27
Aug
18

Any Moment – a new musical by Bradley McCaw

 

 

Set over the course of 24 hours, Bradley McCaw’s original two Act revue is inspired by such works as Closer Than Ever, I Love You You’re Perfect Now Change and Songs For A New World.

 

 

Each song and scene take place in the one town, as the musical drops into different people’s lives through the course of a single day. We begin at midnight, and progress through the ‘every day stories’ that unfold minute by minute. Hour by hour.

 

 

Inspired by the famous John Lennon quote, ‘Life is what happens while you’re busy making other plans’ Any Moment explores what a minute in time truly represents. What purpose does a day hold? What unfolds in those little moments that happen without us noticing? It aims to highlight the beauty and fragility life, asking if the ultimate unifying theme for all human beings, is that all of our lives will play out… one moment at a time. Who knows what will and could happen… Any Moment.

 

 

Bradley McCaw, Lauren McKenna and Lizzie Moore had a wonderful chat about the project…

 

To create this album, OFPC is rewarding supporters of the project via a Kickstarter campaign. How does that work?

Brad: It’s a way of bringing in people at the beginning – for them to be part of making art happen by purchasing a ticket to a VIP concert event and have an original song written for them or someone they love!

 

Lizzie: This way, supporters become part of the creation of a brand-new Australian work. We’re building awareness of this wonderful musical, Brad’s work and as artists, we all come out of the project with a deeper level of involvement and sense of ownership AND an amazing studio recording of our vocals!

 

As performers and presenters/producers, how do we better support each other?

Lizzie: I am really passionate about engaging with artists and creatives who are looking to offer a hand down or a push up. I have found that the Australian industry is full of incredible talent but there can be an element of competing for scarce resources rather than buoying other people up. By supporting Australian creatives and new work, we lift the industry as a whole, and we build a greater and more engaged audience as well.

Brad: When I started out making theatre, I certainly felt less confident in my abilities and was really stubborn and found it hard to listen and engage with other professionals. Now, being a little older… I can overview what I do well and what I need to improve – to get to learn from other artists is genuinely one of my favourite things to do. To hear an artist sing my song and bring it to life – revealing both its flaws and the beauty in it – it such a privilege – because their skills make it possible for me to use mine. Perhaps that’s another way of looking at ‘support’ – that it can also be a process giving other artists room to do what they do well – and letting that improve and strengthen what you do and create.

What have you been doing recently?

Lauren: I have just finished up working on a play, Puffs: Or Seven Increasingly Eventful Years at a Certain School of Magic and Magic for the record-breaking season at The Alex Theatre in Melbourne. I am now working on an exciting new project called Mad World. It is an immersive theatre experience inspired by Alice in Wonderland and I am on board as Resident Director. 

Lizzie: The last 12 months for me have included a lot of touring all over Australia with Coal Miner’s Daughter (with country star Amber Joy Poulton as Loretta Lynn and me as her bestie Patsy Cline). We got to bring the show to Queensland for the first time— we sold out 4 performances at the QPAC Playhouse, which was exciting. I’ve also been working on a show with jazz legend Dan Barnett called Gin Swing.

Brad: Recently, I’ve been developing a new podcast called Making a Musical. I was in New York City speaking with writers, producers, marketers, folks on the street buying nick knacks – trying to tangibly understand why people like musicals – and what makes them a success. Season One takes place in New York.

Describe the moments that led you into showbiz?

Lauren: The moment I always revisit in my mind is my year 4 teacher Mr. Cowan suggesting I audition for a community theatre production of The Secret Garden. They were looking for a 10-year-old girl to play the lead role of Mary Lennox. My very eccentric mother stormed into the church hall and announced, “My daughter doesn’t know the song from the show but she’ll be singing Castle on a Cloud from Les Miserables!” 

 

Lizzie: Castle on a Cloud! I have a strong memory of treating one of my mum’s friends to an interpretive dance version, which involved a broom and a pillow as props. That song is a gift that keeps on giving!

 

 

Brad: I heard a recording of Anthony Warlow singing This is the Moment from the live Main Event record. I literally stopped what I was doing, sat down, staring at the cd disc spinning in my walk man… It was like a scene from a film. And I was hooked.

