10
Apr
16

Hairspray

 

Hairspray
The Big Fat Arena Spectacular
Harvest Rain
Brisbane Convention & Exhibition Centre
April 8 – 10 2016

 

Newcastle July 2016 / Adelaide October 2016 / Perth January 2017

 

Reviewed by Xanthe Coward

 

hairspray1

15th – 16th JULY 2016

NEWCASTLE ENTERTAINMENT CENTRE 

 14th – 15th OCTOBER 2016

ADELAIDE ENTERTAINMENT CENTRE

20th – 22nd JANUARY 2017

HBF STADIUM PERTH

If you’re a HR Supporter, you will have seen this message (below) from Producer, Tim O’Connor. If not, here it is so you can consider moving on and becoming one. Yes, Brisbane, I’m talking to you. I know you’re reading this. So many of you still have something to say about this company, and I love that that I’m starting to hear some recognition now, for a genius business model and the company’s ongoing commitment to creating opportunities for young artists. Credit where credit’s due, people, regardless of whether or not you, personally, would pay to be in a show.

 

hairspray_ensemble

 

Our arena production of HAIRSPRAY closed not long ago in Brisbane. We were so proud of the production and the fact that it was seen by over 13,000 people across 5 sold out performances, and featured a mass ensemble of 900 young local performers. Being able to create an opportunity where so many young dreamers could connect with and perform alongside some of the country’s biggest stars like Simon Burke, Christine Anu, Tim Campbell, Amanda Muggleton, Wayne Scott Kermond and of course the incredible Lauren McKenna was one of the greatest joys of my career. On closing night, I took time to hang around backstage and chat with the talented members of the mass ensemble and hear their stories about how being part of the show changed their life. So many of them told me about how they are bullied at school for their love of singing, acting and dancing, but when they came to HAIRSPRAY they were shocked because instead of being bullied they were celebrated for their passion. They found like-minded friends, and many of them felt loved and accepted by their peers for the first time in their lives. It was extraordinary to hear their stories, and realise the show was much more than just a piece of entertainment – it was a life affirming and self-esteem building experience for hundreds of teens from all across South East Queensland.

At Harvest Rain, we want to create theatre that is both meaningful and entertaining. We want to be a beacon of hope for young dreamers with a passion for the arts. We want to help these young stars on their journey by connecting them up with professionals who’ve walked their path before them. We want to make a difference.

So, after 31 years of producing high quality musical theatre productions in Queensland, Harvest Rain is spreading its wings and hitting the road, taking its special brand of theatre magic all across the country! Now young performers in capital cities across Australia will have the opportunity to follow their dreams as part of the HAIRSPRAY experience, when we take the show to arenas in Newcastle, Adelaide, Perth and more over the coming months!

At Harvest Rain, we want to create theatre that is both meaningful and entertaining. We want to be a beacon of hope for young dreamers with a passion for the arts. We want to help these young stars on their journey by connecting them up with professionals who’ve walked their path before them. We want to make a difference.

So, after 31 years of producing high quality musical theatre productions in Queensland, Harvest Rain is spreading its wings and hitting the road, taking its special brand of theatre magic all across the country! Now young performers in capital cities across Australia will have the opportunity to follow their dreams as part of the HAIRSPRAY experience, when we take the show to arenas in Newcastle, Adelaide, Perth and more over the coming months!

This is a significant moment for Harvest Rain as we move towards becoming an arts organization with a significant national presence. By the end of this year, over 4,000 young people will have taken part in the amateur mass ensemble ofHAIRSPRAY somewhere in Australia. That’s an extraordinary number of lives being changed through this unique theatre training experience. We’re excited!

A venture like this is a costly exercise, and Harvest Rain still receives no financial support from the government, so we rely on ticket sales and donations to make this incredible experience become a reality.

If you believe that encouraging the dreams of the stars of tomorrow is important…

If you believe that helping young performers follow their dreams is vital…

If you believe that creating opportunities to improve the confidence and self-esteem of young performers is worthwhile…

…then please make a donation today as part of Harvest Rain’s Annual Donations Appeal.

We’re a registered not for profit organization so any donation over $2 is tax deductible. Your gift will change the life of a young Australian who loves the arts by making it possible for them to celebrate their passion with hundreds of other like-minded people across the country.

You can make a difference by donating today. For information on how you can donate, please click here

I appreciate your ongoing support, and thank you in advance for your generosity.

Let’s make something truly amazing happen together!

