have a conflict of interest – for instance if they or a family member has been involved in a production in any way.

 

 

Rosemary acknowledges the 10 voluntary committee members involved in the awards process

 

 

2014 GOLD MATILDA AWARDS

CaligulaProductionHR-3249

Steven Mitchell Wright
for directing A Doll’s House
and directing/designing Caligula

Tim O’Connor
for realising a new vision for Harvest Rain

optikal bloc
for projection and video work on Pale Blue Dot,
The Mountaintop
, Wuthering Heights,
Gasp!
and 1984

Simone Romaniuk
for designing Macbeth and Australia Day

Sven Swenson
for co-producing, writing and acting in
Angel Gear and Dangerfield Park

“Well… It appears the emperor may be wearing at least a tasteful g-string…” – Sven Swenson

 

2014 SILVER MATILDA COMMENDATIONS

Gloria-QTC-1

Gloria
Best Mainstage Production
Queensland Theatre Company

 

Sue Donnelly accepts the award for @, declares that commercial work funds new work

 

 

machina

Machina
Lord Mayor’s Award for Best New Australian Work
(Proudly Sponsored by Brisbane City Council)
written by Richard Jordan,
La Boite Indie
& MadCat Creative Connections
with the support of QPAC

Angel Gear
Best Independent Production
La Boite Indie & Pentimento Productions
with the support of QPAC

Sven Swenson
Best Male Actor in a Leading Role
Angel Gear

Helen Christinson
Best Female Actor in a Leading Role
A Doll’s House

Damien Cassidy
Best Male Actor in a Supporting Role
A Doll’s House

Cienda McNamara
Best Female Actor in a Supporting Role
A Doll’s House

Steven Mitchell Wright
Best Director
A Doll’s House

Simone Romaniuk
Best Design (Set & Costumes)
Macbeth

optikal bloc
Best Technical Design (Lights, Multimedia & Sound)
multimedia design – Pale Blue Dot

Casey Woods
Bille Brown Award for Best Emerging Artist
for her performance in Angel Gear

Spamalot
Best Musical or Cabaret
Harvest Rain Theatre Company

——-

Congratulations to all recipients of the 2014 Matilda Awards!

View all 2014 nominations or see a list of past winners.

17
Feb
16

Matilda Awards 2015 – nominations and an invitation

 

matildaawards_dashkruck_emilyburton

 

The Matilda Awards were initiated in 1987 by theatre reviewers Alison Cotes and Sue Gough, who felt there should be some form of recognition that celebrated and promoted the excellence of southeast Queensland’s theatre industry.

 

Artists of national and international stature feature among past winners, who include:
Bille Brown, Robyn Nevin, Sally McKenzie, Russell Kiefel, Bill Haycock, Anthony Phelan, Jennifer Flowers, Sue Rider, Eugene Gilfedder, Robert Arthur, David Walters, Aubrey Mellor, Bryan Nason, David Brown, Jim Vile, David Clendinning, Dale Ferguson, David Bell, Andrew Buchanan, Brenna Lee-Cooney, John Batchelor, Greg Clarke, Hayden Spencer, Babette Stephens, Wesley Enoch, John Kotzas, Michael Gow.

 

For a practitioner to be nominated for work on an individual production, that production first must comply with the following guidelines:

 

  • the production was either a fully professional production – pro-am, community and student works are not eligible
  • international and national touring productions are not eligible
  • the work must have been seen by at least half the judges.

 

If there is no category for a show that impressed all the judges, a category may be created to reward that show.

 

Guidelines for voting:

For each category, a short list of four nominees will be made (to be released on the website prior to the ceremony), unless there were insufficient worthy candidates to do so.

The voting process is preferential. Committee members will award four points to their first choice, three points to their second, two to their third, and one point to their fourth.

The aggregate points received by an eligible production will be averaged by attendance to ensure a fair weighting of votes in proportion to the number of committee members who saw each.

Judges cannot vote in categories where they have a conflict of interest – for instance if they or a family member has been involved in a production in any way.

 

One Gold Matilda honouring an individual or creative team for an outstanding contribution beyond the definitions of the Silver categories will be announced on the evening of 29th February, 2016.

 

The committee decided at its January 12 meeting to award this single Gold Matilda, rather than five, as was previously the case, directly influenced by industry feedback that the Gold and Silver categories should be streamlined to avoid confusion and repetition between the two. The committee regrets it did not act to amend the website to reflect this decision before the Silver Matildas shortlist was announced.

