18
Feb
20

KURIOS – Cabinet of Curiosities

 

KURIOS

Le Cabinet des Curiosites

Cirque du Soleil

Grand Chapiteau, Northshore, Hamilton

January 10 – February 23 2020

 

Reviewed by Xanthe Coward

 

The roar of joy that set the worlds in motion

Is reverberating in your body

And the space between all bodies…

 

The Radiance Sutras by Lorin Roche, PHD

 

 

 

Behind every challenge, there are always beautiful risks.

Chantal Tremblay, KURIOS Creative Director

 

ONLY 10 Brisbane shows left!

 

Circus has always been about coming together in awe and wonder, laughing and gasping, shouting and applauding, recognising and celebrating, and expressing the collective roar of joy beneath the Big Top, marvelling at the breathtaking, beautiful business on stage of taking human potential to its limits. No one can create this space, in which time stops still for more than 90 minutes, quite like Cirque du Soleil can. 

 

If you’ve been following @xsentertainment on socials, you will have noticed that my worlds have been less about live theatre lately and more about our inner theatre, however; as these worlds so beautifully and naturally converge, it should come as no surprise that any further study/work/play with actors and non-actors, all looks and sounds a little a LOT similar. In fact, I’ve just about given up trying to tell people what I “do” and have started telling people who ask, that if they think it would be of some use to them, I’ll happily “be” right by them when they need. This is a new brand of life force coaching and creative facilitation. You don’t have to be a performer to get it, or to get the benefits from it – you just have to be human. 

 

As an instinctive meditation coach and change maker, I see all my worlds and possible futures coming together; making sense of working in theatres, private studios, and school settings for so long, travelling, and writing and responding to live theatre and lived experience; it all begins to make more sense than ever, as it becomes crystal clear to me that we all need the same – but different – very personal support. 

 

 

KURIOS: Cabinet de Curisotes dabbles less in the darker aspects and revels much more in our playfulness and childlike curiousity of life, making it the perfect entertainment and escape for all ages.

 

In an alternate yet familiar past, in a place where wonders abound for those who trust their imagination, a Seeker discovers that in order to glimpse the marvels that lie just below the surface, we must first learn to close our eyes . . .

We are in a future past – a Thomas-Edison-meets-Jules-Verne retro-future. We are now or never.

Close your eyes and open your heart. Now look again and behold the wonder. Seize it!

 

 

Cirque virgins and long-time lovers alike will enjoy KURIOS: the Cabinet of Curiosities, written and directed by Michael Laprise. We delight in its steampunk inspired style, and some slightly different acts, though during the Brisbane Premiere, those that are a little less physically daring – the yo-yo and the invisible circus – appear to be the most under-appreciated. The skill required to perform such a short, fast paced, double yo-yo piece is undeniable, however; this act perhaps falls short of some expectations.

 

Looking a little like my favourite Woodfordian postie, Astrid (AKA Zen Zen Zo’s Gina Limpus, recognised this week as the Bille Brown Best Emerging Artist in Brisbane at the Matilda Awards), our Aerial Bicycle artist is suspended mid-air, performing a number of amazing and amusing upside-down tricks.

 

 

The quickest, slickest contortionists ever, appearing as splendidly coloured electric eels, twist and turn themselves into incredible balances and pyramids on top of a fully mechanised hand, crawling downstage like a giant crustacean emerging from the rock pools at low tide. This is a masterclass for physical performers, in timing, precision, specificity and dynamic stillness.

 

A Russian Cradle Duo appears from their music box to perform a thrilling aerial act 4 metres above us. The Strongman flings a porcelain-faced ballerina into the air, allowing her to achieve somersaults of increasing complexity in the space above him. He is stoked each time they succeed; it’s gorgeous to see and hear his roar of joy intermingle with the appreciative sounds from the audience.

 

Rola Bola features a suave Lazytown style aviator, balancing on a teetering structure of cylinders and planks, which he constructs inside a trapeze Washington, the ultimate balance test as it swings like a pendulum; incredible.

 

The largest acro net in the world becomes the setting for my favourite act and the highlight of the show; featuring Australian acrobats, Fletcher Donohue and Nathan Dennis; it becomes home to an incredible ensemble of wriggling sea creatures, childlike, cheeky, a little bit crazy! These flying fish leap higher than we imagine might be possible, but isn’t that the point? Not only does this act celebrate its unique and quirky characters, it relishes its daredevil nature and a terrific sense of humour, before making way for the more serious and serene Continent of Doubles. Their aerial straps and extraordinary strength and grace allow them to soar through the air as if they were on broomsticks in a Quidditch field, pure magic. The program notes suggest that this act is an ode to individuality, emancipation and cooperation.

 

One of the world’s 10 smallest people, Australia’s Rima Hadchiti, stands at 3.3 feet tall and as Mini Lili, represents the intuitive mind of Mr Microcosmos, the embodiment of technological progress. She lives in a tiny Victorian world and adds elegance, refinement and subtle humour to the show. 

 

Building on the notions of brotherhood and the Catalan tradition of castells (castles), the Banquine acrobats are perfectly synchronised, and the epitome of strength, poise, perfect focus, connection and teamwork.

 

I adore Sophie Guay, Canadian chanteuse/street singer, reminding us how insignificant words can be when the voice itself will do (her scat is fantastic), and a lively, vibrant band featuring French cellist, Guillaume Bongiraud and Australian drummer, Paul Butler. This might be my new favourite upbeat soundtrack.

 

KURIOS is the joyous recognition – in the same vein as The Greatest Showman or Baz Luhrman’s brilliant can can sequence in Moulin Rouge – of the magic and beauty of all our unique differences, our crazy similarities, and our basic daily requirement for awe, wonder, connection and celebration.

 

 

Cirque du Soleil, the circus of the sun, continues to raise the bar; there is no show on earth quite like the world created each time, for all people, everywhere. How can we even expect the best to be bettered? Somehow, there continues to be something for everyone; the medicine to treat every ailment. And there’s never been a better (darker, more challenging, more taxing) time to bring some extra light and utter delight into our world. Whether it’s your first or tenth time under the Big Top – and the new grey and white one is a beauty – there is so much on offer here. Miss it and miss another opportunity, presented by artists on a silver platter, to savour the pleasure you remember from another time and place. The theatre – music, circus, dance, magic – is still the easiest way to find it!

 

Splurge and experience the full VIP package or book a Backstage Tour, and a Meet and Greet!

 

Love is inside you

Life is beautiful

Life is more powerful than fear

We are with you

We are with you

We are with you

Courage

Everything is possible

 

 


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