What will you cherish about this process / project / company?

Lizzie: It will definitely be the opportunity to be part of a project with so many talented performers, who are based in or have strong ties to Queensland. I am always excited to be able to work in my adopted home city.

 

Lauren: I love working in Brisbane.  Any excuse to get back up here and be a part of this incredibly rich and thriving arts scene is always welcomed.  The people here are a total joy to work with- passionate, hardworking and it is refreshing to be involved in this incredible project with so many wonderful Brisbane based artists. 

 

Brad: Honestly, working with people like Lizzie and Lauren is a real treat. I don’t take it for granted that to get something off the ground takes a lot of work and a lot of people saying – yes that’s a good idea! To have people willing to spend longer than a coffee date with you is a privilege! And to learn from them, with them, to make songs for their voices that will forever be apart of the musical theatre landscape – that’s the good stuff for me.

How do you make the moments count?

Lauren: Stop. Breathe. Enjoy. Share.

Brad: I can’t answer, sorry. I’m too busy doing exactly what Lauren said. She’s spot on!

What are your favourite moments / events in an ordinary 24hr period and what makes an ordinary moment extraordinary?

Lauren: I think there is something special about doing mundane things with passion and love. Making a cup of tea for someone? Make it with love. Savour even the simple walk to your mailbox. Life is so short – be unapologetically passionate and always full of love.    

Lizzie: I completely agree. Some of the most special parts of my day are the little ones: hearing the whirr of the coffee machine (my husband is making me a coffee!), drinking my first coffee (I have a problem) and the furiously wagging tails of my dogs Digby and Dudley when I arrive home – love and excitement turned up to maximum!

Tell us about recording this album? What was the best part? What was challenging?

Brad: it’s unfolding all at once. So with so many incredible artists we have a strict timeline for offering the pre-sale, but also recording at the same time. So I’m meeting with artists to workshop the song – then I’m orchestrating at various coffee shops around Brisbane… Then meeting with the band in the studio the next day.

 

It’s funny – I was just in New York and I sat down with someone from COME FROM AWAY, who outlined the exact same thing – that bringing that show to life and improving it and fixing it, while getting it to an audience is such a unique and strangely stressful but enjoyable process. And people like myself – don’t want to be doing anything else!

 

What do we need to see / continue to see in Australian musical theatre? What are your favourite aspects of our live entertainment scene? (And again, why do we need to support this project!).

Brad: There are so many causes in need of our time and effort. I personally, work on new art because I have always done so, and it is something that I enjoy and have made a living from. I would be foolish to say ‘ONLY SEE AUSTRALIAN MUSICALS!’ Because I couldn’t even do that!? But I feel there is a place for Australian stories, made here in Brisbane and around the world to find a place on our stages, the challenge for all of us is there doesn’t appear to be an overwhelming number of bridges that lift our stories to the centre of public attention – and without reaching a mass amount of people – it’s difficult to convince investors to give you a large suitcase of money to sing some show tunes!

What do you love about Bradley’s Old Fashioned Production Company? Is anyone else doing anything like this?

Lizzie: I think OLDFPC came about from Brad attempting to share his music and plays with an audience. Seeing his work develop and his craft grow you start to see a road that led to here, where he will – at the drop of a hat – tell you about his big dreams for the company – for it to become a home for new musicals and the artists that create them. I think Brad brings a unique skill and perspective – being so involved in musical theatre from different areas that makes OLDFPC particularly passionate and skilled at the craft of making musicals.

Brad: OLDFPC don’t stage existing theatre works – which I feel makes us different from other companies. We just focus on making new works and building a bridge between the audience and the artist from around the world, who both desire to experience something entertaining and new.

 

LAUREN MCKENNA

Lauren graduated from the Victorian College of the Arts in 2011 as part of the inaugural Bachelor of Music Theatre class. Her breakout performance was in 2015 when she played the dual role of Martha/ Ms Fleming in the critically acclaimed production of Heathers at Hayes Theatre Co. which toured Australia in 2016. This earned Lauren rave reviews and the Sydney Theatre Award for Best Newcomer. 