 

brisbane_dashkruck

 

Silver Matilda Awards will be presented to an artist or company for commendable work in each of the following categories:

SILVER AWARD FINALISTS:

Best Mainstage Production
Brisbane, Queensland Theatre Company
Dracula, shake & stir theatre co
Grounded, Queensland Theatre Company
Oedipus Doesn’t Live Here Anymore, Queensland Theatre Company & Queensland Government

 

BPH_Tiptoe_4_2015-1178x663

 

Best Independent Production
Heavenly Bodies, Pentimento Productions in association with Brisbane Powerhouse
My Love Had a Black Speed Stripe, Fractal Theatre
The Pillowman, Shock Therapy Productions in partnership with Brisbane Powerhouse
Slammed, Crosstown Artists
Tiptoe, Brisbane Powerhouse in partnership with Pentimento Productions

 

dracula_nickskubij_nellelee

 

Best Male Actor in a Leading Role
Sandro Colarelli, My Love Had a Black Speed Stripe
Dash Kruck, Brisbane
Regan Lynch, Heavenly Bodies
Nick Skubij, Dracula

 

medea_christen

 

Best Female Actor in a Leading Role
Carol Burns, Happy Days
Libby Munro, Grounded
Christen O’Leary, Medea
Melissa Western, Barbara and Barry’s Sweet, Sour and Saucy

 

seagull_BrianLucas

 

Best Male Actor in a Supporting Role
Brian Lucas, The Seagull
Tama Matheson, The Pillowman
Silvan Rus, Titus
Colin Smith, The Odd Couple

 

ladiesinblack_incolour_nim

 

Best Female Actor in a Supporting Role
Kimberley Hodgson, Into the Woods
Sarah McLeod, Tiptoe
Naomi Price, Ladies in Black
Emily Tomlins, The Motion of Light in Water

 

dracula_nellelee_davidwhitney

 

Best Director
Sam Foster, The Pillowman
Michael Futcher, Dracula
Andrea Moor, Grounded
John Peek, Slammed

 

dracula_shake&stir

 

Best Design (Set and costumes)
Josh McIntosh – set design on Dracula
Josh McIntosh – set design on Sweet, Sour and Saucy
Raymond Milner – production design on Heavenly Bodies
Sarah Winter – set design on Medea

 

brisbane

 

Best Technical Design (Lighting, multimedia and sound)
Jason Glenwright – lighting design on Dracula
Ryan Mahony – sound design on Heavenly Bodies
Raymond Pittmann – video design on De Profundis
David Walters – lighting design on Brisbane

 

ladiesinblack_sarahmorrison

 

Bille Brown Award for the Best Emerging Artist
Billy Bourchier, Pirates of Penzance
Kimberley Hodgson, Into the Woods
Georgina Hopson, Pirates of Penzance & Into the Woods
Sarah Morrison, Ladies in Black

 

oedipus

 

The Lord Mayor’s Award for Best New Australian Work
Brisbane, by Matthew Ryan
I Might Take My Shirt Off, by Dash Kruck with music by Chris Perren
Oedipus Doesn’t Live Here Anymore, by Daniel Evans
Slammed, by Stefanie Brooke Harper

 

boygirl-2-powerhouse-oscar-theatre-co-boy-girl-gen1

 

Best Musical or Cabaret
Barbara and Barry’s Sweet, Sour and Saucy, Judith Wright Centre
Boy&Girl2: Mercury Rising, Oscar Theatre Company & Brisbane Powerhouse
I Might Take My Shirt Off, QPAC in association with QLD Cabaret Festival, Jai Higgs & Dash Kruck
Ladies in Black, Queensland Theatre Company, in association with QPAC

 

See you on Monday February 29 at 6:30pm at Gardens Theatre – RSVP here.

23
Jun
15

Brain Slam Giveaway – win tix to Finbar’s Live Comedy Quiz Show

 

brainslam_header

 

Are you free tomorrow night? That’s Wednesday June 24 – go check, quick!

 

Cancel whatever you had planned because we have 4x Brain Slam tix to give away, valued at $20 each!

 

All you need to do is LIKE ClapTrap Comedy & XS Entertainment on Facebook and tell us in the comments below why you need a night of fun comedy, woodfired pizzas, AND drinks with friends at Finbar’s Live Comedy Quiz Show BRAIN SLAM.

 

See Sam Coward & Clayton Storey battle it out with Cardie Boyle and Howie Tampling tomorrow night at Finbar’s Lounge Bar, Maleny, in an all-new live comedy quiz show featuring Quizmaster, Simon Denver. (He’s a little concerned because he knows SAM WILL CHEAT!).

 

simondenver

 

 

Two teams battle it out in a fiery contest of knowledge and wit!

Join them at Finbar’s on Wednesday 24th June to see Quizmaster Simon Denver host the next comedy night, where he challenges two teams to out-wit and out-knowledge each other (out-knowledge, wait…is that even a word?)!

 

 

brainslam_miniSpecial Guests include Sam Coward (Hot 91 FM’s Breakfast DJ), Clayton Storey (if you’ve been to a comedy at Finbar’s you’ll know who he is), Howie Tampling (South East Maleny’s 12th Sharpest Mind) and Cardie Boydell (technically she’s a doctor, so that’s kind of scared everyone else a bit), and of course, your Quizmaster Simon Denver (playwright and director, and he ‘reckons his mum once said he’s a bit of a legend).

