22
Nov
14

Flaunt

 

 

Flaunt

Brisbane Powerhouse & Claire Marshall Projects

In association with Metro Arts

Brisbane Powerhouse

November 18–22 2014

 

Reviewed by Ruth Ridgway

 

BPH_Flaunt_1_20141-1180x663

 

 

We are exploring women’s gender, sexuality and power, and how it can be ‘socially inscribed’ on the body …

Claire Marshall, Director/Choreographer

 

Before the first performance of Flaunt, Powerhouse Artistic Director Kris Stewart made a short, impassioned speech about the Powerhouse’s support for independent dance artists such as Director/Choreographer Claire Marshall and her group of dancers. This support is partly funded by the drinks you buy at the Powerhouse, so drink up, everyone!

 

Flaunt opens with a woman climbing a ladder onto the roof of a metal-framed structure. She writhes and poses there. Later three others appear and two women manipulate the limbs of the others. The end of the work recapitulates these moments.

 

In between are a number of other short scenes. The women struggle to escape from behind a glass screen, on which images of sultry-looking formally dressed women are projected. They walk in the strange crossed-over way that models do, they pose and pout, and do some pole dancing moves, using the uprights of the shelter. At another point, the feel is of a nightclub, with very loud, pounding electronic sound. The soundtrack also features a robotic female voice discoursing on gender and sexuality.

 

In a creepy sequence, the dancers manipulate shop mannequins and dismember them. The cross-section of the bottom half of one mannequin is blood-red.

 

In her program notes, Marshall says the work is ‘about women and power’ – but only sexual power is on display here, and competition between women. The women appear to be trapped by their gender and sexuality, managing occasionally to break out and escape. The ladder offers a way out, but it’s narrow, and can take only one person at a time.

 

The overall impression of the design (Frances Hannaway) is of darkness, and entrapment – overlaid with allure. The costumes were mainly black and silver – dark silver leggings and black tops for the opening scene, clear plastic tops with crisscrossed strips of black, transparent white skirts that looked like organza, and dark silver tops with black bike shorts. They suited the dancers, and had a welcome elegance contrasting with the dark themes of the work.

 

The dancers (Mariana Parizo, Miranda Zeller, Amelia Stokes, Kirri Webb) were strong and athletic, demonstrating a power that their characters in this piece are denied. The strength of the movement, combined with the pouting and posturing that reproduce some of the stereotyped sexualised images of women, results in an uneasy mix of voyeuristic appeal, parody, and critique.

 

Flaunt is an hour long, with no interval. Sometimes the time dragged, and at others the work was absorbing. Final show tonight 7pm.

 

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