 

Tim xx

TIM O’CONNOR
CEO/Artistic Director
Harvest Rain Theatre Company

hairspray2

It’s 1962, and pleasantly plump Baltimore teen Tracy Turnblad has only one desire – to be on television dancing on the popular Corny Collins Show. When her dream comes true, Tracy is transformed from social outcast to sudden star, but she must use her newfound power to vanquish the reigning Teen Queen, win the affections of heartthrob Link Larkin and integrate a television network – all without denting her ‘do!

Holy security, Batman! When you attend a show at BCEC be prepared to present ID at the counter to collect your tickets and then hold onto your tickets. Don’t lose those tickets! You’ll need to show them again at the door after Interval. You’ll either feel super safe, or completely paranoid.

If you’re in Newcastle or Adelaide or Perth you can feel pleased that you haven’t yet missed this fun mega-show. Harvest Rain’s Hairspray (the big fat arena spectacular) is a flurry of smiling faces and joyous voices, and with its mass ensemble of 950 kids, it’s record-breaking; the largest production of Hairspray ever staged, directed and choreographed by Callum Mansfield (he choreographed the company’s 2012 production) with musical direction by Dennett Hudson.

Question: does anyone else care when there are no live musicians in sight at a musical?

The core cast is strong, with delightful, powerful performances from Christine Anu as Motormouth (I Know Where I’ve Been is a showstopper), Simon Burke as a gruff and affecting Edna Turnblad, Wayne Scott Kermond in his best role to date, Edna’s husband Wilbur (in Act 2, their rendition of You’re Timeless to Me make Simon Burke and Wayne Scott Kermond musical theatre meets vaudeville royalty), and Lauren McKenna as Tracy is ideal. We loved McKenna in Heathers and in her dream role here (already? What next then for McKenna?!) she nails the character, and she can mix and belt with the best of them.

Lollipop-sucking, scene-stealing Emily Monsma makes a fabulous, cheeky Penny, and Barry Conrad a sexy, soulful Seaweed. Channelling Cruella de Vil, Amanda Muggleton lavishes her role as Velma Von Tussle, and channelling Buble, Tim Campbell is a smooth, crooning Corny Collins. Dan Venz brings Link Larkin to life and with more consistent work on his vocals, if it’s what he wants, Venz will no doubt land similar roles in the future.

How fortunate for the younger members of this company to have had the privilege to work alongside actual singers, who depend more upon technique, discipline, good pitch and natural vocal quality than on a reality television network for their success. Producer Tim O’Connor told ABC Radio, “The whole heart of the arena spectacular is to create a pathway, a connecting point, between the young dreamers and the doers, the people like Simon Burke and Christine Anu and Tim Campbell”.

 

hairspray_tracy

 

With a multi-level design signifying no particular time or place (unless we are to see, simply, the increasingly concreted city of Baltimore in the sixties, and by extension, every American city), Josh Macintosh has had some fun here, creating ample space for performers to play. Trudy Dalgleish has gone to town with a lighting design of suitably flashy rock concert colour.

Choreography for more than 900 kids of varying levels of ability and experience can’t be easy to create, but the Madison is nearly perfectly in synch and a few impressive Rock Challenge inspired moments delight the audience, including a Mexican Wave sequence that makes dominoes of the dancers.

 

hairspray1

 

An insipid sea of white inflatable fat suits & pink wigs must have seemed like a good idea at the time but this is a horribly misjudged reminder that money can’t buy good taste. It must have been a big fat spend in the budget and even thinking about it now – the memory of it is neither witty not funny – I don’t understand what the purpose could possibly be, other than to elicit a cheap laugh. It’s a flashback to the Harvest Rain of old, when somebody’s sense of humour or a lightbulb moment didn’t quite translate to the stage. It doesn’t fit the new picture of this company. Harvest Rain has grown (and matured) considerably, and recently extremely rapidly; they’ve created a genius production model and opened a hugely successful musical theatre training academy. They’ve been doing mostly amazing work for some time now. But this decision seems out of step with the creative concept for the show and feels like a hilarious late-night alcohol-infused inclusion. For the record, I see others in the audience who are loving it!

The sound is generally too loud for Poppy, who covers her ears at times; the levels are consistent with the rock concert approach and the scale of the production.

optikal bloc’s imposing IMAX screen stretches across the back of the performance space and shows on it animations in the style of the opening credits of Grease. But without a live feed to throw the performers’ faces across the same screen, it seems wasted.

 

hairspray_cast

 

If you want intimacy, and an up close and personal experience, there is probably no arena show on earth that will meet your expectations, but if you’re after a loud, large, fast and fun mega smash-hit show featuring a stellar core cast and hundreds of your local kids, you’ll LOVE this Hairspray.

See it in Newcastle (15 – 16 July), Adelaide (14 – 15 October) and Perth (20 – 22 January 2017)

 

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