 

 

This is a panel show not unlike Spicks & Specks, QI, and Never Mind the Buzzcocks, so come out, sit back and find out if the contestants make a fool out of the Quizmaster, their competition or themselves!

 

 

Not to mention all the perks of Finbar’s Lounge Bar and Jen’s Famous Woodfired Pizzas!

 

Please note this is an 18+ event due to language and concepts.

 

 

brainslam_opposingteams

 

 

ClapTrap Comedy is about creating opportunities for both lovers of comedy as well as comedians themselves.

 

A successful comedy industry is about professional comedians being employed but also allowing comedy to be affordable for everyone who wants to get out and watch a bit of live stand-up. This is the aim of ClapTrap Comedy. Affordability for the audience, but also sustainability for the comedy industry.

 

The comedy industry in Australia is thriving with some of the best talent IN THE WORLD – and the world deserves to experience it. These are hard working people, and talented writers & performers. A true asset to Australian society. The world needs comedians. Not so much to lighten up, but to see things from a different perspective.

 

Remember:

LIKE ClapTrap Comedy & XS Entertainment on Facebook and COMMENT BELOW. Winners will be notified via email.

 

 

24
Jan
15

Your Theatrics International Cabaret Contest Winners 2015

cabaretcontest2015_header

 

Eleven finalists took to the stage at the 2015 Your Theatrics International Cabaret Contest (YTICC) Grand Final at The Basement in Sydney last Saturday night. Heat winners from Adelaide, Brisbane, Sunshine Coast, Melbourne, Auckland, and Sydney came together to compete for the chance to win a career changing prize package.

 

Judges for the evening included Adelaide Cabaret Festival Executive Producer John Glenn, Noosa Long Weekend Artistic Director Ian MacKellar, Ballarat Cabaret Festival Artistic Director Graeme Russell, Tasmania Cabaret Festival Executive Producer Lucinda Wilson, Founder and Executive Director of Grayboy Entertainment Graeme Gillies, and Principal Sponsors and YTICC Patrons Ron and Margaret Dobell, who collectively had the unenviable task of deciding on a winner from the talented pool assembled.

 

After an exceptional evening of cabaret, Adelaide entrant Michaela Burger won the judges vote and became the newest cabaret sensation in Australasia, with Melbourne entrant Noni McCallum taking the runner-up title for 2015.

 

Contest Producer Jeremy Youett said, “The heats this year were incredibly strong across the board and the judges at the Grand Final truly had their work cut out for them as a result! It was incredible to see so many talented artists continuing to develop and present a vast array of ideas and styles across Australia and New Zealand and especially to see the growth of artists who returned to the Contest from previous years”.

 

The full line-up of additional finalists included Adelaide winners David Gauci, Brisbane winner Judy Hainsworth, Sunshine Coast winner Jenny Wynter, additional Melbourne winners Bethany Simons with Peter de Jager, from Auckland, Cherie Moore with Robin Kelly along with Sydney winners Jaimie Leigh Johnson, Ben Hudson, Shondelle Pratt, and Dash Kruck.  Previous contest winners Sheridan Harbridge and Marika Aubrey co-hosted and performed during the evening, which also included special performances from previous contest winners Nick ChristoToby Francis, and last year’s winner Melody Beck.

cabaretcontest_michaelaburger2015
One of two winners from the Adelaide heat held on January 5th, Burger’s eight-minute cabaret snapshot presented audiences with an excerpt from her show, Exposing Edith.  The show explores the life of Edith Piaf through her songs and experiences, and audiences can expect to hear re-imagined, contemporary re-workings of Piaf’s music in her solo show, including favourites such as La Vie En Rose. Burger and collaborator/guitarist Greg Wain are now preparing to tour the show extensively in the coming year as part of their prize package. Runner-up Noni McCallum presented the audience with a hilarious and touching insight into what it’s like to be a woman in her thirties looking for love, incorporating You Can’t Hurry Love and The IKEA Song, among other interludes.
The major prize package includes the opportunity for the winner to present their show at the New York Musical Theatre Festival, with flights and accommodation for their appearance to the value of $3000 contributed by The Ron and Margaret Dobell Foundation, a booking on an Australia/Pacific cruise ship courtesy of Grayboy Entertainment, a cash prize of $1000, a photographic package from Blueprint Studios valued at $1000, a music theatre and cabaret music package from Hal Leonard, as well as tour publicity from AussieTheatre.com which will spotlight the creative process as Burger continues to develop and tour her show throughout the year. The runner-up takes home a $500 cash prize, and a photographic package from Blueprint Studios valued at $500.  Each act will also be extended various performance opportunities from our Major Festival Partners including the Cabaret Festivals of Adelaide, Melbourne, Ballarat, and Queensland, as well as the Festival of Voices in Tasmania and the Noosa Long Weekend Festival, which all guarantee flights and accommodation.
24
Dec
14

INTERNATIONAL CABARET CONTEST SUBMISSIONS CLOSE TODAY – CHRISTMAS EVE

 

internationalcabaretcontest

 

 

INTERNATIONAL CABARET CONTEST SUBMISSIONS CLOSE TODAY!