Lauren performed her dream role of Tracy Turnblad in Hairspray Arena Spectacular tour in 2016 and as Jan in Grease Arena Experience tour in 2017 and 2018 (Harvest Rain).  Lauren has also appeared as Anathema in Good Omens (Squabbalogic), Heidi in [title of show] (Understudy Productions), Babette in La Cage Aux Folles (TPC), Jewel in The Best Little Whorehouse in Texas (Mystery Musical for Squabbalogic) and Gwendolyn in The Importance of Being Earnest (Citizen Theatre).  Most recently, Lauren was swing (U/S Leanne/Susie/Sally) for Puffs: Or Seven Increasingly Eventful Years at a Certain School of Magic and Magic (TEG Live).  Lauren will soon perform the role of Rose in Meet Me In St. Louis for Neglected Musicals at Hayes Theatre Co. 

Lauren is a proud member of Actor’s Equity and is represented by Working Management.

In addition to performing, Lauren also works as a director, collaborator and acting coach.  She is passionate about mentoring young aspiring artists. 

 

Lizzie Moore is a singer and actor who has appeared on stage in London, New York and throughout Australia. She’s most recently appeared in The Last Five Years at Brisbane Powerhouse and has been touring Australia as Patsy Cline in the smash hit Coal Miner’s Daughter with country star, Amber Joy Poulton.

As a cabaret and concert performer, Lizzie has headlined for Sydney Festival, Ten Days on the Island and Festival of Voices; her show Cool Britannia was the fastest selling show at the 2015 Queensland Cabaret Festival, and her one-woman show On A Night Like This played to sell-out houses at Brisbane Powerhouse, Adelaide Cabaret Festival, Chapel Off Chapel and BL_NK in London.

In New York, Lizzie appeared Off-Broadway and Off-Off-Broadway: credits include Hot and Sweet (with Katie Finneran and Lea Michelle), La Femme Est Morte, You People, and Closer.

Lizzie’s theatre credits include Heidi in the Broadway musical: [TITLE OF SHOW] (The Seymour Centre/Squabbalogic), Hattie in Kiss Me Kate (Opera Queensland/QPAC), as Mary Magdalene in Jesus Christ Superstar (Arts Centre Gold Coast), Deb in Ordinary Days (Tasmanian Theatre Company), Sally Bowles in Cabaret (Playhouse Theatre), Miss Adelaide in Guys and Dolls (Darwin Entertainment Centre), the original company of Anthony Crowley’s The Wild Blue and Tin Hotel (Darwin Festival).

Lizzie is a graduate of the Ballarat Academy of Performing Arts with a Bachelor of Arts (Music Theatre) and is represented by BMEG. www.lizziemoore.com

 

 

BRADLEY MCCAW

Bradley McCaw is a multi-instrumentalist, composer/playwright, performer, and orchestrator. His musical theatre works include The Oasis, A Little Princess, Any Moment and Becoming Bill. His published plays include The Game and Everybody’s Doin’ It.

He has received National awards from Queensland Theatre, New Musicals Australia, and Home Grown. As a performer he toured the world with International singing group The Ten Tenors, and was the winner of the 2012 International Cabaret Showcase touring his one-man show to festivals worldwide, including a sold out show on Broadway’s 42nd street (USA).

His recordings, Highlights from Becoming Bill, and Cabaret: Unauthorised Biography are available online www.bradleymccaw.com

 

To secure a personalised private performance by Bradley McCaw and an Any Moment cast member, pledge AU$1000 or more via Kickstarter

 

 

Any Moment features 17 new songs performed by: Kurt Phelan (She Loves Me, American Idiot), Tom Oliver (The Voice, Velvet), James Shaw (Chicago, Mamma Mia USA), Lizzie Moore (The Last Five Years, Kiss Me Kate), Lauren McKenna (Hairspray, Puffs), Trevor Jones (International Piano Man and leading academic), Judy Hainsworth (First World White Girls, Babushka Cabaret), Emily Kristopher (Single Asian Female), Alex Woodward (Underground Broadway Founder), Irena Lysiuk (The Owl & The Pussycat), Stephie Da Silva (Rent), Shaun Kohlman (Bare, Opera Queensland) and Kathryn McIntyre (Ladies in Black, Twelfth Night).


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