22
Jul
13

Nathan Sibthorpe Talks Short+Sweet 2013

Nathan Sidthorpe

This week Meredith caught up with Nathan Sibthorpe, this year’s Short+Sweet Festival Manager.

She found out what he’s been up to recently, and what you can expect at Short+Sweet 2013.

 

I saw your work with Delicacy, which was fantastic if not a little macabre; will you be bringing the same ferocity from your direction to the direction and management of the festival?

I had the pleasure of assistant directing DELICACY under the vision of Lucas Stibbard. DELICACY was a unique sort of play – the kind that makes your stomach turn yet leaves you hungry at the end. Although I don’t believe any vital organs are going to be severed, I know that there are a few plays in Short+Sweet that might give you those slightly uneasy feelings – but in only the best of ways! Of course in a strand of up to eleven short plays, I reckon there should be enough to satisfy anyone’s appetite. Kind of like theatrical tapas!

 

I know you’re managing both the Gold Coast and the Brisbane circuits. I can’t wait to see what you do in Kelvin Grove’s The Loft, but do you think it’ll be tough juggling the workload?

So Short+Sweet this year is made up of four strands, each featuring a selection of ten-minute plays by local artists. Two strands will be performed on the Gold Coast, and then two in Brisbane. All up there are about 35 short plays to keep the festival going. It’s a tough juggle at times, but all of the artists are fiercely independent, and their passion holds everything together! They’re very good at supporting the festival that supports them.

 

You claim to be the Geek-In Residence, what gives you such a title?

Ha! In actual fact, it’s the Australia Council for the Arts that gives me that title! Well, them in combination with Queensland Theatre Company. My role at QTC started off as a funded position from the Australia Council, as part of their Geek-in-Residence program. I was recognised as a theatre-maker who actively experiments with digital technologies in live performance. I’m also the Twitter guy, the video guy, and the “which iPad app could help me solve this task?” guy.

 

Can I get any gossip about what to expect at Short+Sweet 2013?

Well, I don’t want to give away too much…. But look out for sexy handcuff pranks, intricate shadow puppets, dangerous spontaneity, feminine hygiene in 19th century England, people finding love, people losing love, people inventing what love could be … Body bags, wrecking balls, serial killers, symbolic balloons, a mime, a pig, a runaway bride, the evil undead… Secrets will be declared, someone will be humiliated, fights will break out, cake will be spilled, someone will die, the world will end, and dancing will happen. In ten minutes or less.

 

I’ve seen a few articles now saying this year’s is going to be refreshing, is that just hype or can we expect something different?

I think the festival is really growing. This year the standard of work has been really exciting. We’ve got more artists, more plays, and some of the shows are really going to push beyond expectations. It’s particularly exciting to have people like Catarina Hebbard directing, not long after she directed a MainStage show at QPAC for Queensland Theatre Company…. And then Sven Swenson, an award-winning playwright contributing to the pool of scripts. It’s also worth noting that this year is my first year managing the festival – that’s something different for sure! I know I’m finding it refreshing!

 

Have you been dealing with the selection process directly? If so, what speaks to you as a worthy script and performance for the show?

I have been very closely involved with the selection process this year, which has been an absolute privilege. I’m really interested in scripts that can promise theatricality, that know how and why they are a piece of theatre. I also want these plays to surprise us, to show us something we haven’t seen before, or to make us feel as though we’ve been a part of something bigger. Diversity is also a key factor of this festival – to make sure that each play has a different flavour, something unique to offer. You might hate one that everyone else loves and then fall in love with one that nobody else understands.

 

I saw some of the shows at last year’s Short+Sweet festival in The Loft, would you borrow a leaf from last year’s book or try to make this your own creation?

I think this year will have a bit of a different feel to last year. As well as there being more plays, there are also bigger concepts and challenging forms. One play relies on skilful shadow puppetry; another tells a story using only one word at a time. The script selections were incredibly competitive this year, so I’m confident that we’ve got some very exciting stories to tell. I’ll also say that we’re often going to have a hell of a mess to clean up after the performances!

 

Last year’s winners were well deserved, but what’s in it for this year’s yet to be known victors of Short+Sweet 2013? What sort of prizes or accreditations can they expect and do you think it’ll launch some of the more independent or younger competitors? As much as it is a festival it is most certainly a competition too, we mustn’t forget that.

 

Additional prizes are not yet announced for this year, but every award comes with an original sculptural trophy hand-made by an emerging artist from the Brisbane Institute of Art. There’s also something to be said about the value of the accreditation! After I won the Best Director award in 2011, my CV suddenly started working in my favour. And you might remember Dead Puppet Society got their first big break after winning the Short+Sweet Award in 2009!

 

An exciting extra incentive has only been introduced in recent years – that the overall winner of Short+Sweet QLD will win a coveted spot in the Sydney Short+Sweet Festival in 2014! (SRT’s So Where Is It? won this coveted spot in 2012 – Ed).

 

It’s getting close to the show now, less than a month away. Would you do it all again if they asked you back next year?

For sure!

 

Thanks so much for chatting, Nathan. I look forward to seeing the show in August. 

Thanks Meredith, look forward to seeing you at the festival!

Short+Sweet 2013 dates will be running as follows. Make sure to get your ticket.

 

GOLD COAST

The Arts Centre, Gold Coast

 

STRAND ONE – MAINSTAGE
Tues 30 Jul, 7pm
Wed 31 Jul, 7pm
Thurs 1 Aug, 7pm
Fri 2 Aug, 7pm

 

STRAND TWO – WILDCARDS
Sat 3 Aug, 7pm
Sat 3 Aug, 7pm

 

BRISBANE

The Loft, Kelvin Grove

 

STRAND THREE – MAINSTAGE
Tues 20 Aug, 7pm
Thurs 22 Aug, 7pm
Sat 24 Aug, 7pm

 

STRAND FOUR – MAINSTAGE
Wed 21 Aug, 7pm
Fri 23 Aug, 7pm
Sat 24 Aug, 3pm

 

GALA FINAL
Sun 25 Aug, 3pm
Sun 25 Aug, 7pm

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