 

TODAY IS CHRISTMAS EVE. YOU’VE GOT TIME.

 

Mr_Incredible

 

If you want to be a cabaret star this is the Big Brother of cabaret comps. The 12th annual Your Theatrics International Cabaret Contest (YTICC) promises a spectacular line-up of talent from all walks of the Australian and New Zealand entertainment industry. The 12th annual event will feature an esteemed panel of judges including Australian film, television, and music theatre star, Mitchell Butel, Artistic Directors of the Melbourne Cabaret Festival, David Read and Neville Sice, President of the Noosa Arts Theatre Liza Park, agent and Founder Emeritus of the event Les Solomon, Artistic Director of the Ballarat Cabaret Festival Graeme Russell, Artistic Director of the Noosa Long Weekend Festival Ian Mackellar, and YTICC Patron Ron Dobell.

 

Executive Producer Jeremy Youett said, “This contest is about giving artists a platform for exposure to the entertainment industry. The line-up of judges includes some amazing Australian industry leaders in the genre and they have the ability to offer incredible opportunities to entrants that take part. You never know who may show up and what they may be looking for!”

 

Hosts this year include past YTICC winners and seasoned performers in their own right: in Melbourne, Gillian Cosgriff; in Sydney, Marika Aubrey and Sheridan Harbridge; and in Adelaide, Amelia Ryan, while radio personalities Sam Coward and Mark Darin host our Queensland heats. Guest performers throughout will include Cath Alcorn, Bradley McCaw, Michael Griffiths and 2014 winner Melody Beck, with more surprise guests to be announced.

 

Tom Sharah

Tom Sharah, previous YTICC winner said “The International Cabaret Contest was the best professional launching pad I could have asked for. It is a one of a kind competition in terms of exposure, prizes and experience.

Winning meant I was able to write and tour my own work, which I still do, and I look up to so many of the other previous winners & contestants.

It has really paved the way for the future of cabaret in Australia!”

 

 

 

In 2015, both the Grand Prize winner and runner-up will be eligible to be offered performance opportunities from our Major Festival Partners. These will include invitations to perform at the Cabaret Festivals of Adelaide, Melbourne, Ballarat, and Queensland, as well as the Festival of Voices in Tasmania and the Noosa Long Weekend Festival, which all guarantee flights and accommodation. The Grand Prize winner will also receive the opportunity to present their show on an Australia/Pacific Cruise ship thanks to Grayboy Entertainment, as well as at the New York Musical Theatre Festival, with flights and accommodation for their appearance to the value of $3000 generously contributed by The Ron and Margaret Dobell Foundation. There’s a cash prize of $1000 for the winner, a photographic and marketing package from Blueprint Studios valued at $1000, a Music Theatre and Cabaret music and book package from Hal Leonard, as well as tour publicity from AussieTheatre.com which will spotlight the winner’s creative process as they develop and tour their show. The runner-up will receive a $500 cash prize, and a photographic package from Blueprint Studios valued at $500.

 

melody-beck-900x600

 

 

The contest is open to performers at any point in their career, ages 18+

 

Submissions close TODAY Wednesday December 24 at 5pm AEST.

 

For full contest details, frequently asked questions and more visit www.yticc.com

 

Tickets for all events are on sale now at www.yticc.com Support the next generation of cabaret talent as they compete to be Australia’s next cabaret sensation!

 

melody beck 2014

18
Feb
14

2013 Green Room noms omit Best Musical!

While Queensland is bursting at the seams, hosting APAM & WTF2014, there is a huge cry of “WTF!?” over the announcement of Victoria’s live performance Green Room Award nominations, which have omitted the category of Best Musical, despite some excellent musical productions staged last year, the biggest of them being

 

 

GYPSY

 

KING KONG

 

LEGALLY BLONDE

 

CHITTY CHITTY BANG BANG 

 

 

SO, IN THE EYES OF THE JUDGES, WERE THESE PRODUCTIONS JUST NOT GOOD ENOUGH? WOW.

 

 

That IS saying something. I really feel for the artists and producers involved in these productions. And look, it’s all very well to cast an eye back over the alumni productions for a moment of comparison but these productions are the ones we’re enjoying NOW. Are they REALLY no good? 

 

 

Caroline O'Connor in Gypsy

 

 

From the Herald Sun – 

 

Green Room Awards president Chris Thompson said judging panels were not required to nominate a certain number of shows, ensuring all nominations were based on integrity.

 

“The eight members of the music theatre judging panel, in looking at the work they saw over the past year, clearly have reached the conclusion there was not a work they could nominate this year,” he said.

 

“It would have been a difficult decision, but if they nominated five shows because they had to, it would diminish the role of the members of the panel.”

 

The head of the musical theatre judging panel, Will Conyers, said while musicals were robust in Australia, the judges could not reach an overwhelming consensus on nominating a best musical.

 

“The important thing to remember when we are awarding these productions is the alumni of many years of the categories that have been awarded in the past and this year we didn’t have a year for the best,” Conyers said.

 

 

WHAT DOES THIS SAY ABOUT MUSICAL THEATRE IN AUSTRALIA?

 

WHAT DOES THIS SAY ABOUT THE PANELLISTS?

 

 

I respect the right to withhold noms in a category if there is REALLY NOTHING that stands out from the rest, but even having seen just three of the four major musical productions listed above, I have to say I’m pretty appalled by the political statement this decision makes. With the exception of KING KONG, which had its probs (and its merits, including evolving the technical aspects of putting on a show and being big and bold enough to go straight to Broadway, without passing go, without collecting $200…oh wait!), I’d guess that in this instance at least one nomination could have been reasonably made. BUT WAIT – the rules say only Melbourne premieres are eligible so, correct me if I’m wrong, but that rules out two of the big guns, both of which opened in Brisbane first. WERE THERE NOT A HEAP OF OTHER ELIGIBLE MUSICALS TO WHICH VICTORIANS FLOCKED LAST YEAR? Perhaps the Theatrepeople People’s Choice Awards will award some merit where it seems to be lacking at the moment. Still, stacking the numbers is not the same as being recognised by industry peers, is it?

DO YOU NOT THINK THAT ONCE AGAIN THE PERFORMING ARTS HAVE COME OFF SECOND BEST IN THIS COUNTRY? AND THIS TIME, BY THE PEOPLE MAKING IT! WTF INDEED!

 

WHAT DO YOU THINK?

 

Anyway, I’m practising compassion today (ie perhaps the meetings kept ending in tears and the consensus was actually NO MORE TEARS! We’ll never know…), and I’m stepping away now, especially considering that I may have some difficult decisions re awards to make myself in the future. I’ll tell you all about it on MARCH 10.

 

2013 Green Room Nominations –

 

Alternative & Hybrid Performance

For Innovation in Circus

proudly sponsored by the Australian Circus & Physical Theatre Association

There was only one nomination in this category. It will be announced on the night.

Outstanding Hybrid or Alternative Work

proudly sponsored by Auspicious Arts

5 Short Blasts – City of Melbourne

Public – Insite Arts

Outstanding Contemporary Performance

proudly sponsored by Theatre Network Victoria

In Spite of Myself – Sans Hotel

Room Of Regret – Melbourne Festival, Theatre Works & The Rabble

Whelping Box – Intimate Spectacle

 

Cabaret

For Production

Yana Alana – Between The Cracks

Tommy Bradson – Tommy Bradson’s Sweet Sixteen or The Birthday Party Massacre

Gillian Cosgriff – This is Why We Can’t Have Nice Things

Kransky Sisters – Piece of Cake

Tripod – Men of Substance

Artiste

Yana Alana – Between The Cracks

Trevor Ashley – I’m Every Woman

Tommy Bradson – Tommy Bradson’s Sweet Sixteen or The Birthday Party Massacre

Gillian Cosgriff – This is Why We Can’t Have Nice Things

Geraldine Quinn – Sunglasses At Night: The 80s Apocalypse Sing Along Cabaret

Writing

Yana Alana – Between The Cracks

Tommy Bradson – Tommy Bradson’s Sweet Sixteen or The Birthday Party Massacre

Gillian Cosgriff: This is Why We Can’t Have Nice Things

Selina Jenkins – Beau Heartbreaker

Kransky Sisters – Piece of Cake

Musical Direction

Michael Griffiths – Sweet Dreams: Songs by Annie Lennox

Kransky Sisters – Piece of Cake

Eddie Perfect and Tripod – Perfect Tripod

John Thorn – Tommy Bradson’s Sweet Sixteen or The Birthday Party Massacre

Shanon Whitelock – Oprahfication

Original songs

Gillian Cosgriff – This is Why We Can’t Have Nice Things

Tripod – Men of Substance

Oprahfication

Beau Heartbreaker

The Yummy Burlesque Hour

Outstanding Contribution to Cabaret

John Newman

 

Dance

Concept and Realisation

Blizzard – Nat Cursio Co.

Conversation Piece – Lucy Guerin Inc. and Belvoir Theatre Company

P.O.V. – Lee Serle

The Recording – Sandra Parker Dance

Zero Zero – Tony Yap, Yumi Umimare & Matthew Gingold

For Best Male Dancer

Daniel Gaudiello – ‘Basilio’ Don Quixote and ‘The Prince’ Cinderella (The Australian Ballet Company)

Chengwu Guo – ‘Basilio’ Don Quixote and ‘James’ La Sylphide (The Australian Ballet Company)

Jayden Hicks – Yours Truly (Collaboration The Project)

Alisdair Macindoe – Conversation Piece (Lucy Guerin Inc. and Belvoir Theatre Company) and Dual(Stephanie Lake)

James Pham – 247 Days (Chunky Move) and Aorta (Stephanie Lake)

For Best Female Dancer

Sara Black – Dual (Stephanie Lake)

Dalisa Pigrum – Gudirr Gudirr (Marrugeku)

Lauren Langlois – 247 Days (Chunky Move)

Stephanie Lake – Conversation Piece (Lucy Guerin Inc. and Belvoir Theatre Company)

Leanne Stojmenov – Cinderella (The Australian Ballet)

For Best Ensemble Performance

Aorta – Stephanie Lake & Chunky Move

Blizzard – Nat Cursio Co.

Conversation Piece – Lucy Guerin Inc. and Belvoir Theatre Company

P.O.V. – Lee Serle

Proximity – Australian Dance Theatre

Inaugural Shirley McKechnie Award for Choreography

Nat Cursio – Blizzard (Nat Cursio Co.)

Russell Dumas – Dance for the Time Being – Southern Exposure  (Russell Dumas)

Antony Hamilton – Black Project 2 (Antony Hamilton)

Stephanie Lake – Dual (Stephanie Lake)

Alexei Ratmansky – Cinderella (The Australian Ballet)

For Visual Design

Russell Dumas, Simon Lloyd, Margie Medlin & Ysabel de Maisonneuve – Design – Dance for the Time Being – Southern Exposure (Russell Dumas)

Robin Fox (sculpture design) & Jen Hector (lighting design) – A Small Prometheus (Stephanie Lake & Robin Fox)

Jérôme Kaplan – Costume & set design – Cinderella (The Australian Ballet)

Jonathon Oxlade – Set Design – Skeleton (Larissa McGowan)

Thomas Pachaud (video & video engineering), Mark Pennington (lighting design) & Geoff Cobham (design consultant) – Proximity (Australian Dance Theatre)

For Composition

Robin Fox – Dual (Stephanie Lake)

Alisdair Macindoe–Black Project 2 (Anthony Hamilton)

Garth Paine – And All Things Return to Nature / TOMORROW (Phillip Adams Balletlab)

Jethro Woodward – Skeleton (Larissa McGowan)

 

Independent Theatre

For Male Performer

Luke Elliot – ‘Runt’ Savages (fortyfive downstairs)

Ash Flanders – ‘Cast’ The Sovereign Wife (Sisters Grimm /Neon)

Rob Meldrum – ‘David Kelly’ Palace of the End (Theatre Works)

James O’Connell – ‘Danny’ Danny and the Deep Blue Sea (Pony Child Theatre)

Hayden Spencer – ‘Performer’ Tall Man (La Mama)

For Female Performer

Maude Davey – ‘Performer’ My Life in the Nude (La Mama)

Eugenia Fragos – ‘Nehjras Al Saffarh’ Palace of the End (Theatre Works)

Genevieve Giuffre – ‘Berdine’ Psycho Beach Party (Little Ones Theatre/Theatre Works)

Sarah Hamilton and Justine Campbell (Shared) – ‘Performers’ They Saw A Thylacine (Melbourne Fringe Festival)

Emily Tomlins – body of work

For Ensemble

Cast of M + M (Daniel Schlusser Ensemble, Theatre Works/Melbourne International Arts Festival)

Cast of Psycho Beach Party (Little Ones Theatre/Theatre Works)

Cast of Savages (fortyfive downstairs)

Cast of The Sovereign Wife (Sisters Grimm /Neon)

For Set and Costume Design

proudly sponsored by Theatre Network Victoria

Anna Cordingly and Romanie Harper (Set and Costume)- M + M (Daniel Schlusser Ensemble, Theatre Works/Melbourne Festival)

Kate Davis (Set and Costume) – The Story of O (The Rabble / Neon)

Marg Horwell (Set and Costume) – Savages (fortyfive downstairs)

Dayna Morrissey (Set) – On The Bodily Education of Young Girls (Fraught Outfit/Neon)

Owen Phillips (Costume) and Romanie Harper (Set) – The Sovereign Wife (Sisters Grimm/Neon)

For Lighting Design

Amelia Lever-Davidson  Dropped (Melbourne Fringe Festival)

Lisa Mibus – Yarn (Melbourne Fringe Festival)

Katie Sfetkidis – Summertime in the Garden of Eden (Theatre Works)

Andy Turner – Savages (fortyfive downstairs)

Richard Vabre – Night Maybe (Sassy Red productions/Stuck Pigs Squealing/Theatre Works)

For Sound/Music

Adele McCarthy (Sound Design)- Not A Very Good Story (La Mama)

Michael Pulsford (Music Composition and Performance), Darrin Verhaegen and James Paul (Sound Design and Composition) – M+M (Daniel Schlusser Ensemble, Theatre Works/Melbourne International Arts Festival)

Kelly Ryall (Composition and Sound Design)- Savages (fortyfive downstairs)

Jethro Woodward (Sound design)- Opera for a Small Mammal (Chamber Made Opera/La Mama)

For Direction

proudly sponsored by Julia Zemiro

Daniel Clarke – The Palace At The End (Theatre Works)

Prue Clarke – Dropped (Melbourne Fringe Festival)

Susie Dee – Savages (fortyfive downstairs)

Adena Jacobs – On the Bodily Education of Young Girls (Fraught Outfit/Neon)

Stephen Nicolazzo – Psycho Beach Party (Little Ones Theatre/Theatre Works)

For Production

proudly sponsored by the Melbourne Fringe Festival

M + M (Daniel Schlusser Ensemble, Theatre Works/Melbourne International Arts Festival)

On the Bodily Education of Young Girls (Fraught Outfit/Neon)

Savages (fortyfive downstairs)

The Sovereign Wife (Sisters Grimm/Neon)

They Saw a Thylacine (Melbourne Fringe Festival)

For Writing

proudly sponsored by the Melbourne Theatre Company

Angela Betzien – The Tall Man (La Mama)

Patricia Cornelius – Savages (fortyfive downstairs)

Emily Collyer – The Good Girl (Melbourne Fringe Festival)

Declan Greene and Ash Flanders – The Sovereign Wife (Sisters Grimm/Neon)

Sarah Hamilton and Justine Campbell – They Saw a Thylacine (Melbourne Fringe Festival)

 

Music Theatre

For Actress In A Leading Role

proudly sponsored by the Ron & Margaret Dobell Foundation

Rachael Beck – Chitty Chitty Bang Bang

Alinta Chidzey – Singin’ In The Rain

Esther Hannaford – King Kong

Clare Lyon – Pirates Of Penzance

For Actor In A Leading Role

proudly sponsored by the Ron & Margaret Dobell Foundation

Rohan Browne – Singin’ In The Rain

Bobby Fox – Hot Shoe Shuffle

David Harris – Legally Blonde

For Actor In A Supporting Role

Tyler Coppin – Chitty Chitty Bang Bang

Michael Griffiths – Jersey Boys

Matt Holly – Assassins

Nick Simpson-Deeks – Assassins

For Actress In A Supporting Role

Helen Dallimore – Legally Blonde

Nancye Hayes – Sunday In The Park With George

Christina Tan – Gypsy

Jennifer Vuletic – Chitty Chitty Bang Bang

Christie Whelan-Browne – Singin’ In The Rain

For Ensemble

‘The Tap Brothers’ – Hot Shoe Shuffle

The King’s Men – King Kong

Company – The Tap Pack

Betty Pounder Award For Excellence In Choreography

proudly sponsored by the Tripolino Family

David Atkins & Dein Perry – Hot Shoe Shuffle

Jesse Rasmussen, Jordan Pollard, Thomas Egan – The Tap Pack

For Musical Direction

proudly sponsored by the Tripolino Family

Michael Azzopardi – Jersey Boys

Luke Byrne – Assassins

Peter Casey – Chitty Chitty Bang Bang

David Stratton – Hot Shoe Shuffle

For Design (Lighting)

Peter Mumford – King Kong

Matt Scott – Chitty Chitty Bang Bang

For Design (Sound)

Kelvin Gedye  –  Chitty Chitty Bang Bang

Peter Hylenski – King Kong

Michael Waters  – Hot Shoe Shuffle

For Design (Set/ Costume)

The Car – Chitty Chitty Bang Bang

Dale Ferguson (Set) – Pirates Of Penzance

Roger Kirk (Costume) – King Kong

For Direction

There was only one nomination in this category. It will be announced on the night.

 

Opera

For Best Director

Christopher Alden – Partenope (Opera Australia)

Roger Hodgman – Nixon in China (Victorian Opera)

Cameron Menzies – The Magic Pudding (Victorian Opera)

Alex Ollé  – A Masked Ball (Opera Australia)

For Best Production

A Masked Ball – Opera Australia

Nixon in China – Victorian Opera

Partenope – Opera Australia

For Best Conductor

Daniel Carter – Magic Pudding (Victorian Opera)

Andrea Molino – A Masked Ball (Opera Australia)

Fabian Russell – Nixon In China (Victorian Opera)

For Best Female Lead

Csilla Boross – ‘Amelia’ (A Masked Ball, Opera Australia)

Catherine Carby – ‘Arsace’ (Partenope, Opera Australia)

Donna-Marie Dunlop – ‘Leonore’ (Fidelio, Melbourne Opera)

For Best Female In A Supporting Role

There was only one nomination in this category. It will be announced on the night.

For Best Male Lead

Jósé Carbo – ‘René, Count Ankarström’ (A Masked Ball, Opera Australia)

Bradley Daly – ‘Mao Tse-tung’ (Nixon in China, Victoria Opera)

Barry Ryan – ‘Richard Nixon’ (Nixon in China, Victorian Opera)

Diego Torre – ‘Gustav III of Sweden’ (A Masked Ball, Opera Australia)

For Best Male In A Supporting Role

Kanen Breen – ‘Emilio’ (Partenope, Opera Australia)

Michael Honeyman – ‘Amonasro’ (Aida, Opera Australia)

David Parkin – ‘Count Horn’ (A Masked Ball, Opera Australia)

For Best Design

Alfons Flores (set), Urs Schönebaum (lighting) – A Masked Ball (Opera Australia)

Chloe Greaves (set and costume), Peter Darby (lighting) – The Magic Pudding (Victorian Opera)

Andrew Lieberman (set), Jon Morrell (costume), Adam Silverman (lighting) – Partenope (Opera Australia)

Matt Scott (lighting) – Nixon in China (Victorian Opera)

For Ensemble

There was only one nomination in this category. It will be announced on the night.

 

Theatre Companies

For Female Actor

Alison Bell – ‘Marianne’ Constellations, Melbourne Theatre Company

Julia Blake – ‘Vera’ 4000 Miles, Red Stitch Actors’ Theatre

Julie Forsyth – ‘Mrs Van Amersfoort’ The Book of Everything, Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

Zahra Newman – ‘Camae’ The Mountaintop, Melbourne Theatre Company

Alison Whyte – ‘Performer’ The Bloody Chamber, Malthouse Theatre

For Male Actor

Jacek Koman – ‘Edgar’ Dance of Death, Malthouse Theatre

Bert LaBonté – ‘Dr Martin Luther King Jr’ The Mountaintop, Melbourne Theatre Company

Brian Lipson – ‘Deputy Governor Danforth’ The Crucible, Melbourne Theatre Company

Ian Meadows – ‘Trip Wyeth’ Other Desert Cities, Melbourne Theatre Company

Steve Mouzakis – ‘Lophakhin’ The Cherry Orchard, Melbourne Theatre Company

For Ensemble

The Book of Everything – Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

4000 Miles – Red Stitch Actors’ Theatre

The Shadow King – Malthouse Theatre

Super Discount – Back to Back Theatre, Sydney Theatre Company & Malthouse Theatre

War Horse (Ensemble of Horse puppeteers) – National Theatre of Great Britain and Global Creatures present in association with Arts Centre Melbourne

For Lighting Design

Rachel Burke – Solomon and Marion, Melbourne Theatre Company

Amelia Lever-Davidson – Fox Finder, Red Stitch Actors’ Theatre

Andrew Livingston (Bluebottle) – Super Discount, Back to Back Theatre, Sydney Theatre Company & Malthouse Theatre

Danny Pettingill (Bluebottle) – Other Desert Cities, Melbourne Theatre Company

Matt Scott – The Mountaintop, Melbourne Theatre Company

For Set and Costume

Kim Carpenter – Set and Costume, The Book of Everything, Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

Anna Cordingley – Set and Costume, The Bloody Chamber, Malthouse Theatre

Callum Morton – Set Designer, Other Desert Cities, Melbourne Theatre Company

Peter Mumford – Set Design, Fox Finder, Red Stitch Actors’ Theatre

Anna Tregloan – Set and Costume, The Dragon, Malthouse Theatre

For Sound/Composition

Marco Cher-Gibard (Sound Design) – Super Discount, Back to Back Theatre, Sydney Theatre Company & Malthouse Theatre

David Chisholm (Composer) and Jethro Woodward (Sound Design) – The Bloody Chamber, Malthouse Theatre

Steve Francis (Composer/Sound Designer) – Other Desert Cities, Melbourne Theatre Company

Iain Grandage (Composer) – The Book of Everything, Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production.

Tripod – Scott Edgar, Steven Gates & Simon Hall (Music, Lyrics and Performance) – The Dragon,Malthouse Theatre

For Direction

Neil Armfield – The Book of Everything, Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

Kat Henry – Fox Finder, Red Stitch Actors’ Theatre

Michael Kantor – The Shadow King, Malthouse Theatre

Matthew Lutton – The Bloody Chamber, Malthouse Theatre

Simon Stone – The Cherry Orchard, Melbourne Theatre Company

For Production

The Book of Everything – Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

The Bloody Chamber – Malthouse Theatre

The Cherry Orchard – Melbourne Theatre Company

Fox Finder – Red Stitch Actors’ Theatre

The Shadow King – Malthouse Theatre

For Writing/Adaptation for the Australian Stage

Beached, Melissa Bubnic, Melbourne Theatre Company

The Book of Everything (by Guus Juijer) Richard Tulloch’s Adaptation, Melbourne Theatre Company presents A Belvoir and Kim Carpenter’s Theatre of Image co-production

Roam, Adam Cass, Red Stitch Actors’ Theatre

The Shadow King, Co-created by Tom E. Lewis & Michael Kantor Malthouse with translation by the cast.

The Stories I Want to Tell You In Person, Lally Katz, Malthouse Theatre and Belvoir Theatre Company.